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Cornelissen

Cornelissen

Items 151 to 180 of 449 total

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  1. Chrome Yellow Light Pigment

    Chrome Yellow Light Pigment

    Starting at: £10.00

    Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century. Toxicity D.

    Please note, unfortunately we are not able to send this product outside the UK.

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  2. Chrome Yellow Middle Pigment

    Chrome Yellow Middle Pigment

    Starting at: £10.00

    Chrome Yellow Middle Pigment. Toxicity D

    Please note, unfortunately we are not able to send this product outside the UK.

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  3. Chrome Yellow Orange Pigment

    Chrome Yellow Orange Pigment

    Starting at: £14.00

    Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century. Toxicity D.

    Please note, unfortunately we are not able to send this product outside the UK.

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  4. Cobalt Yellow Pigment

    Cobalt Yellow Pigment

    Starting at: £8.80

    Cobalt Yellow Pigment, Aureolin (PY40). Synthetic Inorganic pigment (Potassium Cobaltinitrate). Transparent. Good tinting strength. Very good Lightfastness. Medium to high oil absorption. Suitable for all media except Lime-fresco. Used since mid 19th Century. Toxicity C.

    Please note, unfortunately we are not able to send this product outside the UK.

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  5. Tartrazine Yellow Pigment

    Tartrazine Yellow Pigment

    Starting at: £4.50

    Toxicity A/B Learn More
  6. Lemon Yellow Pigment

    Lemon Yellow Pigment

    Starting at: £7.00

    Lemon Yellow Pigment (PY31). Synthetic Inorganic pigment (Barium Chromate). Opaque but transparent in a glaze. Low tinting strength. Excellent Lightfastness. Low oil absorption with medium drying rate. Recommended for oils but can turn slightly greenish when mixed with binder. Used since beginning of the 19th Century. Toxicity D

    Please note, unfortunately we are not able to send this product outside the UK.

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  7. Naples Yellow Dark Pigment

    Naples Yellow Dark Pigment

    Starting at: £7.40

    Naples Yellow Dark Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours. Toxicity D.

    Please note, unfortunately we are not able to send this product outside the UK.

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  8. Naples Yellow Light Pigment

    Naples Yellow Light Pigment

    Starting at: £7.40

    Naples Yellow Light Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours. Toxicity D.

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  9. Stil de Grain

    Stil de Grain

    Starting at: £12.20

    NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More
  10. Cornelissen Walnut Oil

    Cornelissen Walnut Oil

    Starting at: £8.20

    The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas. 

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  11. Prepared Linen Canvases

    Prepared Linen Canvases

    Starting at: £39.40

    Call to Order

    Prepared Stretched Linen Canvases, available in Oil or Acrylic Primed medium grain linen. Traditional, double stretched with zinc-plated tacks. Learn More
  12. da Vinci Luxury Travel Brush Set

    da Vinci Luxury Travel Brush Set

    £184.00

    da Vinci Luxury Travel Brush Set LIMITED EDITION Two interchangeable brush tips, size 2 and size 8 Selected Tobolsky Kolinsky sable hair Hand-shaped in Nuremberg, Germany Ethergraf tip on habdle base for drawing on most papers Faux leather case. Learn More
  13. Cornelissen Iron Oak Gall Ink Set

    Cornelissen Iron Oak Gall Ink Set

    £30.00

    Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More
  14. Cornelissen Historical Colours Ink Set

    Cornelissen Historical Colours Ink Set

    £18.50

    Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More
  15. Saucer Dippers with open tops

    Saucer Dippers

    Starting at: £2.60

    Well made metal dippers, available with or without lids. A rubber disc on the inside of the lid helps create a good seal and prevent leaks. Listed measurements are of the widest point of the dipper, not the aperture. Learn More
  16. Cornelissen Silver Leaf Thin

    Cornelissen Silver Leaf Thin

    Starting at: £11.00

    Cornelissen Silver Leaf Thin, 95 x 95 mm (20g/1000 lvs). Book of 25 leaves Learn More
  17. Cornelissen Silver Leaf Thick

    Cornelissen Silver Leaf Thick

    Starting at: £14.50

    Cornelissen Silver Leaf Thick, 95 x 95 mm (34g/1000 lvs). Book of 25 leaves Learn More
  18. Hand Lay Figure

    Hand Lay Figure

    Starting at: £31.35

    Hand Lay Figure Learn More
  19. Liquid Glass Mediums

    Liquid Glass Mediums

    Starting at: £19.50

    Call to Order

    Renaissance Materials by Dr. David Cranswick.

    A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

    Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

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  20. Alder Ruler

    Alder Ruler

    Starting at: £5.30

    Classic 1960's design. Made from solid alder. 15cm. Available in natural waxed or black stained alder. Learn More
  21. Classic Blotter

    Classic Blotter

    Starting at: £25.45

    Classic Blotter made from beechwood. Blotting paper backing supplied. Rechargeable. Available in Natural Beechwood or Walnut stained finish. Learn More
  22. Accurasee Proportional Divider

    Accurasee Proportional Divider

    £15.00

    A drawing tool for transferring scale. Align your desired subject matter in the small end of the divider and transfer the spacing of the larger end to your drawing surface. Learn More
  23. Empty Watercolour box for 12 half pans

    Empty Watercolour box for 12 half pans

    £10.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 12.6 x 7 x 1.8cm Learn More
  24. Empty Watercolour box for 24 half pans

    Empty Watercolour box for 24 half pans

    £14.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More
  25. Empty Watercolour box for 36 half pans

    Empty Watercolour box for 36 half pans

    £17.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 9.5 x 2cm Learn More
  26. Empty Watercolour box for 48 half pans

    Empty Watercolour box for 48 half pans

    £20.00

    This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More
  27. Dry point, long handle No 46P

    Dry point, long handle No 46P

    £10.45

    Dry points, wooden long handle #46P Learn More
  28. Tempered Steel Dry Point Needle No 49A

    Tempered Steel Dry Point Needle No 49A

    £15.76

    Tempered Steel Dry Point Needle No 49A Learn More
  29. Easy Grip Crible Point Sharp No 93

    Easy Grip Crible Point Sharp No 93

    £15.76

    Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More
  30. Easy Grip Crible Point Squat No 94

    Easy Grip Crible Point Squat No 94

    £15.76

    Easy Grip Crible Point Squat #94 Heavy duty tool with tapered shaft ending in a point Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More

Items 151 to 180 of 449 total

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