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Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes

Starting at: £138.00

Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes, including: Phthalocyanine Blue Lake, Sap Green, Hookers Green, Aqua Green, Bright Green Lake, Green Gold, Yellow Benzimidazolone, Quinacridone Gold, Burnt Sienna and Quinacridone Rose. Learn More

Triangular Handle Nib Holder

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£3.50

Triangular Handle Nib Holder, multi-purpose holder suitable for slightly larger nibs Learn More

Quill Pens

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Starting at: £8.50

Traditional quill pen made from goose and turkey feathers. Cut by hand and cured in hot sand. Learn More

Chinese Brush, White Cloud, Bristle and Goat Hair, Large

£9.90

Extra strength, 'White Cloud' brush. A versatile brush for painting and calligraphy. 4 cm brush head. Learn More

Maimeri Strong Solvent for Restoration 75 ml

£22.00

Maimeri Strong Solvent for Restoration 75ml. Learn More

Cornelissen Oil Sable Filbert

Starting at: £8.45

Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes

Starting at: £82.00

Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More

Universal Lacquer in 60ml, 120ml and 1L.

Cornelissen Universal Lacquer

Starting at: £14.40

Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

Cornelissen Imitation Gold No 2 Warm

Starting at: £7.40

Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More

Cornelissen Variegated Metal Leaf 280

Starting at: £26.00

Cornelissen Variegated Metal Leaf 280 Learn More

Twisted Double Scraper No 47

£16.70

Twisted Double Scraper #47 Learn More

Unison 72 Standard Assorted Pastels

Starting at: £303.50

Unison 72 Standard Assorted Pastels Learn More

Chinese Brush, Arctic Hare and Goat Hair

£12.50

Small, mixed hair brush. Ideal for watercolour painting and loose calligraphy. Learn More

Cornelissen Historical Inks, Walnut

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Starting at: £9.00

Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

Not Suitable for fountain pens. Learn More

Edible Gold Leaf Loose

£56.00 As low as: £50.40

Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More

Cornelissen Gilders Tips

Starting at: £17.50

Cornelissen Gilders Tips Learn More

Maimeri Retouching Varnish for Restoration 75 ml

£8.80

Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More

Cornelissen Variegated Metal Leaf 264

Starting at: £23.00

Cornelissen Variegated Metal Leaf 264 Learn More

Oriental Blue Pigment

Starting at: £5.40

Oriental Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. Used since early 19th Century. Toxicity B Learn More

Cornelissen Historical Colours Ink Set

£18.50

Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More

Original Left-Handed

£2.70

Single block shaped light metal sharpener for left handed users. With 1 spare blade. Learn More

Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes

Starting at: £54.00

Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes, Including: Vivid Blue, Scarlet Lake, Aqua Green and Yellow Benzimidazolone. Learn More

Chinese Gold 24 ct

3 Review(s) | Add Your Review

Starting at: £39.50

Chinese Gold 24 ct Learn More

Chinese Liquid Ink

Starting at: £10.00

Thick, black ink for use wih dip pen, reed pen or bush. Learn More

Maimeri Final Varnish for Restoration 75 ml

£8.80

Reversible - for conservation use only. Learn More

Cornelissen Variegated Metal Leaf 236

Starting at: £17.00

Cornelissen Variegated Metal Leaf 236 Learn More

Cornelissen Walnut Oil

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Starting at: £8.20

The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.

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Cornelissen Historical Inks, Turquoise

£6.50

This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

Not suitable for fountain pens. Learn More

Cornelissen Iron Oak Gall Ink Set

£30.00

Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More

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