Search results for: 'black'

Winsor & Newton Lightweight Box 24

Starting at: £170.85

This lightweight set contains a selection of 24 Artists’ Water Colour half pans. Includes: Winsor Yellow, Indian Red, Raw Umber, Burnt Umber, Payne's Grey, Ivory Black, Chinese White, Aureolin, Indian Yellow, Winsor Red, Permenant Alizarin Crimson, Permanent Rose, Winsor Dioxazine Purple, French Ultramarine, Cobalt Blue, Winsor Blue (Green hue), Cerulean Blue, Burnt Sienna, Raw Sienna, Lemon Yellow (Nickel Titanate), Winsor Orange, Prussian Blue, Viridian, Indigo. Actual contents may vary depending on availability at Winsor & Newton. Learn More

Lead Red Pigment (Minium)

Starting at: £4.50

PR105

Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

Toxicity: D

Please note, unfortunately we are not able to send this product outside the UK.

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Pentel Refillable Brush Pen

Starting at: £7.55

Resilient, accurate bristles give a brush tip that maintains its shape. Cartridge contains dense, water and fade resistant black pigment ink. Learn More

Liquitex Acrylic Textured and Effects Mediums

Starting at: £19.90

Liquitex Acrylic Textured and Effects Mediums Learn More

Roberson Liquid Metal 1Ltr

Starting at: £60.30

Roberson Liquid Metal 1Ltr. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More

Schmincke Norma Artists' Oil 35ml

Starting at: £7.55

Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More

Cornelissen Series 1 Kolinsky Sable

Starting at: £11.10

Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round. Learn More

Canson Mi-Teintes Touch Pads

Starting at: £32.00

350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More

Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes

Starting at: £84.00

Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes, including: Moonlight, Purple Haze, Cosmic Blue, Indigo, Vine Black, and Phthalocyanine Blue Lake. Learn More

Aidan Hart Pigment Set

£38.50

Aidan Hart Pigment Set. Nine pigment colours especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Ultramarine Blue, Raw Umber, Yellow Ochre Light, Terre Verte, English Red Light, Ivory Black, Warm Ochre, Red Ochre, Titanium White. Learn More

Pearl Lustre Pigments 100g

Starting at: £12.90

Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Lascaux Etching Set ARE

£103.40

Lascaux ARE Etching Set 3991. Containing one 85ml bottle each of: 2090 Lascaux Hard Resist, 2091 Lascaux Plate-backing Resist, 2092 Lascaux Stop-out Resist, 2093 Lascaux Soft Resist, 2094 Lascaux Wash Resist, 2095 Lascaux Aquatint Spray Resist, 2096 Lascaux Black coating for Hard Resist, 2097 Lascaux White coating for Hard Resist, 2098 Lascaux Remover. Learn More

Roberson Liquid Metal 250ml

Starting at: £18.90

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More

Daler-Rowney Pearlescent Ink

Starting at: £6.65

Daler-Rowney Pearlescent Ink Learn More

Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Winsor & Newton Series 7 Kolinsky Sable

Starting at: £24.80

Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

Cornelissen Historical Inks, Doomsday

1 Review(s) | Add Your Review

£10.50

Our oldest recipe, this high-quality Oak Gall Ink was used by monasteries and the crown in medieval Britain. Initially a medium blue-grey, it darkens to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed as a result of the presence of wine within the mixture.

Not suitable for fountain pens. Learn More

Pearl Lustre Pigments 7g

Starting at: £4.70

Pearl Lustre Pigments 7g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Metalpoint Holder

2 Review(s) | Add Your Review

£31.00

One end of our metalpoint holder is a reversible chuck to hold a range of wire sizes, while the other end can hold the lead of a clutch pencil.

Please note, the image differs from the product, the newer model has a metal body with black plastic ends.

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Roberson Liquid Metal Acrylic Inks

Starting at: £6.70

Roberson extra fine Liquid Metal Inks for calligaphy and drawing. Apply with dip pen or brush, can be thinned with water if required and will not tarnish. Not suitable for fountain pens or technical drawing pens. Waterproof. Learn More

Sennelier Oil Sticks

Starting at: £7.65

Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with to oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the color. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colorless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More

da Vinci Series 898 CASANEO Watercolour brush, oval

Starting at: £15.20

CASANEO Wash brush oval pointed - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - Ideal for watercolour and liquid acrylic colours - Extremely high colour absorbing capacity - Finest, very smooth synthetic fibres Learn More

Pigment Set of 30 Colours

1 Review(s) | Add Your Review

£130.00

The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

ArtGraf Watercolour Graphite Large

£19.30 As low as: £14.30

ArtGraf Watercolour Graphite Large 60g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More

Rohrer & Klingner Bistre Drawing Ink

Starting at: £7.40

Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, sepia, black and bistre lightfast traditional tones in shellac binder. Learn More

ArtGraf Tailor Shape Set of 6

£41.50

Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, the set contains 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black Learn More

Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes

Starting at: £132.00

Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes, including: Warm White, Yellow Lake, Burnt Sienna, Yellow Ochre Deep, Moss Green, Forest Green, Hookers Green, Ultramarine Blue, Sky Blue (Phthalo), and Lamp Black. Learn More

Schmincke Lino Water-based Inks 35ml

Starting at: £7.75

Water based inks for block printing and linocut. Learn More

Schmincke Akademie Acrylic 120ml

1 Review(s) | Add Your Review

Starting at: £7.60

Schmincke Akademie Acrylic 120ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Schmincke Horadam Gouache

Starting at: £8.75

Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet.

Schmincke recommends the following:

"The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

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Search results for 'black'