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  1. Schmincke Medium L

    Schmincke Medium L

    Starting at: £9.45

    Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More
  2. Roberson Interlon Series 64 Filbert

    Roberson Interlon Series 64 Filbert

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  3. Gypsum

    Gypsum

    Starting at: £5.70

    Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More
  4. Schmincke Mussini Oil Medium 2

    Schmincke Mussini Oil Medium 2

    Starting at: £9.45

    Slows drying time. Learn More
  5. London Pigment, London Red Brick

    London Pigment, London Red Brick

    £30.00

    Pigment collected from erosion of modern red brick stock. Learn More
  6. Roberson Series 43B Hog Bristle Round

    Roberson Series 43B Hog Bristle Round

    Starting at: £5.20

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  7. Cornelissen Squirrel Mop

    Cornelissen Squirrel Mop

    Starting at: £21.40

    Traditional high quality soft hair mops with considerable colour carrying capacity. Useful for laying down large washes. Also used by gilders for tamping down gold leaf and for dusting. Learn More
  8. Roberson Series 41B Hog Bristle Bright

    Roberson Series 41B Hog Bristle Bright

    Starting at: £5.10

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  9. Roberson Poppy Oil

    Roberson Poppy Oil

    Starting at: £10.20

    Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.  

    Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

    Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

    Learn More
  10. Roberson Cold Pressed Linseed Oil

    Roberson Cold Pressed Linseed Oil

    Starting at: £7.50

    Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More
  11. Steel Etching Needle

    Steel Etching Needle

    £11.70

    Dry Point Steel Etching No 1. Classic needle with wooden handle. Learn More
  12. Schmincke Mussini Oil Medium 3

    Schmincke Mussini Oil Medium 3

    Starting at: £9.45

    Accelerates drying. Learn More
  13. Roberson Series 44B Hog Bristle Filbert

    Roberson Series 44B Hog Bristle Filbert

    Starting at: £5.00

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  14. Winsor & Newton Liquin Light Gel

    Winsor & Newton Liquin Light Gel

    Starting at: £9.20

    From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More
  15. Roberson White Spirit

    Roberson White Spirit

    Starting at: £7.50

    Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. Learn More
  16. Stencil Strip 500ml

    Stencil Strip 500ml

    £10.00

    Stencil strip, this is a concentrated organic emulsifying stripper that is made using natural mineral salts. It quickly removes all stencil emulsions and capillary films. Can be diluted up to 1:10 with water. Always wear gloves and avoid contact with eyes. Learn More
  17. Cornelissen Pigment Set of 30 Colours

    Cornelissen Pigment Set of 30 Colours

    £130.00

    The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

  18. London Pigment, London Red Brick

    London Pigment, London Red Brick

    £18.00

    Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. Learn More

  19. London Pigment, Epping Forest Yellow Ochre Pigment

    London Pigment, Epping Forest Yellow Ochre Pigment

    £18.00

    This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible. 

    Learn More
  20. London Pigment, Leominster Ochre Pigment

    London Pigment, Leominster Ochre Pigment

    £18.00

    Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour with a mixture of fine and coarse grains for a lively texture. Try this pigment if you like to experiment with materials that introduce an element of chance in your work. Presented in a 20 ml bottle with a wax seal and label. Learn More

  21. London Pigment, Verdigris Ink, 20 ml

    London Pigment, Verdigris Ink, 20 ml

    £12.50

    Ink made from pure copper metal leaf that has reacted with distilled vinegar. Learn More
  22. Seccotine 30 ml

    Seccotine 30 ml

    £8.50

    Refined liquid fish glue for use as a size for gilding on paper. It can also be used as a glue for paper and as a binder in gesso for raised illumination. Seccotine is made from the skin of the Atlantic deep sea cod fish. It remains flexible after drying.

    Learn More
  23. Cornelissen  Gift Voucher

    Cornelissen Gift Voucher

    £25.00

    Cornelissen Gift Vouchers are available in a range of values and can be redeemed both on-line and in our store. Vouchers can be redeemed fully or partly and do not expire. *Virtual gift vouchers will be emailed immediately after the order is placed. Learn More
  24. Schmincke Medium W

    Schmincke Medium W

    Starting at: £9.60

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

    Learn More
  25. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £9.45

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More
  26. Schmincke Medium N

    Schmincke Medium N

    Starting at: £9.45

    This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More
  27. Lino Set with 5 Cutters

    Lino Set with 5 Cutters

    £12.70

    Wooden handle with 5 blades. The blades are pushed into the handle, and removed by using the dowel. The blades are made from hardened steel. The set contains 1 x V blade, 3 x U blades and 1 straight blade. Replacement blades are available for this set. Learn More
  28. Cornelissen Gift Set, Ink

    Cornelissen Gift Set, Ink

    £50.00

    Cornelissen Gift Set, Ink Cornelissen Gift Set, Ink contains : Cornelissen Black Sketchbook A4 Cornelissen Bundle of 8 Pencils. 4H, 2H, HB, B, 2B, 3B, 4B, 6B Cornelissen Set of 3 Historical Inks: Brazilwood, Jane Austen Iron Oak Gall and Green Hawthorn Wooden Nib Holder 4 Nibs: Leonardt Nib Fine Drawing 700, William Mithcell Round Hand 1 ½, Brause Cito Fine, Leonardt 40 Gift wrapped in a box with Cornelissen wrapping paper. Learn More
  29. Schmincke Norma Blue 35ml

    Schmincke Norma Blue 35ml

    Starting at: £8.15

    Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More
  30. Vermilion Genuine Pigment

    Vermilion Genuine Pigment

    Starting at: £17.00

    PR106 Vermilion is an artificial pigment based on mercuric sulphide, which occurs naturally as Cinnabar. The synthetic form contains fewer impurities than Cinnabar, and was in use in China as early as the fourth century. It was present in Europe from the ninth century, and was the most widely used red pigment until the introduction of Cadmium Red in the early twentieth century. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Toxicity D. Larger sizes available on request. Domestic shipping only Learn More

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