Search results for 'palette'
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Ceramic 12 Well Palette with Lid
Starting at: £10.95
Call to Order
Ceramic 12 Well Palette with Lid Learn More -
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Ceramic 10 Well Round Palette
Starting at: £14.40
Call to Order
Ceramic 10 Well Round Palette Learn More -
Plastic 10 Well Round Palettes
Starting at: £1.70
Call to Order
Plastic 10 Well Round Palettes Learn More -
Holbein White Plastic Reversible Palette
Starting at: £4.90
Call to Order
Holbein White Plastic Reversible Palette Learn More -
Plastic 9 Well Flower-shaped Palette
Starting at: £2.95
Plastic 9 Well Flower-shaped Palette Learn More -
Ceramic 7 Well Flower-shaped Palette
Starting at: £9.80
Ceramic 7 Well Flower-shaped Palette Learn More -
Schmincke Horadam Box 24 x 5ml Tubes
Starting at: £237.80
Schmincke Horadam Box 24 x 5ml Tubes. Learn More -
Schmincke Horadam Box 48 Half Pans
Starting at: £320.55
Schmincke Horadam Box 48 Half Pans. Learn More -
Daler Rowney Tear-Off Palette, Oil and Acrylic
Starting at: £15.50
Tear-off palette for oil and acrylic paint. 40 sheets. Learn More -
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Winsor & Newton Tear-Off Palette, Oil and Acrylic
£10.25Tear-off palette for oil and acrylic 22.9 x 30.5 cm 50 sheets Learn More -
Colour Shapers
Starting at: £6.50
Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More -
Schmincke Oil Bronze, 50 ml
Starting at: £25.10
For brilliant metal effects on oil paintings. Also suitable for wood, metal and gypsum surfaces. Use with Schmincke Bronze Medium (recipe below). Learn More -
Zinc White Pigment
Starting at: £4.00
Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.
Toxicity: B
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Golden Heavy Body Acrylic 119ml
Starting at: £16.20
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and light-fastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Liquitex Acrylic Slow-Dri Retarder
Starting at: £12.60
Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More -
Schmincke AQUA Modeling Paste Medium
Starting at: £11.85
Allows 3-D and structural effects. Apply with palette knife. Fine or Coarse texture. Learn More -
Mixing Slab
Starting at: £24.00
A glass slab with wooden cradle for the grinding of pigments.
The friction created between the sand-blasted surfaces of the glass slab and muller facilitates the thorough mixing of pigment and medium, creating a consistent and strong paint body. This slab can be used to manufacture many types of paint including watercolours, egg tempera and oils.
Mulling is of particular importance when making oil paint; simply mixing pigment and oil together using a palette knife will result in an unstable substance with poor plasticity, which contains a large amount of excess oil and unevenly distributed pigment particles. Thorough mulling in a figure-of-eight motion will enable the pigment to be fully combined into the binder, strengthening the resultant paint film.
PLEASE NOTE: The separate glass slabs are in stock but it is a call to order item due to the fact that we cannot guarantee its safe delivery, however well we package it. Please ring us to discuss your delivery options. In combination with the glass frame, delivery is more secure but we still cannot guarantee a delivery without breakage.
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Schmincke Medium L
Starting at: £9.30
Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More -
Golden Heavy Body Acrylic 59ml
Starting at: £11.70
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. MULTI-BUY DISCOUNT Buy any five tubes of 59ml Golden Acrylic Heavy and get 10% discount. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Cylindrical Dippers
Starting at: £4.95
Small metal dippers, roughly 36mm in diameter so as to take up very little real estate on your palette. Learn More -
Ultramarine Blue Limewash Pigment
Starting at: £7.50
PB29
Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B
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Gamblin Relief Printing Inks 175ml
Starting at: £16.00
Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More
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