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  1. Microcrystalline Wax

    Microcrystalline Wax

    Starting at: £8.50

    Microcrystalline Wax is related to paraffin wax, and is used as a plasticiser in some recipes. It is characterised by the fineness of its crystals in contrast to the larger crystal of paraffin wax. It is generally more viscous, denser, tackier and more elastic than paraffin waxes, and has a higher melting point. Learn More
  2. Carnauba Wax Grey

    Carnauba Wax Grey

    Starting at: £8.40

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  3. Kaweco Sport Mini Convertor Cartridge

    Kaweco Sport Mini Convertor Cartridge

    Starting at: £6.40

    The Kaweco Mini Converter is the correct converter to use in all Kaweco Sport fountain pens. Learn More
  4. da Vinci Series 5040 Cosmotop Varnish

    da Vinci Series 5040 Cosmotop Varnish

    Starting at: £14.90

    Dark brown, extra strong synthetic hair with black polished handle, tin ferrule. Learn More
  5. Fullers Earth

    Fullers Earth

    Starting at: £6.30

    Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.

    Learn More
  6. Colophony

    Colophony

    Starting at: £7.30

    Colophony is a by-product of the distillation of turpentine. It is soluble in most solvents, but considered an adulterant in varnishes and paints, as it forms a weak surface that is prone to darkening and cracking. It is, however, a key ingredient in wax-based etching grounds, imparting hardness, and can be used in powdered form (rosin) to make aquatints. Learn More
  7. Slunk

    Slunk

    Starting at: £16.75

    Skin of young calves. Very fine and translucent. Requires little or no preparation before writing.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More
  8. Cretacolour Ergonomic Lead Holder

    Cretacolour Ergonomic Lead Holder

    £19.50

    Cretacolour Ergonomic Lead Holder. Supplied with 5mm 2B lead. Includes a sharpener in the end cap. Learn More
  9. Cranfield (Spectrum) Beeswax in White Spirit

    Cranfield (Spectrum) Beeswax in White Spirit

    Starting at: £18.55

    From the Cranfield website:

    A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects.

    Learn More
  10. Gamblin Galkyd Lite Medium

    Gamblin Galkyd Lite Medium

    Starting at: £12.00

    Galkyd Light is produced by Gamblin. They write:

    "Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

    Learn More
  11. Lemon Shellac

    Lemon Shellac

    Starting at: £8.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  12. Roberson Extra Fine Retouching Varnish

    Roberson Extra Fine Retouching Varnish

    Starting at: £8.40

    Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More
  13. Genuine Malachite Pigment

    Genuine Malachite Pigment

    Starting at: £14.90

    Malachite is a naturally occurring copper carbonate, closely related to Azurite. It has a weak tinting strength, is quite opaque, and works best in aqueous media. Larger sizes available on request. Learn More
  14. da Vinci Series 5080 Cosmotop Varnish

    da Vinci Series 5080 Cosmotop Varnish

    Starting at: £14.85

    Light brown, extra smooth and soft synthetic hair with black polished handle, tin ferrule. Learn More
  15. Easy Grip Crible Point Sharp No 93

    Easy Grip Crible Point Sharp No 93

    £15.76

    Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More
  16. Gypsum

    Gypsum

    Starting at: £5.70

    Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More
  17. Goatskin Vellum

    Goatskin Vellum

    Starting at: £11.15

    Medium to thick with a shiny surface. Distinctive 'pebbled' appearance makes it slightly more difficult to write on.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More
  18. Isinglass

    Isinglass

    Starting at: £20.00

    Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More
  19. Pro Arte Series 103 Rigger

    Pro Arte Series 103 Rigger

    Starting at: £3.70

    Long haired synthetic brush with good colour holding capacity and spring. Very fine point. Learn More
  20. Gamblin Galkyd Gel "G Gel" 150ml

    Gamblin Galkyd Gel "G Gel" 150ml

    £20.00

    Galkyd "G" Gel is produced by Gamblin. They say:

    "Galkyd Gel is a stiffer gel compared to Neo Megilp that holds thicker, sharper brushmarks and dries more quickly. Galkyd Gel increases transparency of oil colours and creates impasto."

    Learn More
  21. da Vinci Series 5025 Impasto Mottler

    da Vinci Series 5025 Impasto Mottler

    Starting at: £10.50

    Extra strong white synthetic bristles, short lenght short blue polished handle, rust proof steel ferrule. Learn More
  22. Button Shellac

    Button Shellac

    Starting at: £8.40

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  23. Cornelissen Silver Foil Leaf-Single

    Cornelissen Silver Foil Leaf-Single

    £13.00

    Cornelissen Silver Foil Leaf-Single Learn More
  24. Alumina Hydrate Light

    Alumina Hydrate Light

    Starting at: £8.30

    Alumina Hydrate is an inert pigment with highly absorbent properties, which can be ground into oil paint as an almost colourless extender. It is often used as an additive in commercial oil paints, particularly in conjunction with transparent or lake pigments, as it provides stability and a homogenous consistency without effecting colour or gloss, although it may effect the pigment strength. When combined with linseed oil, it produces an almost transparent painting medium for extending oil colours. Sometimes referred to as Lake Base. Learn More
  25. Carrageen Moss

    Carrageen Moss

    Starting at: £51.00

    Carrageen Moss is a seaweed that is gathered from the Irish coast, whose natural thickening properties are often exploited by the food industry. It is also used as a size in traditional paper marbling, as it allows colours to float and be manipulated on the surface of the water. Learn More
  26. Ivory Black Genuine Pigment

    Ivory Black Genuine Pigment

    Starting at: £38.00

    PBk9

    Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.

    Larger quantities are available by request. While stocks last.

    Learn More
  27. Pilot G-Tec C4 Microtip Rollerball

    Pilot G-Tec C4 Microtip Rollerball

    Starting at: £4.95

    The world's finest rollerball! Extra Fine 0.4mm. Learn More
  28. Daler-Rowney Cryla 250ml

    Daler-Rowney Cryla 250ml

    Starting at: £8.90

    Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More
  29. Gum Benzoin

    Gum Benzoin

    Starting at: £14.70

    Gum Benzoin is used as a fixative, slowing the dispersion of essential oils and other materials into the air. Is occasionally called for in some old varnish recipes where it was employed primarily for its odour. Learn More
  30. Paraffin Wax

    Paraffin Wax

    Starting at: £6.60

    Paraffin Wax is a by-product of the petro-chemical industry. It has a low melting point of 50-60°c and a brittle texture, making it unsuitable for encaustic painting or as an additive to oil paints, but it can be used to impart softness to lithographic crayons. As a petroleum product, it is more inert than animal or vegetable waxes, and is therefore not saponified (turned into soap) by alkali substances. Learn More

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