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Talens Acrylic Picture Varnishes Aerosol
Starting at: £19.25
Aerosol varnish for oil or acrylic paintings. Gloss or Matt finishes. Unable to send overseas. Learn More -
Michael Harding Artists' Oil Colour Chart
£22.04Michael Harding Artists Oil Colour Chart Learn More -
Winsor & Newton Artists' Oil Colour 37 ml
Starting at: £10.15
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Daler-Rowney Cryla 250ml
Starting at: £8.90
Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More -
Maimeri Retouching Varnish Aerosol
Starting at: £14.95
Aerosol varnish for oil or acrylic paintings. For use as temporary varnish for paintings less than 6 months old. Unable to send overseas. Learn More -
Sennelier 6 Artist Quality Oil Sticks Set
Starting at: £43.96
Set of six artist quality 38ml oil paint bars by Sennelier, includes: Titanium White, Ivory Black, Primary Yellow, Primary Red, Primary Blue, Viridian. Learn More -
Winsor & Newton Picture Varnish Aerosol
Starting at: £18.25
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More -
Roberson Metallic Oil Sticks
Starting at: £16.40
Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More -
Winsor & Newton Cold Pressed Linseed Oil
Starting at: £9.20
From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More -
Talens Retouching Varnish Aerosol
Starting at: £19.95
Aerosol varnish for oil colour. Temporary protective coat. Use as soon as painting is touch dry. Unable to send overseas. Learn More -
Talens Picture Varnishes Aerosol
Starting at: £19.95
Aerosol varnish for oil paintings. Gloss or Matt finishes. Unable to send overseas. Learn More -
Winsor & Newton Blending & Glazing Medium 75 ml
£9.20From the Winsor & Newton website: This new medium slows drying & improves flow. Ideal for blending, glazing, stroke work, antiquing and staining. Improves transparency and depth. Dries to a durable gloss finish.
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Daler-Rowney Cryla 75ml
Starting at: £9.05
Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More -
Liquitex Acrylic Varnish Gloss
Starting at: £20.40
Increases colour brilliance and transparency. Promotes flow and levelling. Use as varnish over varnished painting to add gloss and depth of colour. Non removable. Learn More -
Saucer Dippers
Starting at: £2.60
Well made metal dippers, available with or without lids. A rubber disc on the inside of the lid helps create a good seal and prevent leaks. Listed measurements are of the widest point of the dipper, not the aperture. Learn More -
Roberson Mastic Varnish Ordinary
Starting at: £18.50
Roberson Mastic Varnish Ordinary. Unable to send overseas. Learn More -
Schmincke Oil Medium N
Starting at: £9.60
This product does not contain turpentine, and can therefore be suitable for artists with allergies.
From the Schmincke website:
A neutral, nearly non-yellowing, painting and thinning medium for oil colours. Suitable for all painting techniques except for early layers on absorbent undergrounds (not lean enough); has a low impact on drying time. For dilution, use terpin (max. 30%). Dosage: 10 to max. 20%. Contains: alkyd and acrylic resin, mineral spirit.
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Schmincke Mussini Oil Medium 3
Starting at: £9.45
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
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Schmincke Medium W
Starting at: £9.60
Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.
Dosage: 50%
Thinner: Water
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Winsor & Newton Griffin Alkyd Oil Colour
Starting at: £7.15
Artist quality range of 50 colours made from pigments bound in an oil modified alkyd resin. The main advantage of the Griffin Alkyd range is speed of drying - about 24 hours. Ideal for under painting. Compatible with traditional oils. Learn More -
Schmincke Malbutter Oil Medium
Starting at: £8.20
A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.
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Schmincke Mussini Oil Medium 2
Starting at: £9.45
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
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Winsor & Newton Liquin Light Gel
Starting at: £9.20
From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More -
Schmincke Drying Accelerator for Oils
Starting at: £8.20
From the Schmincke website:
Jelly-like medium for accelerating the drying of oil colours. Preserves consistency and degree of gloss. Dosage: 10% to 30% maximum. Contains: Siccative, stand oil, resin solution, mineral spirit.
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Winsor & Newton Liquin Impasto
Starting at: £11.65
From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.
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Daler-Rowney Artists' Oil Colour
Starting at: £10.15
The distinctive buttery consistency of Daler-Rowney Artists' Oils derives from the use of linseed oil and wax, which acts as a plasticiser, helping to prevent even heavy impasto from becoming brittle and cracking over time. Learn More -
Roberson Impasto Medium
Starting at: £16.50
Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.
Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.
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Roberson Poppy Oil
Starting at: £10.20
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
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Schmincke Mussini Limited Edition Shungite Black 15 ml
£26.00Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More -
Schmincke Mussini Limited Edition YInMn Blue 15 ml
£26.00YInMn-Blue is a unique, bright blue Learn More
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