Search results for: 'Mediums'

Superior Medium Soft Rubber Rollers

Starting at: £133.20

Medium/Soft Superior NBR Rubber Rollers available in 3 different width and 60mm diameter. Suitable for all fine printmaking applications including wood engraving, lino cut and wood cut. Solid metal handle. Learn More

Faber-Castell Pitt Brush Pens

Starting at: £3.65

Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Learn More

Ultramarine Blue Dark Pigment

3 Review(s) | Add Your Review

Starting at: £4.00

PB29

Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Korns Rubbing Ink

Starting at: £31.80

For creating textural and tonal effects. Learn More

Faber-Castell Pitt Compressed Charcoal

Starting at: £2.60

Faber-Castell Pitt Compressed Charcoal Learn More

Cornelissen Gilders Tips

Starting at: £17.50

Cornelissen Gilders Tips Learn More

Primed Linen

Starting at: £78.50

Primed Linen. 210 cm (84 inches) wide. Prices per meter. Learn More

Schmincke Artists Watercolour 5 ml Tube

Starting at: £6.35

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More

Fumed Silica

Starting at: £13.60

Call to Order

An inert substance with coarse texture and no colouring capability. Use in grounds and to provide tooth to mixed paints. Also used as an adulterant. Can be used for thickening acrylic and oil mediums. Learn More

Cornelissen Cotton Tote Bags

Starting at: £3.00

Call to Order

Cornelissen cotton tote bags. Medium 34 x 36 cm. Large 34 x 47 cm. Learn More

Gamblin Etching Inks 300ml

Starting at: £20.90

Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Learn More

Grey shades of Khadi paper in various sizes.

Khadi Grey Paper Packs

Starting at: £2.85

Handmade from 100% long fibred cotton rag. Acid free. Deckle edge. Tub sized (surface sized) with gelatine. Learn More

Translucent Orange Oxide Pigment

Starting at: £9.40

Translucent Orange Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More

Lemon Yellow Pigment

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Starting at: £7.00

Lemon Yellow Pigment (PY31). Synthetic Inorganic pigment (Barium Chromate). Opaque but transparent in a glaze. Low tinting strength. Excellent Lightfastness. Low oil absorption with medium drying rate. Recommended for oils but can turn slightly greenish when mixed with binder. Used since beginning of the 19th Century. Toxicity D

Please note, unfortunately we are not able to send this product outside the UK.

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Cretacolour Leads

Starting at: £8.95

Cretacolour Leads. 5mm leads for Cretacolour pencils. The 6 pack contains White chalk, Sanguine Oil, Sepia (Light and Dark), Charcoal Medium, and Graphite 4B Learn More

Lefranc Flashe 80 ml

Starting at: £9.70

Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More

Marble Dust

Starting at: £4.70

Imparts textue when added to acrylic mediums and primers. Used in lime mortar. Meets paint pigment specificitions in its fine form. Mesh size: Course (Irregular granules), Medium (16) and Fine (100). Learn More

Small, 15ml Pigment sizes

Starting at: £4.00

English Red Light Pigment Learn More

Kaweco Brass Sport Fountain Pen

Starting at: £80.00

The Kaweco Sport was first designed in 1911 as a pocket fountain pen which could be carried everywhere. It has an octagonal design and an oversized cap. Kaweco Sport fountain pens measure only 10.5 cm when closed, but when the cap is mounted on top of the barrel they become a 13 cm-long, standard-sized pen, hence the slogan: "small in the pocket, large in the hand". The Kaweco BRASS Sport fountain pen is made of solid, untreated, CNC-machined brass, which will age and develop its own unique patina over time unless polished. It is hand assembled in Germany and comes in a Kaweco gift tin. The nib is made in Germany and comes in 5 nib sizes, from EF to BB. A standard international ink cartridge is included. Learn More

Golden Heavy Body Acrylic 236ml

Starting at: £29.40

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Pentel Aquash Empty Brush Pen

Starting at: £7.80

Fill with non-waterproof ink of your choice or fill with water for watercolour trips. Available in Fine, Medium and Broad tips. Learn More

Mars Yellow Pigment

1 Review(s) | Add Your Review

Starting at: £4.50

PY42

Mars Yellow is an artificial mineral pigment, a synthetic iron oxide. Mars colours in general replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil, creating a strong, flexible paint film.

Toxicity: B

Limeproof

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Roberson Copperplate Reducing Oil

Starting at: £21.90

Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More

Brause Nibs

Starting at: £1.75

Brause Nibs Learn More

Pro Arte Series F Prolene Fan

Starting at: £7.15

Soft synthetic haired fan used for blending and softening adjacent areas of oil and acrylic colour. Learn More

Schmincke Norma Artists' Oil 35ml

Starting at: £8.15

Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More

Schmincke Artists Watercolour Half Pan

Starting at: £6.05

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in whole pans and tubes of 5 and 15ml. Learn More

Roberson Linseed Stand Oil

Starting at: £10.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.

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London Pigment, Georgian Yellow Brick Pigment

£18.00

This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Search results for 'Mediums'