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  1. CHROMATOPIA: An Illustrated History of Colour

    CHROMATOPIA: An Illustrated History of Colour

    £18.95

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    Reverse Cover Text: Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and serendipity, Chromatopia reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this book for the artist, the history buff, the science lover an the design fanatic. "David has spent the entire life up to his elbows in this subject - he covers colour with beauty, depth and understanding. Anyone who has ever wondered about the origins of mummy brown, Tyrian purple or how manure makes the purest white need look no further." Narayan Khandejar, Director of the Straus Center for Conservation and Technical Studies, Harvard Art Museums

    Please note, the book is now only available in a paperback format.

    Learn More
  2. Sosaku Brush 15mm

    Sosaku Brush 15mm

    £6.50

    Call to Order

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  3. London Pigment, Verdigris Ink, 20 ml

    London Pigment, Verdigris Ink, 20 ml

    £20.00

    Call to Order

    Ink made from pure copper metal leaf that has reacted with distilled vinegar.

    ****Please note, these inks are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  4. Schmincke Flake White Hue (Kremser White Tone) 120 ml

    Schmincke Flake White Hue (Kremser White Tone) 120 ml

    £28.80

    Call to Order

    The lead-free alternative to the toxic original Kremser White. Instead of the toxic pigment Lead White this substitute contains a combination of Titanium White and Zinc White pigments. These pigments are ground in a pure, light safflower oil giving a slightly warm white tone to imitate Lead White. Warm, semi-opaque white tone Lead-free, no toxic ingredients Accelerates drying Improves flow Lower opacity than Titanium White Learn More

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