Search results for: 'boards'

Plywood Drawing Boards

Starting at: £28.50

Plywood Drawing Boards Learn More

Rembrandt 30 Landscape pastels

Starting at: £79.95

Rembrandt 30 Landscape pastels Learn More

Sennelier Set 48 Landscape Collection

Starting at: £167.50

Sennelier Set 48 Landscape Collection Learn More

Schmincke Pastels Set, 10 Assorted Extra Soft Sticks, 1 x Extra Large Stick, in Cardboard Box

£37.85

Schmincke Pastels Set, 10 Assorted Extra Soft Sticks, 1 x Extra Large Stick, in Cardboard Box Learn More

Roberson Liquid Leaf Metallic Paint

Starting at: £12.50

A one-step paint, giving a permanent finish, closely resembling traditional gilding with leaf. Learn More

Sennelier 48 Assorted Oil Pastels

Starting at: £110.00

Sennelier 48 Assorted Oil Pastels Learn More

Rembrandt 90 Landscape pastels

Starting at: £250.00

Rembrandt 90 Landscape pastels Learn More

Treasure Gold

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Starting at: £12.30

Treasure Gold is a metallic wax which is unparalleled in restoring gold lead and the finishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the fingers or a cloth and buff lightly. The metal lustre won't fade or tarnish. It is ready to be polished in ten minutes. Treasure Gold is highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. Learn More

Sennelier Set 24 Assorted pastels

Starting at: £84.50

Sennelier Set 24 Assorted pastels Learn More

Schmincke Pastel Drawing Set, 9 Pastels and Pad

Regular Price: £55.00

Special Price £40.00

Schmincke Set of 9 hand-made Artists' pastels with Ingres Pastel Paper in a cardboard box.

Call us on 020 7636 1045 to arrange free postage and packing with this particular offer. Learn More

Sennelier 24 Landscape Oil Pastels

Starting at: £56.95

Sennelier 24 Landscape Oil Pastels Learn More

Rembrandt 30 Portrait pastels

Starting at: £79.95

Rembrandt 30 Portrait pastels Learn More

Daniel Smith Watercolour Ground Buff Titanium 4oz

£10.30

Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Sennelier Cardboard Set of 40 Half Sticks

Starting at: £71.25

Sennelier Cardboard Set of 40 Half Sticks Learn More

Cranfield (Spectrum) Acrylic Gesso Primer

Starting at: £32.20

Apply directly to canvas or board to give a slightly textured white surface. Learn More

Schmincke AQUA Watercolour Ground, Transparent

Starting at: £16.50

Forms an even, matt, elastic and age-resistant film. Can be overpainted (or tinted beforehand) with watercolours, gouache or acrylic colours. Learn More

Sennelier 12 Iridescent Oil Pastels

Starting at: £28.50

Sennelier 12 Iridescent Oil Pastels Learn More

Rembrandt Cardboard Set of 30 Half Sticks

Starting at: £38.95

Rembrandt Cardboard Set of 30 Half Sticks Learn More

Michael Harding Non Absorbent Acrylic Primer - Colours

Starting at: £21.20

Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More

Schmincke College Acrylic Set, 10 x 75ml Tubes in a Cardboard Box

£32.00

Schmincke College Set, 10 x 75 ml Tubes in Cardboard Box Learn More

Talens Drawing Ink 490ml

£40.95

Professional drawing ink. For use with brush or technical drawing pen. Waterproof. Use on paper, Bristol board or film. 490 ml Learn More

Rembrandt 90 Portrait pastels

Starting at: £250.00

Rembrandt 90 Portrait pastels Learn More

Sennelier Set 48 Portrait Collection pastels

Starting at: £167.50

Sennelier Set 48 Portrait Collection pastels Learn More

Schmincke Pastels Set, 15 Assorted Half Sticks in Cardboard Box

Starting at: £37.85

Schmincke Pastels Cardboard Set of 15 Assorted Half Sticks Learn More

Gesso Panels

Starting at: £28.00

Our Gesso Icon Panels are handmade throughout the entire process, using hand tools rather than industrialised machinery.

Each board is made of lime, which has been allowed to age naturally for long term stability. Firstly, the panel is gently abraded to allow the penetration of rabbit skin glue into the fibres. Following the laying down of a specific canvas, the delicate process of building up precise layers of gesso is undertaken by hand. A final coat of water-based paint treated with wood preservative is applied and the finished panel lightly sanded, ready for painting.

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