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  1. Lilian May,  J.M.W. Turner Watercolour Box Set, 8 Wells

    Lilian May, J.M.W. Turner Watercolour Box Set, 8 Wells

    £40.00

    Box Set Dimensions 9 cm x 5.5 cm Utramarine PB29 Burnt Umber PBR6 Genuine Madder NR9 Vermilion PR4, PY1, W21 Mars Orange PY42, PR10 Indigo NB1 Yellow Ochre PY43 Prussian Blue PB27. Learn More
  2. Pfeil Professional Lino and Wood Set B

    Pfeil Professional Lino and Wood Set B

    £125.00

    Exceptional quality Swiss made carving tools for lino cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length.

    Set B is a perfect overall professional set which includes most of the tools you may need in lino or woodcarving, including some wider tools for larger work. Includes:

    • L 5/3 – 3mm shallow gouge
    • L 7/6 – 6mm gouge
    • L 7/10 – 10mm gouge
    • L 9/5 – 5mm shallow gouge
    • L 11/1 – 1mm U
    • L 12/1 – 1mm V

    Learn More
  3. Swann Morton Scalpel Handle No3

    Swann Morton Scalpel Handle No3

    £7.15

    Stainless steel handle No 3 compatible with blade shapes 10, 10A, 11, 12 and 15 Learn More
  4. Empty Watercolour box for 48 half pans

    Empty Watercolour box for 48 half pans

    £20.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More
  5. Lilian May,  J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

    Lilian May, J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

    £20.00

    Matchbox Set Dimensions 5.5 cm x 3.5 cm Prussian Blue PB27 Yellow Ochre PY43 Vermilion PR4, PY1, W21 Genuine Madder NR9 Learn More
  6. Pfeil Professional Lino and Wood Set C

    Pfeil Professional Lino and Wood Set C

    £125.00

    Exceptional quality Swiss made carving tools for lino cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length.

    Set C is designed for very fine detailed lino or woodcarving projects. The set Includes:

    • L 8/3 – 3mm curved gouge
    • L 8/7 – 7mm curved gouge
    • L 9/2 – 2mm shallow gouge
    • L 11/0.5 – 0.5mm U
    • L 12/4 – 4mm V
    • L 15/2 – 2mm V

    Learn More
  7. Daler Calligraphy Pad

    Daler Calligraphy Pad

    Starting at: £14.15

    Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More
  8. Easy Grip Crible Point Sharp No 93

    Easy Grip Crible Point Sharp No 93

    £15.76

    Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More
  9. 'Vintage' Book of Watercolour Paper, Cream

    'Vintage' Book of Watercolour Paper, Cream

    £45.00

    These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More
  10. Unison 8 Midnight Assorted Pastels

    Unison 8 Midnight Assorted Pastels

    £45.60

    The Unison Midnight 8 set was created by the colour experts at Unison Colour. Unison Pastels partnered with Australian artist, Chris Blake, to create Dark 19 and 20, and with British artist, Robert Dutton, to create Dark 24. The set also includes Carbon Black 1 and 2. These two colours are their darkest ‘black’ pastels. The eight colours in the Midnight Set are unrivalled in the soft pastel format.

    Learn More
  11. 'Vintage' Book of Watercolour Paper, Black

    'Vintage' Book of Watercolour Paper, Black

    £45.00

    These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More
  12. Hahnemuhle Watercolour Postcard Tin

    Hahnemuhle Watercolour Postcard Tin

    Starting at: £9.50

    230GSM, 10.5cm x 14.8xm / A6, 30 Sheets, Acid Free, Natural White Shade, Rough Surface, Printed with an address box on the reverse. Learn More
  13. Maimeri Retouching Varnish for Restoration 75 ml

    Maimeri Retouching Varnish for Restoration 75 ml

    £8.80

    Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More
  14. Techniques of Icon and Wall Painting

    Techniques of Icon and Wall Painting

    £40.00

    Techniques of Icon and Wall Painting - Egg Tempera, Fresco, Secco by Aidan Hart. The most comprehensive description to date of the techniques, formulae and history of Icon and Wall Painting. The book is beautifully designed and over its 490 pages, there are 450 coloured images and 180 drawings. Cornelissen materials are included in the text and in the images. Learn More
  15. Pfeil Arkansas Stone Set of 4

    Pfeil Arkansas Stone Set of 4

    £65.00

    Pfeil's Arkansas Stones are sharpening stones made for honing cutting edges such as lino cutting tools and etching tools. Genuine Arkansas stones are among the hardest and finest of honing stones. Use with special light honing oil. Colors range from white to black. Grit: ca. 8000 Size: ca. 65mm x 25mm x 8mm Learn More
  16. Edible Gold Leaf Loose

    Edible Gold Leaf Loose

    Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More
  17. London Pigment, Rotherhithe Orange Pigment

    London Pigment, Rotherhithe Orange Pigment

    £20.00

    This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible. 

    Learn More
  18. London Pigment, Leominster Ochre Pigment

    London Pigment, Leominster Ochre Pigment

    £18.00

    Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour with a mixture of fine and coarse grains for a lively texture. Try this pigment if you like to experiment with materials that introduce an element of chance in your work. Presented in a 20 ml bottle with a wax seal and label. Learn More

  19. London Pigment, Georgian Yellow Brick Pigment

    London Pigment, Georgian Yellow Brick Pigment

    £18.00

    This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. Learn More

  20. W&N Professional Watercolour Whole Pan

    W&N Professional Watercolour Whole Pan

    Starting at: £9.55

    Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

  21. KUM The Masterpiece Pencil Sharpener

    KUM The Masterpiece Pencil Sharpener

    £20.00

    Handmade in Germany with two high-carbon blades to shave away the wood and precisely shape the pencil lead. Designed to give you a very long, sharp point, it in works in two stages, first stripping the wood away from the lead (hole number 1) and then by honing the exposed lead to a very fine point (hole number 2). Made from lightweight yet durable magnesium. Blades are made of finely ground high-carbon steel with a hardness of more than 62 hrc. Comes with two spare blades, extras are also available. Learn More
  22. Traditional Sumi Baren

    Traditional Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  23. Squand, Squeegee Stand

    Squand, Squeegee Stand

    £7.95

    The Squeegee Stand is designed to make screen products more efficent. It holds your Squeegee upright and keeps your work space mess free. Product Dimensions: 13 x 5.1 x 4.2 cm. Learn More
  24. da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

    da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

    £47.40

    Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More
  25. Schmincke Calligraphy Gouache Set

    Schmincke Calligraphy Gouache Set

    £115.00

    Wooden box containing 12 x 20ml tubes of Schmincke Calligraphy Gouache. Learn More
  26. Cornelissen Pigment Set of 30 Colours

    Cornelissen Pigment Set of 30 Colours

    £130.00

    The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

  27. Schmincke Drying Accelerator for Oils

    Schmincke Drying Accelerator for Oils

    Starting at: £8.20

    From the Schmincke website:

    Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.

    Learn More
  28. Winsor & Newton Griffin Alkyd Oil Colour

    Winsor & Newton Griffin Alkyd Oil Colour

    Starting at: £7.15

    Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More
  29. Leather Classic Sketching Pad

    Leather Classic Sketching Pad

    Starting at: £77.75

    Our Classic Leather Pad comes with an A5 landscape sketchbook of Hahnemuehle paper, which is easily refillable. All of our leather goods are handmade in Spain, and coloured with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More
  30. Schmincke Supergranulating Watercolours Half Pan

    Schmincke Supergranulating Watercolours Half Pan

    Starting at: £8.10

    Schmincke’s new supergranulating watercolour range is produced by combining two or more granulating pigments in each paint. Grouped into eight colour palettes, these beautiful shades have a textural surface effect, which is exaggerated when used on rougher and more structured paper. Learn More

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