Search results for 'de la a'
-
Winsor & Newton Liquin Light Gel
Starting at: £9.20
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Roberson Series 44B Hog Bristle Filbert
Starting at: £5.00
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Stencil Strip 500ml
£10.00Stencil strip, this is a concentrated organic emulsifying stripper that is made using natural mineral salts. It quickly removes all stencil emulsions and capillary films. Can be diluted up to 1:10 with water. Always wear gloves and avoid contact with eyes. Learn More -
-
Roberson Series 43B Hog Bristle Round
Starting at: £5.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Korns Litho Tusche Stick
£33.60108 x 29 x 10 mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results. Learn More -
Gypsum
Starting at: £5.70
Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More -
Roberson Series 41B Hog Bristle Bright
Starting at: £5.10
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Roberson Poppy Oil
Starting at: £10.20
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
Learn More -
-
Roberson Cold Pressed Linseed Oil
Starting at: £7.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More -
Steel Etching Needle
£11.70Dry Point Steel Etching No 1. Classic needle with wooden handle. Learn More -
Schmincke Medium L
Starting at: £9.45
Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More -
Lascaux Studio Bronze Colours 500ml
Starting at: £53.50
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lascaux Studio Bronze Colours 250ml
Starting at: £34.40
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lapis Lazuli Pigment
Call to Order
PB29
Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.
[We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]
Learn More -
Lascaux Screenprinting Paste 500ml
£29.00Call to Order
Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More -
Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black
Starting at: £55.00
Call to Order
The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More -
London Pigment, Purple Madder and Lac Ink, 20 ml
£12.50Call to Order
Madder and Lac Ink ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
Flake White Pigment
Starting at: £18.75
Call to Order
PW1
Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.
Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
Learn More -
Asphaltum Powder
Starting at: £14.30
Call to Order
Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More -
Gamblin Burnt Plate Oils
Starting at: £10.50
Call to Order
Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More -
Gamblin Tom Huck's Outlaw Black Relief Ink 1 lb
£25.00Call to Order
Relief printing cool black for highly detailed woodblock printing on paper. Stiff bodied, cool black Intense ink for fine detail Pure burnt plate linseed oil base No fillers, additives, or modifiers Learn More -
Porte-Crayon Brass Holder, Renaissance Workshop Materials
£48.50Call to Order
Handmade Porte-Crayon in brass for holding chalk or charcoal. Commonly used by artists in the Renaissance for drawing, the piece of sharpened chalk or charcoal is inserted into the end of the holder and secured in place by a sliding ring. Learn More -
London Pigment, Madder Pigment Set
£40.00Call to Order
Madder Red-Brown Rose Madder Madder Light Kaolin Learn More -
Printed Marble Papers
Starting at: £3.00
Call to Order
Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More
-
Schmincke Mussini Limited Edition Lapis Lazuli 15 ml
£28.00Call to Order
Schmincke Mussini Limited Edition Lapis Lazuli 15 ml Learn More -
-
Japanese Woodcut Tool Set 7
£205.00Call to Order
Japanese Woodcut Tools Set of 7, in a wooden box. Cherrywood handles with hard, durable, High Speed Steel chisels. Sizes: Hangito (Knife) 6 mm Komasuki (U) 3 mm, 6 mm Aisuki (Flat) 1.5 mm, 3 mm, 6 mm V 4.5 mm Learn More -
Japanese Coloured Sumi Ink
Starting at: £10.00
Call to Order
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More
Shopping Options
- Category
-
- Pigments Gums & Resins (123)
- Oils & Acrylics (91)
- Canvas & Supports (10)
- Watercolour Gouache & Egg Tempera (44)
- Pastels (27)
- Drawing & Calligraphy (110)
- Gilding & Restoration Materials (53)
- Printmaking (77)
- Brushes (36)
- Paper (34)
- Studio & Books (60)
- Specialist Decorating (7)
- Gift Vouchers (1)
- Price
-
- £0.00 - £999.99 (587)
- £2,000.00 - £2,999.99 (1)
- £3,000.00 and above (2)
- Manufacturer
-
- Arches Aquarelle (3)
- ArtGraf (5)
- Automatic Pens (3)
- Bockingford (3)
- Brause (3)
- Canson (3)
- Charbonnel (5)
- Cornelissen (206)
- Cranfield (2)
- Creta (3)
- Da Vinci (12)
- Daler-Rowney (9)
- Daniel Smith (6)
- Daylight (1)
- e+m (12)
- Faber-Castell (6)
- Fabriano (7)
- Gamblin (14)
- Gillot (1)
- Golden (7)
- Hahnemuhle (3)
- Khadi (1)
- Kölner (4)
- Korns (1)
- Lascaux (14)
- Lefranc et Bourgeois (2)
- Leonardt (1)
- Liquitex (6)
- London Pigment (13)
- Maimeri (1)
- Michael Harding (12)
- Milliput (1)
- Mitchell (2)
- Omega (8)
- Pelikan (2)
- Pentel (1)
- Pfeil (4)
- Raphael (1)
- Rembrandt (1)
- Renaissance Workshop Materials (1)
- Roberson (46)
- Rohrer and Klingner (16)
- Saunders Waterford (3)
- Schmincke (48)
- Sinopia (1)
- Spectrum (2)
- Stabilo (4)
- Staedtler (7)
- Unison (5)
- Winsor&Newton (14)
- Factis (1)
- Swann Morton (4)
- Sennelier (9)
You have no items in your shopping basket.
- Search Brands
-