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Litharge Pigment
Starting at: £8.00
PY46
Litharge is lead monoxide, also known as Massicot. It is an opaque pigment, with a weak tinting strength. Its toxicity and fugitive nature means that it is rarely used as a pigment. Instead, its fast drying time means that it has been used as a siccative in oil mediums. The colour tends to darken in all media, and it is also unstable in its dry form, as the powder can lighten when exposed to air. Toxicity D.
Larger quantities are available by request.
Please note, unfortunately we are not able to send this product outside the UK.
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Schmincke Medium N
Starting at: £9.45
This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More -
Bockingford Fat Pad
Starting at: £25.90
300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More -
da Vinci Series 5598 CASANEO Watercolour brush, round
Starting at: £6.60
CASANEO water colour brush round - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - For watercolour, reverse glass and silk painting, design, graphic and retouching - Extraordinary elasticity and extremely high colour absorption capacity - Particularly suitable for watercolour and fluid acrylic colour Learn More -
Omega Series 70 Hog Fitch Round
Starting at: £14.90
Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. 100% pure hog hair. Learn More -
Yellow Ochre Pigment
Starting at: £4.00
PY43
Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.
Toxicity B
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London Pigment, Leominster Ochre Pigment
£18.00Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour with a mixture of fine and coarse grains for a lively texture. Try this pigment if you like to experiment with materials that introduce an element of chance in your work. Presented in a 20 ml bottle with a wax seal and label. Learn More
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Komasuki 1.5mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Roberson Metallic Oil Sticks
Starting at: £16.40
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Cornelissen Series 1 Kolinsky Sable Watercolour Brush
Starting at: £11.10
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More -
London Pigment, Epping Forest Yellow Ochre Pigment
£18.00This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible.
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Lead Tin Yellow Light Pigment
Starting at: £4.80
Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media. Larger sizes available. Please ask for quotation.Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Fabriano Artistico Paper Traditional
Starting at: £46.10
Gelatine free. A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges.
Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.
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Unison 8 Light Assorted Pastels
£45.60The Unison Light 8 set, specially selected by Unison Colour. This small set contains the essential Light colours from their large range of pastels. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.
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Japanese Printmaking Paper
Starting at: £5.20
Call to Order
Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More -
Gum Arabic
Starting at: £4.25
Gum Arabic is a resoluble binding agent, commonly used in the preparation of watercolours, but also useful as an adhesive, a size, and in the production of soft pastels. It is a natural product, harvested from the Acacia tree between October and May. The highest grade of Gum Arabic comes from the Kordofan region of Sudan. It is exceptionally pale and pure and therefore particularly suited to watercolour painting, while Nigerian Gum Arabic (while stocks last) is better suited to stone lithography and other printmaking techniques. Please see the Formulas & Recipes section on our homepage for a recipe to make your own watercolour paints using Gum Arabic (currently under construction). Learn More -
Japanese Gold 23ct
Starting at: £55.00
Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Rohrer & Klingner Litho Chalk
Starting at: £17.10
Composed of wax, tallow and Syrian asphalt, the litho chalks feature high resistance against acids. To maintaine quality of the stone, they do not seal the pores of the stone surface. Available in six degrees of hardness with No. 0 being the softest, No. 5 the hardest, and No. 3 the most commonly applied. Learn More -
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Canson Mi Teintes Pastel Paper 55 x 75 cm
Starting at: £47.90
160GSM, 75cm x 55cm, 50% Cotton, Acid Free, Tub Sized, Antique Wove, Roller Marked, Textured Surface. Learn More -
da Vinci Series 488 Spin Synthetic
Starting at: £11.10
Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More -
Japanese Workbench
£14.00Workbench/ Bench hook. An aid to safely carve plywood blocks or lino. Hook over edge of table or bench and place surface to be carved in corner as displayed. Please note workbench does not include plywood block. Learn More -
Calligraphy Cartridge Pad A3
£17.50Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More -
da Vinci Series 428 Red Sable Watercolour brush, round
Starting at: £21.00
ARTISSIMO -Made from pure Kolinsky red sable hair - Embedded in transparent plastic quills - Wire-bound with care on naturally lacquered handles - For wash and watercolour painting on large areas - Pure Kolinsky Red Sable hair - French style Learn More -
Chrome Yellow Orange Pigment
Starting at: £14.00
Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Cornelissen Historical Inks, Green Hawthorn Ink 30ml
£6.50A rich, soft green, this ink is made from organic Hawthorn berries, collected in Cambridgeshire. Inspired by the Green Hawthorn Ink used in medieval manuscripts and formulated according to a 19th century recipe. The ink is not fully lightfast, due to the presence of organic ingredients.
Not suitable for fountain pens. Learn More -
Smalt Light Pigment
Starting at: £5.20
PB32
Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.
Larger quantities are available by request.
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Easy Grip Crible Point Squat No 94
£15.76Easy Grip Crible Point Squat #94 Heavy duty tool with tapered shaft ending in a point Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More -
Rohrer & Klingner Gold Drawing Ink
Starting at: £8.10
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold and three lightfast traditional tones in shellac binder. Learn More -
da Vinci Series 422 COLINEO Watercolour brush, fan brush
Starting at: £9.60
COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
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