Search results for: 'red'

Pelikan Nakiplast

Starting at: £13.80

Pelikan Nakiplast modeling clay is soft, pliable high-quality wax dough made with beeswax. Brightly coloured but does not stain hands. Learn More

Unison Pastels Mini Set, Drawing Half Stick 8

£16.45

This set resembles a much-loved set from Unison Colour history which was then referred to as Chiaroscuro. A selection of light and shade colours for tonal drawing to encourage a sense of depth and dimension.

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Schmincke Akademie Acrylic 2.5L Tit. White

£80.25

Schmincke Akademie Acrylic 2.5L Titanium White Series 1. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Japanese Gold Leaf 22,66ct Enzuke

Starting at: £61.00

Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. Enzuke gold leaf is beaten between sheets of traditional of washi paper called furuya-gami and refers to the subtle grid pattern that appears on the surface of the leaves. In Japan, Enzuke gold is considered more traditional and has a soft lustrous appearance. Each pack contains 10 leaves. Learn More

Liquitex Acrylic Slow-Dri Retarder

Starting at: £12.35

Increases drying and blending time. Reduces skinning on palette. Use for wet-in-wet techniques. Learn More

Artist's Handbook

£30.00

By Pip Seymour. The Artist’s Handbook provides artists with in-depth, practical information on the materials, equipment and skills necessary for all areas of artistic practice. Topics covered include advice on how to select appropriate art materials, including paints, brushes, canvases and drawing materials; techniques for making your own paints, glue, varnishes and paper; advice on how to achieve the best results from both manufactured and hand-made materials; the best methods of storing and preserving finished artworks, and health and safety precautions. 520 pages. Learn More

Vermilion Genuine Pigment

Starting at: £17.00

PR106 Vermilion is an artificial pigment based on mercuric sulphide, which occurs naturally as Cinnabar. The synthetic form contains fewer impurities than Cinnabar, and was in use in China as early as the fourth century. It was present in Europe from the ninth century, and was the most widely used red pigment until the introduction of Cadmium Red in the early twentieth century. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Toxicity D. Larger sizes available on request. Domestic shipping only Learn More

Schmincke Calligraphy Gouache Set

£115.00

Wooden box containing 12 x 20ml tubes of Schmincke Calligraphy Gouache. Learn More

Schmincke Norma Blue 35ml

Starting at: £8.15

Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More

Gum Sandarac

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Starting at: £8.60

Gum Sandarac, derived from a coniferous tree, is available in powdered or lump form. It can be dissolved in alcohol to create a varnish that is suitable as an isolating layer in oil painting and as a traditional top coat for egg tempera. It forms a brittle layer, so is only suitable for use on a rigid support. Another application is as a surface preparation for calligraphy; the ground gum can be dusted across a piece of prepared vellum or paper to create a resist, which shrinks ink strokes slightly, making them appear finer, with crisp edges. Learn More

Roberson Cold Pressed Linseed Oil

Starting at: £7.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More

Schmincke Horadam Naturals

Starting at: £13.00

Schmincke have combined the unique properties of gouache and watercolour paint in a unique formulation, to create Horadam Naturals. Made using natural earths, plant-based pigments and resins, the resulting high-quality watercolours are environmentally friendly and vegan. The 16 matte colours are semi-/transparent with good lightfastness and can be mixed and combined with all water and gouache colours. Learn More

Winsor & Newton Series 7 Miniature

Starting at: £24.80

Extra short haired brushes for miniature painting. Kolinsky sable. Learn More

Cornelissen T73140 Professional Press

£3,800.00

Cornelissen Press T73140, Bed size: 73 x 140 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Etching press base: 78.5 x 91 cm. Weight: 148 kg. We offer press demonstrations for this model. Please call Cornelissen for more details. This press is made to order. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

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Gamblin Galkyd Lite Medium

Starting at: £12.60

Galkyd Light is produced by Gamblin. They write:

"Galkyd Lite thins oil colours and increases transparency and gloss. When used in moderation with oil colours, Galkyd Lite will retain brushstrokes. Galkyd Lite is more fluid and less glossy compared to Galkyd. Thin layers will be touch-dry in 24 to 30 hours."

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Omega Series 203 Pointed Hog Sash

Starting at: £8.70

Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More

Exhibition Cross Bars

Starting at: £3.12

Exhibition cross bars for Exhibition stretchers only. Notched for overlap from 120cm. Prices are for individual bars. Please note, this range is stored off-site. Please allow extra time for your order to be processed and dispatched. [Only available online] Learn More

ArtGraf Graphite Tailor shape

£6.60

Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft. Learn More

da Vinci Series 5522 COLINEO Watercolour brush, round

Starting at: £5.30

Composed of different lengths of straight and wavy synthetic fibres, with extra fine tips. Precise point, high elasticity and colour absorption with a silver metal ferrule Handle made of water-resistant, hi-tech multicolour laminated wood. Ideal for watercolour painting. Very similar to Kolinsky Red Sable hair brushes. Learn More

Lascaux Tusche Soft Ground Effect 500ml

£42.90

This slow drying viscous tusche has been designed to produce effects similar to soft ground in traditional etching. Using this method soft non-printing drawings may be made and impressions of fabric, leaves, feathers and other collage materials may be taken. The tusche can also be used for a broad range of painted marks and can be drawn into with paint shapers and other tools. The diluted tusche dries to creategranular washes. Dry marks can be re-wet and altered. Learn More

Schmincke Liquid Frisket

Starting at: £5.40

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More

Saunders Waterford Paper

Starting at: £40.06

Saunders Waterford paper is a mould-made,100% cotton paper for watercolour painting with two deckle edges. Acid-free, gelatine tub-sized and calcium carbonate buffered.

Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.

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Tallow

Starting at: £34.60

Used in printmaking. Imparts softness and greasiness. An ingredient for producing soft etching ground. Learn More

Dragon's Blood Powder

Starting at: £28.10

Dragon's Blood is a natural, resin, mentioned by Pliny in his Natural History. It has a weak tinting strength, and its rich red-colour can be fugitive in direct sunlight. It is fully soluble in alcohol, and can be used to add a warm, transparent tone to spirit varnishes. Also available in lump form.

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Winsor & Newton Drying Poppy Oil

Starting at: £9.20

From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

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Bleached Beeswax

Starting at: £12.30

Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

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Hangito 3mm (Right Handed)

£28.00

The Hangi-toh is a cutting knife with a bevelled edge. It is used to outline areas to be kept. This is the most useful tool for the Mokuhanga artist. The tool is designed to be held blade down at roughly 90 degree angle with the flat edge of the blade towards line to be kept and the bevelled edge in the area to be carved away. A small amount of pressure is excised by placing thumb over the end of the handle slightly to the left and blade tilted to the right (if you are right handed) so that you may see the blade running down the line as you work, the blade should be guided with the other hand though care is needed not to apply too much pressure. This is the traditional method of holding the tool and, for this reason right and left handed tools are required. (Please note, left handed tools can be ordered by telephone and will take 4-6 weeks to arrive). The blade may be removed and sharpened by slipping off the ferrule. Learn More

London Pigment, Verdigris Ink, 20 ml

£12.50

Ink made from pure copper metal leaf that has reacted with distilled vinegar. Learn More

Schmincke Transparent Medium

£9.45

For enamel-like surfaces Learn More

Cobalt Green Light Pigment

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Starting at: £8.70

PG19

Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

Toxicity: B

Please note, unfortunately we are not able to send this product outside the UK.

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Search results for 'red'