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Michael Harding Artists Oils Desert Set of 6 40ml

Starting at: £91.00

DESERT SET Warm colours, blue skies, and desert vegetation are all captured in this set, which was designed with the Plein Air artist in mind. 10 x 40ml tubes. The Desert set contains: Warm White Unbleached Titanium Dioxide Yellow Lake Deep Yellow Ochre Deep Venetian Red Scarlet Lake Burnt Umber Italian Green Umber Phthalocyanine Blue and Titanium White Ultramarine Blue Learn More

da Vinci Series 5598 CASANEO Watercolour brush, round

Starting at: £6.60

CASANEO water colour brush round - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - For watercolour, reverse glass and silk painting, design, graphic and retouching - Extraordinary elasticity and extremely high colour absorption capacity - Particularly suitable for watercolour and fluid acrylic colour Learn More

Van Dyke Crystals

Starting at: £8.40

Van Dyke Crystals are a natural, water-based wood dye, made from walnut husks. They produce a colour ranging from a very light brown to dark brown depending upon concentration. Traditionally used for colouring oak, mahogany and walnut. Learn More

Fullers Earth

Starting at: £6.30

Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.

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Roberson Cobalt Siccative

Starting at: £7.70

A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More

Sinopia Clay Bole 4oz (approx. 118ml)

Starting at: £14.95

High quality clay bole for water-gilding techniques. Use over traditional chalk gesso ground. Bole needs to be applied with a solution of rabbit skin glue. This Bole is manufactured by Sinopia. The formula was developed by working with master gilders to craft a rich creamy bole that burnishes to a beautiful, highly reflective lustre.

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Cornelissen Walnut Oil

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Starting at: £8.20

The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.

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Cranfield (Spectrum) Spectragel Medium

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Starting at: £16.50

From the Cranfield website:

This is a thixotropic alkyd medium designed to mix with oil colours, retaining the body of the paint.

Spectragel is a gloss medium and is quick drying. It is a clear medium based on a synthetic resin that improves the weather resistance of oil colours; ideal for glazing and extending colours while retaining gloss and structure of paint.

Matt Spectragel is a quick drying, clear, weather-resistant medium based on synthetic resin. Ideal for extending colours, Matt Spectragel Medium will retain structure and dry to a matt finish.

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Laponite ®

Starting at: £34.40

For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More

Roberson Cold Pressed Linseed Oil

Starting at: £7.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More

Universal Lacquer in 60ml, 120ml and 1L.

Cornelissen Universal Lacquer

Starting at: £14.40

Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

Winsor & Newton Distilled Turpentine

Starting at: £6.85

From the Winsor & Newton website: A fast evaporating, highly refined essential oil with the strongest thinning and brush cleaning power of all Artists' grade solvents. Suitable for removing varnish (including Dammar Varnish).Keep tightly closed and away from light to prevent oxidation. Do not use if it has thickened. Learn More

Roberson Ormoline Medium

Starting at: £8.70

Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125ml of paint. Learn More

Roberson Clear Shellac Varnish

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Starting at: £11.50

Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More

Roberson Damar Varnish Low Gloss

Starting at: £8.90

Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More

Roberson Safflower Oil

Starting at: £7.70

Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.

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Roberson Satin Glaze Medium

Starting at: £9.80

Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork. Learn More

Roberson Linseed Stand Oil

Starting at: £10.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.

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Roberson Glaze Medium

Starting at: £9.60

Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork.

Contains: Turpentine, Damar Resin, Stand Oil, Cobalt Dryers.

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Microcrystalline Wax

Starting at: £8.50

Microcrystalline Wax is related to paraffin wax, and is used as a plasticiser in some recipes. It is characterised by the fineness of its crystals in contrast to the larger crystal of paraffin wax. It is generally more viscous, denser, tackier and more elastic than paraffin waxes, and has a higher melting point. Learn More

Roberson Oil Primers

Starting at: £23.30

Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit. Learn More

Cornelissen Variegated Metal Leaf 236

Starting at: £17.00

Cornelissen Variegated Metal Leaf 236 Learn More

Roberson Pure Gum Turpentine

Starting at: £14.00

Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums. Learn More

Cranfield (Spectrum) Linseed Oil Paste

Starting at: £24.65

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From the Cranfield website:

An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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Alder Ruler

Starting at: £5.30

Classic 1960's design. Made from solid alder. 15cm. Available in natural waxed or black stained alder. Learn More

Madder Lake Genuine Pigment

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Starting at: £10.20

NR9

Madder Lake pigment is derived from dye that has been extracted from the root of the madder plant, and attached to alum as a base. It has largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercially-available paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments. It requires a wetting agent to aid dispersion.

Larger quantities are available by request

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Wooden Clutch Pencil Long

Starting at: £19.70

Classic 5.5mm clutch pencil made from FSC certified beechwood. Available in natural wood or stained either black or mahogany. Supplied with HB graphite lead. Length 14cm. Learn More

Nib Holder Marble Jazz

£2.90

Nib Holder Marble Jazz Learn More

Wooden Clutch Pencil Small

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Starting at: £17.15

Classic 5.5mm clutch pencil made from FSC certified beechwood. 10cm long. Available in natural wood or stained either black or mahogany. Supplied with HB graphite lead. Length 10cm. Learn More

Schmincke Akademie Acrylic 2.5L Tit. White

£80.25

Schmincke Akademie Acrylic 2.5L Titanium White Series 1. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

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