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Pro Arte Series 101
Starting at: £3.15
Economical, hard-wearing brushes suitable for watercolours and acrylics. They retain their points well. Learn More -
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Ceramic 10 Well Round Palette
Starting at: £14.40
Call to Order
Ceramic 10 Well Round Palette Learn More -
Schmincke Masking Fluid
Starting at: £8.55
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More -
Raphael Petit Gris Pur Series 803
Starting at: £20.50
A traditional pointed quill mop. Superb tip, elasticity and colour capacity. Ideal for very long brushstrokes. Learn More -
Schmincke Universal Varnish, Matt
Starting at: £10.80
Synthetic resin varnishes with UV- protection Learn More -
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ArtGraf No 1 Graphite Putty
£10.30Drawing Graphite Putty 150g. Water-soluble, kneadable graphite putty allows to mould its shape. Learn More -
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ArtGraf No 1 Graphite Putty in ceramic jar
£23.40Water-soluble, kneadable graphite putty allows to mould its shape. Available in ceramic jar with 450g putty. Refills of 150g (pictured) are also available to purchase separately. Learn More -
Cornelissen One Stroke Sable
Starting at: £8.75
Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines. Learn More -
Winsor & Newton Kneadable Erasers
Starting at: £2.75
For removing pencil, charcoal and pastel or paper cleaning. Learn More -
Golden Heavy Body Acrylic 236ml
Starting at: £29.40
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Japanese Shell Gold
Starting at: £28.00
Japanese shell gold in ceramic pans.
Shell gold, so named because it was historically made and stored in shallow shells such as mussel shells, consists of finely powdered genuine gold mixed with a variety of gums. This Japanese shell gold range is made using the highest quality handmade Japanese gold and precious metal powders bound with Nikawa gelatine glue.
Mix with a bit of water and apply in the same way as watercolour (a drop of oxgall can be added to break the surface tension) After drying, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Contains 0.4g Learn More -
Cornelissen Series 1855 Sable
£61.00Cornelissen Series 1855 Sable Brush Size 12. The box contain 1 x Artists' Quality Kolinsky Sable watercolour Brush and a brush soap. Learn More -
Schmincke Aero Metallic
Starting at: £10.95
For highlights and special effects. High pigmentation, lightfast, can be diluted with water. For use with brushes, fountain pens and dip pens on acrylic and watercolour paper, primed canvas, textured substrates, wood and cardboard. Learn More -
Cornelissen Historical Inks, Walnut
Starting at: £9.00
Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.
Not Suitable for fountain pens. Learn More -
STABILO CarbOthello Pastel Pencils
Starting at: £2.05
STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.
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Cornelissen Historical Inks, Forge Lamp Black
Starting at: £9.00
Prepared exclusively for Cornelissen following a Medieval English recipe, This handmade ink is produced in Cambridgeshire, from soot harvested from a working 19th-century forge, powered by charcoal and wood. Small batches of ink are blended to give the required consistency and strength. Forge Lamp Black is a thick, smooth non-waterproof ink that has good permanence. It can be watered down, and should always be shaken well before use. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency. Ingredients: Soot, gum Arabic, and clove oil.
Not suitable for fountain pens. Learn More -
Winsor & Newton Artists' Oil Colour 37 ml
Starting at: £10.60
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Sennelier Oil Pastels Large
Starting at: £11.50
Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 20% Discount for purchasing 4+ pastels. Learn More -
Phthalo Blue Pigment
Starting at: £8.00
PB15:3
Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.
Toxicity: C
While stocks last
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Rohrer & Klingner Gloss Intensifier 50ml
£8.90Rohrer & Klingner Liquid Watercolour Gloss Intensifier 50ml Learn More -
Cobalt Violet Light Pigment
Starting at: £10.00
Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.
Limeproof
Toxicity: C
Please note, unfortunately we are not able to send this product outside the UK.
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Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
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Potters Pink Pigment
Starting at: £22.00
PR233
Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.
Toxicity A
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Rohrer & Klingner Drying Retarder 50ml
£8.90Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More -
Cobalt Blue Pigment
Starting at: £6.50
PB28
Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.
Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.
Limeproof
Toxicity: C
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