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  1. Schmincke Artists Watercolour 5 ml Tube

    Schmincke Artists Watercolour 5 ml Tube

    Starting at: £6.00

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More
  2. Schmincke Mussini Artists' Oil 35 ml

    Schmincke Mussini Artists' Oil 35 ml

    Starting at: £11.85

    Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More
  3. Robersons Dragger 50 mm

    Robersons Dragger 50 mm

    £16.70

    Roberson Dragger 50mm Stiff bristles create textured paint effects. Ideal for faux finishes and distressing surfaces in decorating projects. Learn More
  4. Egyptian Blue Pigment

    Egyptian Blue Pigment

    Starting at: £5.90

    Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More
  5. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  6. Colophony

    Colophony

    Starting at: £7.30

    Colophony is a by-product of the distillation of turpentine. It is soluble in most solvents, but considered an adulterant in varnishes and paints, as it forms a weak surface that is prone to darkening and cracking. It is, however, a key ingredient in wax-based etching grounds, imparting hardness, and can be used in powdered form (rosin) to make aquatints. Learn More
  7. Roberson Interlon Series 62 Flat

    Roberson Interlon Series 62 Flat

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  8. da Vinci Series 488 Spin Synthetic

    da Vinci Series 488 Spin Synthetic

    Starting at: £11.10

    Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More
  9. Hahnemuhle Nostalgie Sketchbook

    Hahnemuhle Nostalgie Sketchbook

    Starting at: £9.30

    Thread-stitched for a solid binding, this sketchbook features 190gsm, natural white paper. The smooth surface allows for clearly defined hatchings and pen work, as well as beautiful gradients of colour. Suitable for the use of all dry painting techniques in addition to wet colours. This versatile paper is encased in a linen surfaced grey hardback cover, with a red ribbon page mark. Acid free. Learn More
  10. Kelmscott

    Kelmscott

    Starting at: £19.55

    Specially prepared to give a very smooth surface for painting or calligraphy.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More
  11. Italian Lyre Easel M13

    Italian Lyre Easel M13

    £195.00

    Italian Lyre Easel M13 Learn More
  12. Cornelissen Walnut Oil

    Cornelissen Walnut Oil

    Starting at: £8.20

    The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas. 

    Learn More
  13. Cornelissen Miniature

    Cornelissen Miniature

    Starting at: £8.90

    Extra short haired brush for the discerning miniaturist. Learn More
  14. Daniel Smith Watercolour Ground Mars Black 4oz

    Daniel Smith Watercolour Ground Mars Black 4oz

    £10.30

    Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  15. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.15

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  16. Schmincke Masking Fluid, Clear

    Schmincke Masking Fluid

    Starting at: £8.55

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More
  17. Schmincke Norma Blue 35ml

    Schmincke Norma Blue 35ml

    Starting at: £8.40

    Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More
  18. Madder Root Pieces

    Madder Root Pieces

    Starting at: £27.80

    NR9

    The madder plant was once widely cultivated for the red dye extracted from its roots. Its earliest known use is in ancient Egypt, and there is evidence of its widespread adoption in Europe from the medieval period. Madder Lake, the pigment that is derived from the root, has now largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercial paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. 

    Larger quantities are available by request.

    Learn More
  19. Roberson Oil Primers

    Roberson Oil Primers

    Starting at: £31.70

    Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit. Learn More
  20. da Vinci Series 418 Squirrel PETIT GRIS PUR Watercolour brush

    da Vinci Series 418 Squirrel PETIT GRIS PUR Watercolour brush

    Starting at: £12.40

    Wash brush, 'French' watercolour brush - Pure blue Russian squirrel hair - In plastic quills - No. 12 in goose quills - Transparent lacquered handles - For wash and watercolour painting on large areas - Finest Russian blue squirrel hair - Extraordinarily high colour absorbing capacity Learn More
  21. ArtGraf Tailor Shape Set of 6

    ArtGraf Tailor Shape Set of 6

    £41.50

    Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, the set contains 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black Learn More
  22. Dragon's Blood Powder

    Dragon's Blood Powder

    Starting at: £28.10

    Dragon's Blood is a natural, resin, mentioned by Pliny in his Natural History. It has a weak tinting strength, and its rich red-colour can be fugitive in direct sunlight. It is fully soluble in alcohol, and can be used to add a warm, transparent tone to spirit varnishes. Also available in lump form.

    Learn More
  23. Silverpoint Stylus, Artisan. Renaissance Workshop Materials

    Silverpoint Stylus, Artisan. Renaissance Workshop Materials

    £165.00

    Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  24. Ivory Black Pigment

    Ivory Black Pigment

    Starting at: £4.50

    Ivory Black is a natural pigment of impure carbon, derived from charred animal bones. It is semi-transparent, very lightfast, and offers good tinting strength. It is a particularly slow-drying pigment, which forms a soft, rather brittle paint film in oil.

    Compared to other blacks, such as Vine Black, Ivory Black possesses warmer, brownish undertones. It should not be used at full-strength in an underpainting, as subsequent layers are likely to crack. Otherwise, it is a very useful all-purpose black for many types of paint, excluding mortar, fresco or cement.

    Toxicity: B

    Learn More
  25. Daler-Rowney Alkyd Flow Oil Medium

    Daler-Rowney Alkyd Flow Oil Medium

    Starting at: £9.20

    Slightly thinner than Alkyd Gel, Daler Rowney Alkyd Flow Medium increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time. Learn More
  26. Ultramarine Blue Dark Pigment

    Ultramarine Blue Dark Pigment

    Starting at: £4.00

    PB29

    Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  27. Swanskin Etching Press Blankets

    Swanskin Etching Press Blankets

    Starting at: £0.95

    Swanskin is more durable than compressed wool and can handle higher pressures for longer, which is particularly noticeable when editioning in large numbers. It is best as the uppermost, thickest blanket that sits immediately beneath the roller of the press. Thickness: 8 mm. Manufactured by A W Hainsworth at their West Yorkshire mill. The quantity you enter below is the length you would like in centimetres. The total will be calculated automatically in your basket. Learn More
  28. Unison 8 Starter Assorted Pastels

    Unison 8 Starter Assorted Pastels

    £45.60

    The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

    Learn More
  29. Liquitex Acrylic Slow-Dri Retarder

    Liquitex Acrylic Slow-Dri Retarder

    Starting at: £12.60

    Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More
  30. Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box

    Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box

    Regular Price: £137.00

    Special Price £99.00

    Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box Includes Medium W Gel. This medium enables the mixing oil colours with water, instead of organic solvents. Odourless.

    Call us on 020 7636 1045 to arrange free postage and packing with this particular offer. Learn More

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