Cornelissen
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Cornelissen Series 80A Kolinsky Sable
Starting at: £5.90
High quality Kolinsky sable with good spring and pointing characteristics. Very useful for detailed work. Learn More -
Quinacridone Magenta Pigment
Starting at: £5.50
Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More -
Quinacridone Red Pigment
Starting at: £5.50
Quinacridone Red Pigment (PV19). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More -
Cornelissen Black Sketchbooks
Starting at: £5.40
Landscape & Portrait Sketchbooks contain 46 sheets of acid free 140 gsm paper, bound with classic black cover. Square sketch books contain 95 sheets acid free paper. Learn More -
Soft Sewn Sketchbook
Starting at: £5.00
Soft Sewn Sketchbook. 64 Pages, 120GSM Acid-Free Paper. Learn More -
Pencil Extender
Starting at: £5.75
Wooden pencil extender. Useful artists' accessory in five finishes. Metal part is nickel plated. Length 12cm. Made from FSC-certified wood. Available in Mahogany, Walnut, Black, Red and Green Learn More -
Pozzuoli Red Pigment
Starting at: £5.20
Pozzuoli Red is a natural earth pigment that was originally found in the volcanic areas in Pozzuoli, Italy. It was unique for its cement-like setting qualities due to naturally occurring silica. Modern Pozzuoli Red refers to the warm red colour rather than this physical characteristic.
Toxicity: B
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Chinese Brush, Bristle and Goat Hair, Small
£5.00Extra strength, medium size, 'White Cloud' brush. A versatile brush for painting and calligraphy. Learn More -
Alder Ruler
Starting at: £5.30
Classic 1960's design. Made from solid alder. 15cm. Available in natural waxed or black stained alder. Learn More -
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Indigo Blue Synthetic Pigment
Starting at: £5.50
Indigo Blue Synthetic Pigment (VB1). Organic pigment. Transparent. Good tinting strength. Moderate Lightfastness, slower fading rate than Genuine Indigo. Requires wetting agent. Suitable for oil and water-based media. Developed in late 19th Century. Toxicity A/B Learn More -
Oriental Blue Pigment
Starting at: £5.40
Oriental Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. Used since early 19th Century. Toxicity B Learn More -
Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
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Cornelissen Series 41 Hog Bristle Bright
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More -
Cornelissen Series 42 Hog Bristle Flat
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More -
Cornelissen Series 43 Hog Bristle Round
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More -
Cornelissen Series 44 Hog Bristle Filbert
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm depending on size. Size / A [width at ferrule]mm / B [visible hair / fibre length]mm / C [total length]mm 0 4 11 291 1 5 15 297 2 6 17 303 3 7 20 305 4 10 22 309 5 10 24 315 6 11 26 320 7 14 28 330 8 14 32 337 10 19 35 342 12 22 38 349 Learn More -
Cornelissen Sable Round
Starting at: £5.55
Finest quality red sable to all types of oil techniques. This brush has good sping even in the smaller sizes and retains its point well. Learn More -
Cornelissen Sable Bright
Starting at: £5.95
Made from the same quality red sable as the rounds and used for short, thicker strokes of paint. Learn More -
Graphite Powder (Sri Lanka)
Starting at: £5.50
PBk10
Graphite powder is an allotropic form of pure carbon, ground to 200 mesh. It is transparent and lightfast, with a slight sheen. It can be applied directly onto a paper support.
Larger quantities are available by request. This variety of graphite is a naturally occurring material sourced from Sri Lanka.
Toxicity: A/B
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Mars Black Pigment
Starting at: £5.70
PBk11
Mars Black is an artificial mineral pigment composed of hydrated ferric oxides. Like other Mars colours, it provides a very opaque, permanent colour, which is stable in all media. It has an average drying time in oil, forming a hard, fairly flexible film, making it more suitable for impasto application than carbon-based black pigments, which tend to be brittle. It also wets more easily than other black pigments, and possesses a warm, brownish undertone.
Toxicity: B
Limeproof
Larger quantities are available by request.
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Gamboge Powder
Starting at: £5.20
Gamboge is a natural tree resin, generally extracted by tapping of Garcinia trees, available as a powder and in the solid "pipe" form. One of the unique features of Pipe Gamboge is that it does not require a binding agent to be used as a paint. Instead, colour can be lifted with a wet brush, as from a watercolour pan. When used as a water colour, it gives a bright transparent golden yellow colour. It is highly transparent, fugitive to light, with a weak tinting strength. The powder can be dissolved in alcohol to colour resin-based varnishes. Gamboge was used from ancient times to dye the clothes and also to make a transparent yellow varnish for the colouring of wood, metals and leather.
Pipe Gamboge is available while stocks last. Larger quantities are available by request.
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Egyptian Blue Pigment
Starting at: £5.90
Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More -
Smalt Light Pigment
Starting at: £5.20
Call to Order
PB32
Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.
Larger quantities are available by request.
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Smalt Dark Pigment
Starting at: £5.30
PB32
Smalt is a kind of cobalt blue glass or frit, and its use as a pigment dates from the 1600s in the glass-making regions of Saxony. We offer two shades, light and dark, which are determined by the particle size of the pigment; the more finely ground the powder, the paler the colour. Before the introduction of Ultramarine Blue, Smalt was available in a wide variety of grades. It is a very transparent pigment, which is easily overwhelmed in mixtures due to its weak tinting strength. It works best in water based media. When ground in oil, it can become almost invisible in dried oil-paint films because its refractive index is so close to that of linseed oil.
Larger quantities are available by request.
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Metal Leaf Original Sample Chart
£5.00Original hand made sample chart using genuine samples of each Metal Leaf shade (Imitation Gold 2 and 2.5, Aluminium and Copper) . Learn More -
Plaster of Paris
Starting at: £5.50
For moulding when mixed with the same volume of water. Sets quickly and will not shrink. Learn More -
Gypsum
Starting at: £5.70
Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More -
Pumice Powder
Starting at: £5.70
Volcanic rock in powdered form. Used to provide tooth to grounds. Learn More
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