Search results for 'rco and 1 1 0'

A robust sketchbook with thread stitching to allow for smooth page turning. The natural white paper has superb abrasion properties, enabling you to effortlessly create broad strokes with pencil. The 140 gsm paper is suitable for dry painting techniques as well as light washes of watercolour Learn More

Mould-made, 50% cotton, surface sized and acid-free. 10 sheets per pad. Hot-pressed (HP) surface. 300 gsm. A4 and A3 pads are glued on the short edge, and A5 pads are glued on the long edge. Learn More

A glass slab with wooden cradle for the grinding of pigments.

The friction created between the sand-blasted surfaces of the glass slab and muller facilitates the thorough mixing of pigment and medium, creating a consistent and strong paint body. This slab can be used to manufacture many types of paint including watercolours, egg tempera and oils.

Mulling is of particular importance when making oil paint; simply mixing pigment and oil together using a palette knife will result in an unstable substance with poor plasticity, which contains a large amount of excess oil and unevenly distributed pigment particles. Thorough mulling in a figure-of-eight motion will enable the pigment to be fully combined into the binder, strengthening the resultant paint film.

PLEASE NOTE: The separate glass slabs are in stock but it is a call to order item due to the fact that we cannot guarantee its safe delivery, however well we package it. Please ring us to discuss your delivery options. In combination with the glass frame, delivery is more secure but we still cannot guarantee a delivery without breakage.

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Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

Limeproof

Toxicity: C

Please note, unfortunately we are not able to send this product outside the UK.

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PR233

Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.

Toxicity A

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Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.

Pipe Gamboge is available while stocks last. Larger quantities are available by request.

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Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More

Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More

CASANEO Wash brush oval pointed - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - Ideal for watercolour and liquid acrylic colours - Extremely high colour absorbing capacity - Finest, very smooth synthetic fibres Learn More

Mould-made, 100% cotton, gelatine tub sized, acid free, wire bound short edge. Available in HP, Cold Pressed (NOT) and Rough. 25 sheets per pad for 300gsm and 20 sheets per pad for 425 gsm. Learn More

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More

Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes, including: Moonlight, Purple Haze, Cosmic Blue, Indigo, Vine Black, and Phthalocyanine Blue Lake. Learn More

Michael Harding Watercolours, Primary Set, 6 x 15ml tubes, including: Chinese White, Yellow Lake, Scarlet Lake, Phthalocyanine Blue Lake, Burnt Sienna, and Raw Umber. Learn More

300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More

Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes, including: Warm White, yellow Ochre, Yellow Ochre Deep, Lavender, Ultramarine Blue, and Forest Green. Learn More

Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes, Including: Vivid Blue, Scarlet Lake, Aqua Green and Yellow Benzimidazolone. Learn More

Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More

-Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More

Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More

Arches Aquarelle paper is a mould-made, 100% cotton watercolour paper. It is available in hot pressed, cold pressed and rough surfaces. Gelatine tub sized internally and externally with four deckle edges, acid free and pH neutral.

Mail-order customers are able to buy this paper in packs of 5 or 10 sheets depending on the gsm. Single sheets are also available in our shop.

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Techniques of Icon and Wall Painting - Egg Tempera, Fresco, Secco by Aidan Hart. The most comprehensive description to date of the techniques, formulae and history of Icon and Wall Painting. The book is beautifully designed and over its 490 pages, there are 450 coloured images and 180 drawings. Cornelissen materials are included in the text and in the images. Learn More

- Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More

- Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished esagonal handles - Particularly suitable for watercolour and fluid acrylic colour - Extraordinary elasticity and extremely high colour absorption capacity - For watercolour and wash Learn More

Fabriano 5 paper is mould made and 50% cotton. Available in hot pressed and cold pressed surfaces. Surface sized and acid free. Learn More

Surface sized, wove, white, mould made, acid and wood free. Calcium carbonate buffered. Pack contains 25 sheets. Trimmed 4 edges. Learn More