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  1. Stil de Grain

    Stil de Grain

    Starting at: £12.20

    NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More
  2. Italian Wooden Box

    Italian Wooden Box

    Starting at: £160.00

    Italian Wooden Box Learn More
  3. Branded Stretcher Bars

    Branded Stretcher Bars

    Starting at: £2.15

    Branded Stretcher Bars. High quality range of canvas stretcher frames made from laminated pine to minimise warping. All bars have a 1/4 inch lip to raise the canvas away from the wood. Mortised to take cross-bars from 36 inches. Supplied with wedges. *Please note - prices are for individual bars* Learn More
  4. Branded Cross Bars

    Branded Cross Bars

    Starting at: £1.90

    These are useful for bracing a larger frame, and are necessary when one of the dimensions is over 36 inches. Cross bars are notched for overlap from 36 inches, either at the front or back. Please specify which bar arrangement you need. Supplied with wedges. *Please note - prices are for individual bars* Learn More
  5. Wooden Artist's Bridges

    Wooden Artist's Bridges

    Starting at: £25.00

    These sturdy wooden bridges provide a support for your hand, allowing you to add details to drawings, paintings, gilded surfaces and calligraphy without smudging your work. They are made by hand in the UK, meaning that our supply of different woods can vary, so please give us a call or send us an email if you would like to know what we have available.

    Woods may include: American Walnut; American Oak; American Cherry; Ash; Burr Elm; Brown Oak; Elm; Oak; Ripple Ash; Spalted Beech; Utile. 

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  6. Rohrer & Klingner Liquid Watercolour Inks

    Rohrer & Klingner Liquid Watercolour Inks

    Starting at: £9.30

    Call to Order

    Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More
  7. Gum Mastic

    Gum Mastic

    Starting at: £20.30

    Call to Order

    Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More
  8. London Pigment, Watercolour Paint Making Set

    London Pigment, Watercolour Paint Making Set

    £35.00

    Call to Order

    This watercolour paint making set includes a 30ml glass vial of gum Arabic crystals and another of Hampstead Orange, a pigment rich in iron oxide. A pamphlet detailing a a watercolour recipe and an introduction to London pigment is also included. The perfect gift for artists getting into making their own art materials or those interested in handmade British earth colours. The pigment itself has a fine to medium grain size and has been washed, levigated and ground to create a stable high quality artist’s pigment.

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  9. Lapis Lazuli Pigment

    Lapis Lazuli Pigment

    Call to Order

    PB29

    Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.

    [We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]

    Learn More
  10. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when alternatives unsuitable.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  11. Cobalt Blue Pigment

    Cobalt Blue Pigment

    Starting at: £6.50

    Call to Order

    PB28

    Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.

    Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.

    Limeproof

    Toxicity: C

    Learn More
  12. London Pigment, Madder Pigment Set

    London Pigment, Madder Pigment Set

    £40.00

    Call to Order

    Madder Red-Brown Rose Madder Madder Light Kaolin Learn More
  13. Cornelissen Pochade Boxes

    Cornelissen Pochade Boxes

    Starting at: £180.00

    Call to Order

    Handmade from American cherry wood. Leather handle embossed with L. Cornelissen & Son. Est. 1855 Learn More
  14. Roberson Bronze Powders 1 kg

    Roberson Bronze Powders 1 kg

    Starting at: £134.20

    Call to Order

    Roberson Standard Bronze Powders Learn More
  15. Pounce Wheels

    Pounce Wheels

    Starting at: £13.70

    Call to Order

    Transfers designs to flat or uneven surfaces. TPI - Teeth per inch. Learn More
  16. Roberson Interlon Series 64 Filbert

    Roberson Interlon Series 64 Filbert

    Starting at: £5.60

    Call to Order

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. *AWAITING ARRIVAL OF NEW STOCK* Learn More

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