Search results for: '10'

Instacoll Gilding System

Starting at: £6.85

Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More

Small Studio Easel M10

£340.00

Small Studio Easel M10 Learn More

Gelatine Capsules

Starting at: £5.80

Gelatine Capsules Learn More

da Vinci Series 7106 Long Handle Hog Bright

Starting at: £21.10

Finest quality white bristle brushes, built with the natural curve of the bristles turned inwards. Two equally-sized tufts of bristle are set against each other without tension and made to interlock. Properly cleaned after each use the brush will retain this shape even after long use and many washings. Extra long 60 cm handle length. Learn More

Snowdon Cartridge Fat Pads

Starting at: £14.15

130GSM, A4 / A3, 80 Sheets, Woodfree, Acid Free, White Shade, Matt Surface, Wire bound on short edge. Learn More

Translucent Red Oxide Pigment

Starting at: £9.80

Translucent Red Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More

Roberson Stipplers

Starting at: £26.00

Roberson Stipplers Use to produce a variety of painted effects. Apply with various pressure into wet glaze or paint reveal speckles of underlying colour, from fine freckles to soft mottling. Can be used to soften areas of colour by swirling the brush to distribute the paint evenly. Learn More

Squat & Powder Jars

Starting at: £0.75

Squat and Powder Jars in glass and plastic. *Please note, our glass jars are fragile, although they are packed very carefully we cannot guarantee they will arrive safely. Cases of jars are stored offsite, please allow extra time for your order to be processed and dispatched. Learn More

Rembrandt Soft Pastels

Starting at: £3.35

A range of 203 shades. Made in Holland. Intermediate hardness (softer than Conte crayons but harder than Schmincke soft pastels). 12% Discount for purchasing 10+ pastels. Learn More

Liquitex Acrylic Matte Medium

Starting at: £21.80

Decreases gloss. Can be used as sealer for canvas etc. Learn More

Ceramic 12 Well Palette

Starting at: £10.95

Ceramic 12 Well Palette Learn More

Roberson Gum Arabic

Starting at: £10.30

A high quality gum Arabic solution used for binding watercolours. Increases gloss and brilliance. Learn More

Border stroke, No.7 Automatic pen, made in England.

Automatic Border Stroke Pens

Starting at: £19.50

Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More

Polished Copper Plate (0.9 mm Thick)

Starting at: £7.35

Call to Order

Polished Copper Plate (0.9 mm thick) Learn More

Michael Harding Oil Paint Miracle Medium

Starting at: £12.60

Introducing Michael Harding Solvent-Free Mediums: Miracle Medium™—crafted for artists seeking safer, eco-friendly alternatives to traditional solvents. Derived from renewable vegetable sources, our Miracle Medium offers an odourless formula, eliminating the need for solvents in your studio. With MH Miracle Medium, artists can enjoy a studio environment free from harmful effects associated with solvents. The Miracle Medium™ plant-based range not only ensures environmental sustainability but also creates a safer space for artists and their loved ones Learn More

Empty Watercolour Pans

Starting at: £0.60

Empty Watercolour Pans Learn More

Gillott Nibs

Starting at: £1.65

The automatic choice for pen and ink sketching, mapping, engraving, extra fine writing and general drawing. Made from the finest quality Sheffield steel, hand finished for top performance. Learn More

Compressed Etching Press Blankets

Starting at: £1.20

The finest, smoothest woollen blanket that we sell, suitable for use as the ‘fronting’ blanket next to the paper as it is very tightly woven, ensuring no impression is left on the print. It can also be used as the middle ‘cushioning’ blanket if three blankets are in use. Thickness: 2.5 mm. Manufactured by A W Hainsworth at their West Yorkshire mill. The quantity you enter below is the length you would like in centimetres. The total will be calculated automatically in your basket. Learn More

Cobalt Yellow Pigment

Starting at: £8.80

Cobalt Yellow Pigment, Aureolin (PY40). Synthetic Inorganic pigment (Potassium Cobaltinitrate). Transparent. Good tinting strength. Very good Lightfastness. Medium to high oil absorption. Suitable for all media except Lime-fresco. Used since mid 19th Century. Toxicity C.

Please note, unfortunately we are not able to send this product outside the UK.

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Ultramarine Blue Limewash Pigment

Starting at: £7.50

PB29

Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Rohrer & Klingner Lithographic Inks

Starting at: £17.10

Liquid lithographic ink and solid (tushe) lithographic ink are highly resistant against acids and can be used to draw on stone, aluminium and zinc plates. Uses a highly dispersed pigment that is compounded from shellac, wax and soap. While the liquid ink is suited for complete covering, the tushe ink is excellent for halftones and transitions. * Please note that the Litho Tusche now comes in a cylindrical shape, rather than the rectangular stick photographed. Learn More

Liquitex Acrylic Textured and Effects Mediums

Starting at: £21.40

Liquitex Acrylic Textured and Effects Mediums Learn More

Omega Series 463 Red Silk Spalter

Starting at: £21.60

Omega Series 463 Red Silk Spalter For washes covering large areas. Learn More

Pelikan Drawing Ink A Black

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Starting at: £8.30

Transparent intermixable waterproof inks. Diluted with distilled water. Suitable for ruling pens, drawing pens and brushes. Learn More

Ultramarine Blue Dark Pigment

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Starting at: £4.00

PB29

Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Sennelier Pastel Card

Starting at: £102.50

Sennelier Pastel Card 400gsm 50 x 65 cm. Finely ground ph neutral vegetable flakes and cork are hand applied to a 200lb ph neutral board to give a paper that is slightly abrasive with a uniform tooth. This unique paper gives enhanced adhesion so that pastels need the minimum of fixing. Learn More

Cadmium Yellow Orange Pigment

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Starting at: £4.50

Cadmium Yellow Orange Pigment (PY108) also known as Pyramid Yellow. Organic pigment. Opaque to Semi-opaque. Good tinting strength. Excellent Lightfastness. Medium drying rate. Suitable for all media except Lime-fresco. Toxicity B/C Learn More

Vulpex

Starting at: £13.25

Concentrated liquid soap. Mix with water or white spirit to clean surfaces such as gilt, stone or even paper. Learn More

Yellow Ochre Pigment

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Starting at: £4.00

PY43

Yellow Ochre is a natural earth pigment that has been in use since prehistoric times. It is derived from iron-rich clay deposits that are present all over the world; our Yellow Ochre comes from the hilly regions around Verona, Italy. As a pigment, it is semi-opaque, extremely lightfast, and stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Yellow Ochre is similar in composition to Raw Sienna, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this compositional difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity B

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Cadmium Yellow Middle Pigment

1 Review(s) | Add Your Review

Starting at: £6.30

Cadmium Yellow Middle Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More

Search results for '10'