Search results for 'Gilding materials f'
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Roberson Ormoline Medium
Starting at: £8.70
Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125ml of paint. Learn More -
HMG Acrylic Restoration Adhesive
£6.00HMG Acrylic Restoration Adhesive. Heat and waterproof adhesive for repairs to pottery, wood, porcelain, leather etc. Not suitable for use on rubber. 14ml. Learn More -
Shepherds Paste Brush
Starting at: £5.00
Archival paste brush. String bound bristles (no metal ferrule means it will not rust.) Soft and durable. For bookbinding and laying down of gesso, suitable for all adhesive pastes. Clean with warm water after use. In stock: No. 24 (discontinued, only a few left) Brush length 335mm Bristle Length 65mm Bristle Diameter 40mm No. 28 Brush length 345mm Bristle Length 75mm Bristle Diameter 45mm Learn More -
HMG B72 Restoration Adhesive
£7.70B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More -
Cornelissen Squirrel Mop
Starting at: £21.40
Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More -
Illumination Gold and Colour Book
£15.00Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More -
Maimeri Thinner for Restoration 75 ml
£8.80Call to Order
Maimeri Thinner for Restoration 75ml. Learn More -
Maimeri Strong Solvent for Restoration 75 ml
£22.00Call to Order
Maimeri Strong Solvent for Restoration 75ml. Learn More -
Green Felt Burnisher Pockets
Starting at: £4.00
Call to Order
Green Felt Burnisher Pockets (Please note, our short felt pockets only fit burnishers that are labelled as short handled. All other burnishers will fit in the long felt pockets) Learn More -
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Maimeri Retouching Varnish for Restoration 75 ml
£8.80Call to Order
Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More -
Xylene 1 litre
£18.00Call to Order
Strong solvent used in picture conservation and restoration. Learn More -
Lascaux Studio Bronze Colours 500ml
Starting at: £53.50
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lascaux Studio Bronze Colours 250ml
Starting at: £34.40
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lead Red Pigment (Minium)
Starting at: £7.30
Call to Order
PR105
Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.
Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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