Schmincke

Aero Clean Rapid, 125ml Learn More

Produces a textile air-brush colour when mixed with 1 part AERO TEX and 1 part AERO COLOR® Professional. Wash, dry and iron the material beforehand. After finishing the design let it dry out. Iron the reverse side. (Cotton about 2 minutes; silk/wool about 4-6 minutes; synthetics about 8 minutes.) Do not dryclean. Contains a polyurethane dispersion. Learn More

A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More

Performs in a similar protective way as Lascaux Fixative. Non yellowing, crystal clear and age-resistant. Suitable as a fixative and protection for pencil, charcoal, pastels, watercolours, gouache, inks, metal leaf, photos and prints. Can also be used as a final varnish for oil and acrylic colours. Invisible on absorbent surfaces and semi matt very slightly glossy on non absorbent surfaces. Learn More

Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. Learn More

Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More

For highlights and special effects. High pigmentation, lightfast, can be diluted with water. For use with brushes, fountain pens and dip pens on acrylic and watercolour paper, primed canvas, textured substrates, wood and cardboard. Learn More

Schmincke Set of 9 hand-made Artists' pastels with Ingres Pastel Paper in a cardboard box.

Call us on 020 7636 1045 to arrange free postage and packing with this particular offer. Learn More