Search results for 'rco and x x'
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Winsor & Newton Colourless Masking Fluid
Starting at: £9.25
Application gives a water impervious film to protect areas from colour applied in broad washes. Remove by peeling. Learn More
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ArtGraf Graphite Tailor shape
£7.40Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft. Learn More -
Schmincke Universal Varnish, Gloss, 300 ml
£17.80Synthetic resin varnish with UV- protection Learn More -
da Vinci Series 5580 Cosmotop Spin
Starting at: £3.35
Finest extra smooth synhetic fibre. A soft brush with excellent colour holding capacity. Learn More -
da Vinci Series 122 Nova Flat
Starting at: £3.85
Fine golden synthetic fibre. More springy than da Vinci Cosmotop Spin (but with lower water absorption) making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Schmincke AQUA Gloss Medium
Starting at: £10.80
Increases gloss of watercolours, Can be applied on top of dry watercolour or mixed with colour. Learn More -
Cornelissen Red Sable Sketchers Set
£45.00Cornelissen Red Sable Sketchers Set. Five sable brushes with seamless silver ferrules in sizes 5, 3, 1, 3/0 and 5/0. Complete with a small bar of brush soap for cleaning up. Learn More -
ArtGraf No 1 Graphite Putty
£10.30Drawing Graphite Putty 150g. Water-soluble, kneadable graphite putty allows to mould its shape. Learn More -
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ArtGraf No 1 Graphite Putty in ceramic jar
£23.40Water-soluble, kneadable graphite putty allows to mould its shape. Available in ceramic jar with 450g putty. Refills of 150g (pictured) are also available to purchase separately. Learn More -
Cornelissen One Stroke Sable
Starting at: £8.75
Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines. Learn More -
Winsor & Newton Kneadable Erasers
Starting at: £2.75
For removing pencil, charcoal and pastel or paper cleaning. Learn More -
Sennelier Oil Pastels Large
Starting at: £11.50
Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 20% Discount for purchasing 4+ pastels. Learn More -
Golden Heavy Body Acrylic 236ml
Starting at: £29.40
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Japanese Shell Gold
Starting at: £28.00
Japanese shell gold in ceramic pans.
Shell gold, so named because it was historically made and stored in shallow shells such as mussel shells, consists of finely powdered genuine gold mixed with a variety of gums. This Japanese shell gold range is made using the highest quality handmade Japanese gold and precious metal powders bound with Nikawa gelatine glue.
Mix with a bit of water and apply in the same way as watercolour (a drop of oxgall can be added to break the surface tension) After drying, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Contains 0.4g Learn More -
Cornelissen Series 1855 Sable
£61.00Cornelissen Series 1855 Sable Brush Size 12. The box contain 1 x Artists' Quality Kolinsky Sable watercolour Brush and a brush soap. Learn More -
Schmincke Aero Metallic
Starting at: £10.95
For highlights and special effects. High pigmentation, lightfast, can be diluted with water. For use with brushes, fountain pens and dip pens on acrylic and watercolour paper, primed canvas, textured substrates, wood and cardboard. Learn More -
Cornelissen Historical Inks, Walnut
Starting at: £9.00
Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.
Not Suitable for fountain pens. Learn More -
STABILO CarbOthello Pastel Pencils
Starting at: £2.05
STABILO CarbOthello is a chalk pastel coloured pencil range available in up to 60 colours. With its wonderfully dry and dusty stroke it is just like a chalk pastel in pencil format. It's very popular with artists, art students and people with creative hobbies. Its high pigmentation guarantees great luminosity and opacity as well as colour fastness and colour brilliance especially on dark backgrounds and delicate papers. What's more it can be sharpened to a very fine tip which make it ideal for detail. Colours can be dry mixed and blended which makes colouring more fun and special.
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Cornelissen Historical Inks, Forge Lamp Black
Starting at: £9.00
Prepared exclusively for Cornelissen following a Medieval English recipe, This handmade ink is produced in Cambridgeshire, from soot harvested from a working 19th-century forge, powered by charcoal and wood. Small batches of ink are blended to give the required consistency and strength. Forge Lamp Black is a thick, smooth non-waterproof ink that has good permanence. It can be watered down, and should always be shaken well before use. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency. Ingredients: Soot, gum Arabic, and clove oil.
Not suitable for fountain pens. Learn More -
Winsor & Newton Artists' Oil Colour 37 ml
Starting at: £10.60
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Verdigris Pigment
Starting at: £4.90
Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure.
Larger quantities are available by request.
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Phthalo Blue Pigment
Starting at: £8.00
PB15:3
Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.
Toxicity: C
While stocks last
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Rohrer & Klingner Gloss Intensifier 50ml
£8.90Rohrer & Klingner Liquid Watercolour Gloss Intensifier 50ml Learn More -
Cobalt Violet Light Pigment
Starting at: £10.00
Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.
Limeproof
Toxicity: C
Please note, unfortunately we are not able to send this product outside the UK.
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Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
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Potters Pink Pigment
Starting at: £22.00
PR233
Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.
Toxicity A
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Rohrer & Klingner Drying Retarder 50ml
£8.90Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More


