Search results for 'design'
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Automatic Border Stroke Pens
Starting at: £18.60
Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More -
Aisuki 3mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Michael Harding Non Absorbent Acrylic Primer - Colours
Starting at: £21.20
Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More -
Michael Harding Artists Oils Desert Set of 6 40ml
Starting at: £91.00
DESERT SET Warm colours, blue skies, and desert vegetation are all captured in this set, which was designed with the Plein Air artist in mind. 10 x 40ml tubes. The Desert set contains: Warm White Unbleached Titanium Dioxide Yellow Lake Deep Yellow Ochre Deep Venetian Red Scarlet Lake Burnt Umber Italian Green Umber Phthalocyanine Blue and Titanium White Ultramarine Blue Learn More -
Cornelissen Lithography Sponge, Compressed
£6.50Cornelissen Lithography Sponge, Compressed. Designed to keep the litho stone wet during printing. It can be used for preparing printmaking or watercolour paper. Learn More -
Sankaku-toh 3mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Gamblin Relief Printing Inks 175ml
Starting at: £16.00
Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More -
Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black
Starting at: £55.00
Call to Order
The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More -
Pounce Wheels
Starting at: £13.70
Call to Order
Transfers designs to flat or uneven surfaces. TPI - Teeth per inch. Learn More -
Mokuhanga Fundamentals by Terry McKenna
£25.00Call to Order
Mokuhanga Fundamentals by Terry McKenna Learn More -
Lascaux Studio Bronze Colours 500ml
Starting at: £53.50
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lascaux Studio Bronze Colours 250ml
Starting at: £34.40
Call to Order
Lascaux Studio Bronze Original is a range of brilliant bronze colours made from pure, non-oxidizing metallic bronze for use in design, decoration and architecture. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Lascaux Screenprinting Paste 500ml
£29.00Call to Order
Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More