Click to Hide Notification

Search results for 'red'

Items 31 to 60 of 511 total

per page
Page:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5

Grid  List 

Set Descending Direction
  1. Schmincke Mussini Topaz Orange Limited Edition 15 ml

    Schmincke Mussini Topaz Orange Limited Edition 15 ml

    £26.00

    Topaz Orange Limited Edition 15 ml. is an opaque, richly coloured and sparkling brown orange, produced from the mineral phyllosilicate, one of the hardest naturally occurring minerals. Learn More
  2. Madder Lake Genuine Pigment

    Madder Lake Genuine Pigment

    Starting at: £10.20

    NR9

    Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.

    Larger quantities are available by request

    Learn More
  3. Stencil Brushes

    Stencil Brushes

    Starting at: £3.70

    Stencil brushes have stiff hog bristles, ideal for stippling colour through stencils. Stippling ensures the paint is less likely to creep underneath the stencil edge, giving the design a crisp but textured finish. Learn More
  4. Lascaux Tusche Water-Soluble

    Lascaux Tusche Water-Soluble

    £39.90

    This viscous tusche can be painted in a smooth even layer which can be scratched away to create delicate non-printing lines. It can also be used for a broad range of painted marks, offsetting and pattern-making. The diluted tusche dries to create granular washes that are full of character. Dry marks can be re-wet and altered if required. 500ml. Learn More
  5. ArtGraf No 1 Graphite Putty in ceramic jar

    ArtGraf No 1 Graphite Putty in ceramic jar

    £23.40

    Water-soluble, kneadable graphite putty allows to mould its shape. Available in ceramic jar with 450g putty. Refills of 150g (pictured) are also available to purchase separately. Learn More
  6. Laponite ®

    Laponite ®

    Starting at: £34.40

    For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More
  7. Cornelissen Historical Inks, Virginia Woolf Purple

    Cornelissen Historical Inks, Virginia Woolf Purple

    £6.50

    This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.

    Learn More
  8. Italian Lyre Easel M13

    Italian Lyre Easel M13

    £195.00

    Italian Lyre Easel M13 Learn More
  9. Cornelissen Walnut Oil

    Cornelissen Walnut Oil

    Starting at: £8.20

    The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas. 

    Learn More
  10. Cornelissen Miniature

    Cornelissen Miniature

    Starting at: £8.90

    Extra short haired brush for the discerning miniaturist. Learn More
  11. Daniel Smith Watercolour Ground Mars Black 4oz

    Daniel Smith Watercolour Ground Mars Black 4oz

    £10.30

    Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  12. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.15

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  13. Schmincke Masking Fluid, Clear

    Schmincke Masking Fluid

    Starting at: £8.55

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More
  14. Schmincke Norma Blue 35ml

    Schmincke Norma Blue 35ml

    Starting at: £8.40

    Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More
  15. Egyptian Blue Pigment

    Egyptian Blue Pigment

    Starting at: £5.90

    Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More
  16. Lemon Shellac

    Lemon Shellac

    Starting at: £8.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  17. Colophony

    Colophony

    Starting at: £7.30

    Colophony is a by-product of the distillation of turpentine. It is soluble in most solvents, but considered an adulterant in varnishes and paints, as it forms a weak surface that is prone to darkening and cracking. It is, however, a key ingredient in wax-based etching grounds, imparting hardness, and can be used in powdered form (rosin) to make aquatints. Learn More
  18. Roberson Interlon Series 62 Flat

    Roberson Interlon Series 62 Flat

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  19. da Vinci Series 488 Spin Synthetic

    da Vinci Series 488 Spin Synthetic

    Starting at: £11.10

    Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More
  20. Hahnemuhle Nostalgie Sketchbook

    Hahnemuhle Nostalgie Sketchbook

    Starting at: £9.30

    Thread-stitched for a solid binding, this sketchbook features 190gsm, natural white paper. The smooth surface allows for clearly defined hatchings and pen work, as well as beautiful gradients of colour. Suitable for the use of all dry painting techniques in addition to wet colours. This versatile paper is encased in a linen surfaced grey hardback cover, with a red ribbon page mark. Acid free. Learn More
  21. Squat & Powder Jars

    Squat & Powder Jars

    Starting at: £0.75

    Squat and Powder Jars in glass and plastic. *Please note, our glass jars are fragile, although they are packed very carefully we cannot guarantee they will arrive safely. Cases of jars are stored offsite, please allow extra time for your order to be processed and dispatched. Learn More
  22. Winsor & Newton Thickened Linseed Oil

    Winsor & Newton Thickened Linseed Oil

    Starting at: £9.85

    From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More
  23. Daler-Rowney Alkyd Flow Oil Medium

    Daler-Rowney Alkyd Flow Oil Medium

    Starting at: £9.20

    Slightly thinner than Alkyd Gel, Daler Rowney Alkyd Flow Medium increases the transparency and flow of oil colour, allowing paint to be brushed out more smoothly. Reduces drying time. Learn More
  24. Ultramarine Blue Dark Pigment

    Ultramarine Blue Dark Pigment

    Starting at: £4.00

    PB29

    Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  25. Swanskin Etching Press Blankets

    Swanskin Etching Press Blankets

    Starting at: £0.95

    Swanskin is more durable than compressed wool and can handle higher pressures for longer, which is particularly noticeable when editioning in large numbers. It is best as the uppermost, thickest blanket that sits immediately beneath the roller of the press. Thickness: 8 mm. Manufactured by A W Hainsworth at their West Yorkshire mill. The quantity you enter below is the length you would like in centimetres. The total will be calculated automatically in your basket. Learn More
  26. Unison 8 Starter Assorted Pastels

    Unison 8 Starter Assorted Pastels

    £45.60

    The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

    Learn More
  27. Liquitex Acrylic Slow-Dri Retarder

    Liquitex Acrylic Slow-Dri Retarder

    Starting at: £13.00

    Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More
  28. Madder Root Pieces

    Madder Root Pieces

    Starting at: £27.80

    NR9

    The madder plant was once widely cultivated for the red dye extracted from its roots. Its earliest known use is in ancient Egypt, and there is evidence of its widespread adoption in Europe from the medieval period. Madder Lake, the pigment that is derived from the root, has now largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercial paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. 

    Larger quantities are available by request.

    Learn More
  29. STAEDTLER Mars Plastic Eraser Core

    STAEDTLER Mars Plastic Eraser Core

    £1.50

    STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.

    Learn More
  30. Golden Heavy Body Acrylic 119ml

    Golden Heavy Body Acrylic 119ml

    Starting at: £16.20

    The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and light-fastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Items 31 to 60 of 511 total

per page
Page:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5

Grid  List 

Set Descending Direction