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London Pigment, Epping Forest Yellow Ochre Pigment
£18.00Call to Order
This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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London Pigment, Leominster Ochre Pigment
£18.00Call to Order
Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour. Presented in a 20 ml bottle with a wax seal and label. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Lemon Yellow Pigment
Starting at: £7.00
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Lemon Yellow Pigment (PY31). Synthetic Inorganic pigment (Barium Chromate). Opaque but transparent in a glaze. Low tinting strength. Excellent Lightfastness. Low oil absorption with medium drying rate. Recommended for oils but can turn slightly greenish when mixed with binder. Used since beginning of the 19th Century.
Toxicity D Contains Barium Chromate. See Material Safety Data Sheet (MSDS) below for full details.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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HMG B72 Restoration Adhesive
£7.70Call to Order
B72 Acrylic Adhesive is touch dry in 3-5 minutes, surface dry in 1 hour and hard dry in around 6 hours. Not having instant grab, fragments can be easily re-adjusted and surplus adhesive removed with acetone, making any joint virtually invisible. It’s ideal for repairs to pottery, wood, metal, glass, ivory and many porous substances. 14ml. Learn More -
Chrome Yellow Middle Pigment
Starting at: £10.00
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Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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London Pigment, Medieval Inks Set, 1
£35.00Call to Order
Verdigris Ink Purple Madder and Lac Ink Purple Lac Ink Learn More -
London Pigment, Georgian Yellow Brick Pigment
£18.00Call to Order
This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Realgar Pigment
Starting at: £12.75
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Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Larger quantities are available by request.
Toxicity D
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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London Pigment, Rotherhithe Orange Pigment
£20.00Call to Order
This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
London Pigment, London Red Brick
£30.00Call to Order
Pigment collected from erosion of modern red brick stock. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
Lead Tin Yellow Light Pigment
Starting at: £4.80
Call to Order
Bright yellow first used in the Middle Ages as a replacement for Orpiment. Suitable for oil based media. Larger sizes available. Please ask for quotation.Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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London Pigment, Watercolour Paint Making Set
£35.00Call to Order
This watercolour paint making set includes a 30ml glass vial of gum Arabic crystals and another of Hampstead Orange, a pigment rich in iron oxide. A pamphlet detailing a a watercolour recipe and an introduction to London pigment is also included. The perfect gift for artists getting into making their own art materials or those interested in handmade British earth colours. The pigment itself has a fine to medium grain size and has been washed, levigated and ground to create a stable high quality artist’s pigment.
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London Pigment, English Green Earth
£30.00Call to Order
Prepared by hand and bottled in a rare, hand-blown laboratory glass Weighing Bottle. 20 ml. Gently twist the hand-formed, flame-like stopper and pull carefully to open. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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London Pigment, London Red Brick
£18.00Call to Order
Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Chrome Yellow Orange Pigment
Starting at: £14.00
Call to Order
Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.
Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Isinglass
Starting at: £30.10
Call to Order
Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles.
Learn MoreWe are currently unable to source this product.
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Flake White Pigment
Starting at: £18.75
Call to Order
PW1
Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.
Toxicity D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES Over 18s only. Proof of age required. Restoration of art works and protected buildings when alternatives unsuitable.
IMPORTANT Please refer to the MSDS (Material Safety Data Sheet) below. Dispose of product as hazardous waste.
SHIPPING Please note, we are not able to send this product outside the UK.
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Lapis Lazuli Pigment
Call to Order
PB29
Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.
[We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]
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