Search results for 'roberson'
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Cornelissen Walnut Oil
Starting at: £6.50
The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
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Universal Lacquer
Starting at: £13.90
Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More
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Cornelissen Lemon Oil
Starting at: £12.30
Lemon oil is an essential oil, primarily used for its scent. Learn More -
Cornelissen Larch Venice Turpentine
Starting at: £25.80
Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.
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Studio Safe Retouching Damar Varnish
Starting at: £14.50
Studio Safe Retouching Damar Varnish. Use where dull or sunken areas of a painting need lifting. Learn More -
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Studio Safe Liquid Medium
Starting at: £16.00
Studio Safe Liquid Medium is a mix of Studio Safe Solvent and natural artists' oils. It is used to thin paint and increase gloss. This product is non-aromatic, non-flammable and has an orange scent. Learn More -
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Polished Copper Plate 1 mm
Starting at: £16.90
Call to Order
Polished Copper Plate, 1 mm thick. Learn More -
Studio Safe Gloss Picture Varnish
Starting at: £17.90
Studio Safe Gloss Picture Varnish. Dries to a gloss finish Learn More -
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Roberson Silverpoint Drawing Ground
Starting at: £13.00
A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More -
Roberson Matt Glaze Medium
Starting at: £9.10
Mix with tube oils or pigment to improve flow and translucency, resulting in a satin finish. Contains silica driers. May darken if cap is left off bottle; if this happens, replace the lid and leave overnight to restore the colour with no lasting ill effects.
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Roberson PVA
Starting at: £12.30
PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More -
Roberson Straw Hat Varnish
Starting at: £34.80
Varnish (Black Dark) Meths based quick drying stopping out varnish, two coats may be needed for a good acid resist. Learn More -
Roberson Cobalt Siccative
Starting at: £7.30
A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More -
Roberson CRP Picture Cleaner
Starting at: £17.20
Cleansing/Reviving/Preserving wax paste for oil paintings, sculptures, any painted & polished surfaces except drawings, water colours or pastels. Learn More -
Roberson Beeswax Picture Varnish
Starting at: £9.40
A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More -
Roberson Acrylic Gesso Primer White
Starting at: £19.60
Fast drying, flexible and non yellowing white ground for oil, acrylic and tempera. Gives a matt, absorbent surface which may be sanded smooth once dry. Learn More -
Roberson 1810 Medium
Starting at: £27.10
This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.
Contains: Stand oil,Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.
Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.
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Roberson Exhibition Varnish
Starting at: £7.10
Apply to touch dry paintings as a temporary exhibition varnish. After 6 months a final picture varnish can be applied with no need to remove Ketone resin/white spirit. Unable to send overseas. Learn More -
Roberson Extra Fine Retouching Varnish
Starting at: £7.30
Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More -
Roberson Safflower Oil
Starting at: £6.80
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
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Roberson Water Gold Size 15 ml
£11.40Traditional size for illumination. Made with natural gums. Yellow colour. Learn More -
Roberson Matt Picture Varnish
Starting at: £7.60
Ketone resin/white spirit microcrystalline wax. Clear, tough protection without gloss. Useful overpaintings where resinous media have been used. Unable to send overseas. Learn More
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- Cornelissen (4)
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