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Winsor & Newton All Purpose Varnish Aerosol

Starting at: £18.25

Provides clear, non-removable protection of craftwork. Suitable for a variety of surfaces (wood, metal, paper, modelling materials). Contains: Acrylic resin. High Gloss or Matt. Unable to send overseas. Learn More

Liquid Glass Mediums

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Starting at: £32.00

Renaissance Materials by Dr. David Cranswick.

A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

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Michael Harding Artists Oils Introductory Set of 6 40ml

Starting at: £55.50

INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More

Hing Clamps (per pair)

£16.00

Hinge clamps, these are zinc plated aluminium clamps for attaching screens to any surface to create printing bed. Clamp surface is 60mm wide, and will securely hold a frame depth of min: 12mm and max: 45mm. The clamps have counter sunk screw holes 6mm diameter and 30mm a part (centres). Clamp opens up to 90 degrees. Learn More

Wire Wool Grade 0000 225gsm

£6.70

Wire Wool Grade 0000 225gsm Learn More

Aisuki 3mm (Chisel Shape)

£28.00

The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Titanium White Pigment

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Starting at: £4.00

Titanium White, or Titanium Doixide, is an artificial mineral pigment introduced in the 1920s. It is valued for its opacity, good lightfastness, and stability in all media. Its high tinting strength can render it a dominant colour in mixtures. It is very slow drying in oil, and creates a somewhat brittle paint film, though more flexible than Zinc White. Its brightness makes it a popular addition to gesso.

Toxicity: B

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Viarco Vintage Grey Pencil Box

£9.85

Viarco vintage collection. The box contains 12 HB pencils. Learn More

Liquitex Acrylic Pouring Medium

Starting at: £20.80

Liquitex Acrylic Pouring Medium Learn More

Winsor & Newton Liquin Impasto

Starting at: £11.65

From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.

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Pilot G1 Metallic Rollerball

Starting at: £2.55

Metallic gel ink. Ideal for light or dark paper. Comfortable cushion grip. Broad 1.0mm. Learn More

Winsor & Newton Cold Pressed Linseed Oil

Starting at: £9.20

From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More

Winsor & Newton Ox Gall Liquid Medium

Starting at: £9.25

Improves flow of watercolours. Learn More

Liquitex Acrylic Slow-Dri Retarder

Starting at: £12.35

Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More

Winsor & Newton Picture Varnish Aerosol

Starting at: £18.25

Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More

Aisuki 1mm (Chisel Shape)

£28.00

The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Nitram Charcoal Petits Batons, Soft Round 6mm

£11.95

Nitram Charcoal Petits Batons Soft Round 6mm (5 sticks per pack) Learn More

Viarco Vintage Red Pencil Box

£9.85

Viarco vintage collection. The box contains 12 HB pencils. Learn More

Liquitex Acrylic Gloss Gel Medium

Starting at: £20.40

Adds texture. Increases colour brilliance & transparency. Use for thick glazes. Learn More

Gillott Drawing Pen Nib Holder

£3.50

Gillot Drawing Pen Nib Holder, in plastic Learn More

Liquitex Acrylic Gloss Heavy Gel Medium

Starting at: £20.40

Liquitex Acrylic Gloss Heavy Gel Medium Learn More

Winsor & Newton Retouching Varnish

Starting at: £9.20

Ketone resin/white spirit. White liquid dries to non-yellowing glossy film. Learn More

Michael Harding Non Absorbent Acrylic Primer - Clear Transparent

Starting at: £21.20

Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More

Pilot Extra Fine White Paint Marker

£5.80

Pilot Extra Fine White Paint Marker Learn More

Viarco Vintage Silver Pencil Box

£9.85

Viarco vintage collection. The box contains 12 HB pencils. Learn More

Liquitex Acrylic Gloss Medium and Varnish

Starting at: £20.40

Liquitex Acrylic Gloss Medium and Varnish Learn More

Light Duty Staple Gun R53E

Starting at: £25.90

Light Duty Staple Gun R53E Learn More

Nib Holder Marble Silver-Black

£2.90

Nib Holder Marble Silver-Black Learn More

Liquitex Acrylic Varnish High Gloss

Starting at: £46.45

Use as varnish over finished paintings. Learn More

Silverpoint Stylus, Artisan. Renaissance Workshop Materials

£180.00

Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

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