Search results for: 'yellow'

Michael Harding Artists Oils Introductory Set of 6 40ml

Starting at: £55.50

INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More

Winsor & Newton Artists' Gloss Varnish

Starting at: £9.70

Ketone resin/white spirit. Water white liquid dries to non-yellowing glossy film. Learn More

Schmincke Universal Varnish, Gloss, 150 ml

£10.80

Synthetic resin varnish with UV- protection Learn More

Roberson Satin Picture Varnish

Starting at: £8.70

Ketone resin/standoil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming. Unable to send overseas. Learn More

Cranfield (Spectrum) Linseed Oil Paste

Starting at: £24.65

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From the Cranfield website:

An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

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Schmincke Acrylic Varnish, Gloss 200 ml

£21.15

Synthetic resin varnish Learn More

Roberson Damar Varnish Low Gloss

Starting at: £8.90

Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More

Schmincke Universal Varnish, Matt, 300 ml

£17.80

Synthetic resin varnish with UV- protection Learn More

Roberson Poppy Oil

Starting at: £10.20

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

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Winsor & Newton Liquin Light Gel

Starting at: £9.85

From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More

Schmincke Medium N

Starting at: £10.80

This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More

Roberson Extra Fine Retouching Varnish

Starting at: £8.40

Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More

Schmincke Universal Varnish, Gloss, 300 ml

£17.80

Synthetic resin varnish with UV- protection Learn More

Winsor & Newton Drying Poppy Oil

Starting at: £9.85

From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

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Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box

Regular Price: £137.00

Special Price £99.00

Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box Includes Medium W Gel. This medium enables the mixing oil colours with water, instead of organic solvents. Odourless.

Call us on 020 7636 1045 to arrange free postage and packing with this particular offer. Learn More

Winsor & Newton Liquin Impasto

Starting at: £12.50

From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.

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Winsor & Newton Retouching Varnish

Starting at: £9.70

Ketone resin/white spirit. White liquid dries to non-yellowing glossy film. Learn More

Schmincke Universal Varnish, Matt

Starting at: £10.80

Synthetic resin varnishes with UV- protection Learn More

Schmincke Medium W

Starting at: £10.80

Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

Dosage: 50%

Thinner: Water

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Schmincke Oil Binder 200 ml

£17.80

For impasto oil paints Learn More

Winsor & Newton Art Painting Medium

Starting at: £9.70

From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.

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Schmincke Acrylic Varnish, Matt 200 ml

£21.15

Synthetic resin varnish Learn More

Schmincke Acrylic Binder 200 ml

£17.80

For satin-matt acrylic colours. Ready to use. Learn More

Roberson Gloss Picture Varnish

Starting at: £8.70

B-67/stand oil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming high gloss film. Unable to send overseas. Learn More

Schmincke Universal Varnish, Satin-Matt, 400 ml

£20.30

Synthetic resin varnish with UV- protection Learn More

Michael Harding Oil Paint Medium PM1

Starting at: £9.95

PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

Recommendation: Add 10-20% to your oil colour as you require.

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Schmincke Universal Varnish, Satin-Matt, 200 ml

£21.45

Synthetic resin varnish Learn More

Roberson A81 Varnish

Starting at: £8.50

Roberson A81 Picture Varnish A reversible picture varnish suitable for both specialist conservation work and general picture varnish needs. Non-yellowing, dries to a gloss finish. Cleaning: Wash brushes in turpentine Learn More

Schmincke Universal Varnish, Neutral, 300 ml

£17.80

Synthetic resin varnish with UV- protection Learn More

Roberson Cold Pressed Linseed Oil

Starting at: £7.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More

Search results for 'yellow'