Search results for 'palette'
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Fusion 18 Blue Folding Artists' Watercolour Palette
£19.50Fusion 18 Blue Folding Artists' Watercolour Palette Learn More -
Roberson Impasto Medium
Starting at: £15.50
Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.
Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.
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Lapis Lazuli Pigment
Starting at: £10.20
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PB29
Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.
Larger quantities are available by request.
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Schmincke AQUA Modeling Paste Medium
Starting at: £11.40
Allows 3-D and structural effects. Apply with palette knife. Fine or Coarse texture. Learn More -
Cinnabar Pigment
Starting at: £16.00
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.
Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe.
Larger sizes available on request.
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Gamblin Gamsol Mineral Sprit
Starting at: £11.00
Gamsol is an odourless mineral spirit created by the American company Gamblin. They describe it as "the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise."
Please see below for Gamsol's primary applications.
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Golden Heavy Body Acrylic 119ml
Starting at: £16.20
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and light-fastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Studio Safe Beeswax Medium
Starting at: £15.00
A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.
Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.
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Schmincke Medium L 180ml
£15.00Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use.
Contains: alkyd resin, mineral spirit, siccative.
Dosage:10% to 20% maximum.
Thinner: Turpentine substitute
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Liquitex Acrylic Slow-Dri Retarder
Starting at: £12.35
Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More -
Gamblin Relief Printing Inks 175ml
Starting at: £16.00
Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More