Search results for: 'acrylic'

Roberson Clear Shellac Varnish

Starting at: £11.50

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More

Roberson Refined Linseed Oil

Starting at: £13.30

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

Alkali Refined Linseed Oil has been treated to reduce its acidity, and is a useful ingredient in mediums and varnishes.

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Roberson Glaze Medium

Starting at: £9.60

Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork.

Contains: Turpentine, Damar Resin, Stand Oil, Cobalt Dryers.

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Schmincke Medium N

Starting at: £9.45

This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More

Cornelissen Gift Voucher

£25.00

Cornelissen Gift Vouchers are available in a range of values and can be redeemed both on-line and in our store. Vouchers can be redeemed fully or partly and do not expire. *Virtual gift vouchers will be emailed immediately after the order is placed. Learn More

Gamblin Oil Colours 37ml

Starting at: £11.20

*Only available online*. Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Gamblin Cold Wax Medium

Starting at: £12.60

* Only available online.* Cold Wax medium is made by Gamblin. They say:

"Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."

Please see below for more information.

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Schmincke Oil Binder 200 ml

£15.95

For impasto oil paints Learn More

Michael Harding Artists' Oil Colour 40 ml

Starting at: £9.20

Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More

Roberson Mastic Varnish Extra Thin

Starting at: £18.50

Roberson Mastic Varnish Extra Thin. Unable to send overseas. Learn More

Winsor & Newton Thickened Linseed Oil

Starting at: £9.20

From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More

Mussini Set 10 x 35 ml tubes

£120.20

Schmincke Mussini Wooden Set 10 x 35 ml tubes Learn More

Cornelissen Larch Venice Turpentine

Starting at: £28.80

Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.

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Cranfield (Spectrum) Spectraflow Medium

Starting at: £16.96

From the Cranfield website:

This free flowing, slightly thixotropic medium is alkyd based and will not increase gloss when added to oil colours. It is quick drying.

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Roberson Metallic Oil Sticks

Starting at: £16.40

Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More

Studio Safe Retouching Damar Varnish

Starting at: £15.20

Studio Safe Retouching Damar Varnish. Use where dull or sunken areas of a painting need lifting. Learn More

Winsor & Newton Artists' Matt Varnish

Starting at: £9.20

Ketone resin/silica/white spirit. Pale translucent liquid dries quickly to matt film. Can be mixed with Gloss Varnish to alter finish. Not suitable for highly absorbant cracked paintings. Learn More

Roberson Artists' Oil Colour 225 ml

Starting at: £38.60

Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations.

Available in 40ml and 225ml tubes

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Schmincke Mussini Oil Medium 2

Starting at: £9.45

Slows drying time. Learn More

Liquitex Heavy Body Acrylic Classic Set of 12

Liquitex Sets

Starting at: £29.85

Liquitex Sets Learn More

Roberson Maroger Medium

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Starting at: £18.60

Roberson Maroger Medium can be mixed in equal parts with oil colours to give a lasting brilliance and workable consistency to paints. It prevents sinking when using a wet-in-wet techniques.

Contains: Damar Resin, Gum Arabic, Linseed Oil

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Roberson Cobalt Siccative

Starting at: £7.70

A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More

Schmincke Mussini Limited Edition Ruby Red 15 ml

£26.00

Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More

Michael Harding Miracle Medium

Starting at: £12.00

MM0 Miracle Medium is a solvent-free, odourless, vegan, and plant-based Medium that serves as an alternative to traditional turpentine. This medium offers artists a natural and sustainable option for thinning oil paints, cleaning brushes, and glazing (see our MM2 Quick Dry Dammar Varnish Miracle Medium) without the use of harsh chemicals or toxic fumes. CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. Oil paint artists use MM0 Miracle Medium in several ways: Artists may dip their brush in MM0 Miracle Medium before applying it to the paint to achieve the desired consistency. Clean brushes: MM0 Miracle Medium can be used to clean oil paint brushes. After painting, artists may rinse their brushes in MM0 Miracle Medium to remove excess paint and then wash the brushes with soap and water – Use as a painting medium to mix with oil paints, enhancing flow and transparency – Clean brushes by dipping them in the medium and wiping them clean. – Dilute or thin oil paints without the use of traditional solvents. – CAN EXTEND DRYING TIME. ADD 5-10% TO OIL COLOUR AS NEEDED. – Available in 100ml, 250ml and 1 Litre. Learn More

Gamblin Galkyd Lite Medium

Starting at: £12.60

Galkyd Light is produced by Gamblin. They write:

"Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

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Winsor & Newton Safflower Oil 75 ml

£9.20

From the Winsor & Newton website: A slow drying oil which improves flow, increases gloss and transparency. Particularly suitable for use with whites and pale colours.

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Roberson Mastic Varnish Ordinary

Starting at: £18.50

Roberson Mastic Varnish Ordinary. Unable to send overseas. Learn More

Winsor & Newton Liquin Light Gel

Starting at: £9.20

From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More

Daler-Rowney Artists' Oil Colour

Starting at: £10.15

The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More

Cornelissen Walnut Oil

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Starting at: £8.20

The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.

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Search results for 'acrylic'