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Japanese Shell Gold
Starting at: £28.00
Japanese shell gold in ceramic pans.
Shell gold, so named because it was historically made and stored in shallow shells such as mussel shells, consists of finely powdered genuine gold mixed with a variety of gums. This Japanese shell gold range is made using the highest quality handmade Japanese gold and precious metal powders bound with Nikawa gelatine glue.
Mix with a bit of water and apply in the same way as watercolour (a drop of oxgall can be added to break the surface tension) After drying, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Contains 0.4g Learn More -
Cornelissen Series 1855 Sable
£61.00Cornelissen Series 1855 Sable Brush Size 12. The box contain 1 x Artists' Quality Kolinsky Sable watercolour Brush and a brush soap. Learn More -
Sennelier Oil Pastels Large
Starting at: £11.50
Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 20% Discount for purchasing 4+ pastels. Learn More -
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Cornelissen Historical Inks, Forge Lamp Black
Starting at: £9.00
Prepared exclusively for Cornelissen following a Medieval English recipe, This handmade ink is produced in Cambridgeshire, from soot harvested from a working 19th-century forge, powered by charcoal and wood. Small batches of ink are blended to give the required consistency and strength. Forge Lamp Black is a thick, smooth non-waterproof ink that has good permanence. It can be watered down, and should always be shaken well before use. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency. Ingredients: Soot, gum Arabic, and clove oil.
Not suitable for fountain pens. Learn More -
Gamboge Powder
Starting at: £5.20
Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.
Pipe Gamboge is available while stocks last. Larger quantities are available by request.
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Cornelissen Pigment Set of 30 Colours
£130.00The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More
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Phthalo Blue Pigment
Starting at: £8.00
PB15:3
Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.
Toxicity: C
While stocks last
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Cobalt Violet Light Pigment
Starting at: £10.00
Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.
Limeproof
Toxicity: C
Please note, unfortunately we are not able to send this product outside the UK.
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Gamboge Pipe Pieces
Starting at: £22.00
Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.
Pipe Gamboge is available while stocks last. Larger quantities are available by request.
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Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
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Potters Pink Pigment
Starting at: £22.00
PR233
Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.
Toxicity A
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Daler Rowney Ivory Artist's Sketchbooks
Starting at: £13.25
The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More -
Empty Watercolour box for 24 half pans
£14.00Call to Order
This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More -
Mussini Luxury Wooden Chest
£1,442.95Call to Order
The Schmincke Mussini Luxury Wooden Chest contains 36 x 35 ml tubes, as well as many accessories, including palette knife, painting knife, palette cups, palette, mediums, charcoal and brushes. Learn More -
Artists' Giant Willow Charcoal Stick
£14.60Call to Order
Each stick measures approximately 53cm in length and 35-40 mm in diameter. Learn More -
Genuine Lapis Lazuli Watercolour 1/4 pan
£19.01Call to Order
Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
Schmincke Horadam Naturals Set Earths
£49.00Call to Order
Schmincke Horadam Naturals Set Earth Pigments 5 x 15 ml Celadonite Yellow Ochre Lalvarit Violet Caucasus Earth Green Slate Learn More -
Cobalt Blue Pigment
Starting at: £6.30
Call to Order
PB28
Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners named it to in the late-Middle Ages, as the presence of cobalt ore in the mines made the extraction of silver more difficult. They were possibly also aware of the toxic properties of the mineral that was frustrating their efforts.
Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.
Limeproof
Toxicity: C
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