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  1. Cornelissen Historical Inks, Walnut

    Cornelissen Historical Inks, Walnut

    Starting at: £9.00

    Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

    Not Suitable for fountain pens. Learn More
  2. Schmincke Horadam Retro Watercolour Set, 8 x Half Pans, Enamelled Metal Box

    Schmincke Horadam Retro Watercolour Set, 8 x Half Pans, Enamelled Metal Box

    £59.00

    Schmincke Horadam Retro Artists Watercolour Set in a traditional, heavier weight, enamelled mini-watercolour box. 8 half pans: Chrome Yellow Hue Lemon, Vermillion, Ultramarine Finest, Viridian, Yellow Raw Ochre, Raw Umber, English Venetian Red and Schmincke Paynes Grey. 8.5 x 6.5 x 2 cm Learn More
  3. Cornelissen Slim HB Pencil

    Cornelissen Slim HB Pencil

    £1.50

    L. Cornelissen & Son, own brand, slender, HB pencil. Ideal for sketching. Length 18cm Diameter 0.5cm Learn More
  4. da Vinci Series 488 Spin Synthetic

    da Vinci Series 488 Spin Synthetic

    Starting at: £11.10

    Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More
  5. Schmincke Mussini Oil Medium 2

    Schmincke Mussini Oil Medium 2

    Starting at: £10.80

    Slows drying time. Learn More
  6. Omega Series 70 Hog Fitch Round

    Omega Series 70 Hog Fitch Round

    Starting at: £14.90

    Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. 100% pure hog hair. Learn More
  7. Schmincke Bronze Medium

    Schmincke Bronze Medium

    Starting at: £10.80

    Ready-to-use binder for Schmincke Oil Bronze powders. For brilliant metal effects on oil paintings. Also suitable for wood, metal and gypsum surfaces. Learn More
  8. Daler Calligraphy Pad

    Daler Calligraphy Pad

    Starting at: £14.15

    Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More
  9. Japanese Gold 22,66ct

    Japanese Gold 22,66ct

    Starting at: £81.00

    Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  10. Mabef Half Box Easel M23

    Mabef Half Box Easel M23

    £430.00

    Mabef Half Box Easel M23 Learn More
  11. Empty Watercolour Metal Box for 48 Half Pans

    Empty Watercolour Metal Box for 48 Half Pans

    £20.00

    This unbranded watercolour metal box is the same as the lightweight metal boxes used by most of the major European colour-makers. The back of the box includes a thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More
  12. Japanese Gold 23,44ct

    Japanese Gold 23,44ct

    Starting at: £91.90

    Highest quality 23,44ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  13. da Vinci Series 422 COLINEO Watercolour brush, fan brush

    da Vinci Series 422 COLINEO Watercolour brush, fan brush

    Starting at: £9.60

    COLINEO Fan brush - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption. - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More
  14. Japanese Gold Leaf 22,66ct Enzuke

    Japanese Gold Leaf 22,66ct Enzuke

    Starting at: £88.40

    Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. Enzuke gold leaf is beaten between sheets of traditional of washi paper called furuya-gami and refers to the subtle grid pattern that appears on the surface of the leaves. In Japan, Enzuke gold is considered more traditional and has a soft lustrous appearance. Each pack contains 10 leaves. Learn More
  15. Schmincke Mussini Oil Medium 3

    Schmincke Mussini Oil Medium 3

    Starting at: £10.80

    Accelerates drying. Learn More
  16. Cornelissen Historical Inks, Iron Oak Gall

    Cornelissen Historical Inks, Iron Oak Gall

    Starting at: £9.00

    Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is inspired by a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and allowed to mature for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.

     

    Learn More
  17. da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

    da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

    £47.40

    Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More
  18. Swann Morton Scalpel Handle No3

    Swann Morton Scalpel Handle No3

    £8.60

    Stainless steel handle No 3 compatible with blade shapes 10, 10A, 11, 12 and 15 Learn More
  19. Traditional Japanese Sumi Baren

    Traditional Japanese Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  20. Mabef Full Box Easel M22

    Mabef Full Box Easel M22

    £440.00

    Mabef Full Box Easel M22 Learn More
  21. Japanese Calligraphy Paper

    Japanese Calligraphy Paper

    Starting at: £3.05

    Call to Order

    Shoji: machine-made paper, 100% woodfree pulp, pH 6.2. Bright white, slightly smooth on one side. 48 gsm, size: 62 x 92 cm (24 x 36 inches). Pack of 25 sheets. Yuki: machine-made paper, 59% Rayon, 37 % woodfree 4% synthetic fibre, pH 6.2. size 64 x 94 cm (25 x 37 inches) Pack of 25 sheets. White, long Rayon fibres randomly on surface. slightly smooth on one side. Learn More
  22. Schmincke Medium N

    Schmincke Medium N

    Starting at: £10.80

    This product does not contain turpentine, and is therefore suitable for artists with allergies. A 'neutral', nearly non-yellowing painting and thinning medium for oil colours. Applicable for all painting techniques except for ground motifs on slightly absorbent undergrounds (not “lean” enough). Low impact on drying time. Thinner: Terpin (50023) (max. 30%). Dosage: 10 to max. 20%. Learn More
  23. Silverpoint Stylus, Garzone. Renaissance Workshop Materials

    Silverpoint Stylus, Garzone. Renaissance Workshop Materials

    £85.00

    Length 160 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  24. Japanese Gold 23ct

    Japanese Gold 23ct

    Starting at: £83.00

    Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  25. Silverpoint Stylus Maestro. Renaissance Workshop Materials

    Silverpoint Stylus Maestro. Renaissance Workshop Materials

    £295.00

    Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More
  26. Japanese Gold 24ct

    Japanese Gold 24ct

    Starting at: £104.10

    Highest quality 24ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More
  27. Omega Series 40 Varnish

    Omega Series 40 Varnish

    Starting at: £6.90

    Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Pure bristle / synthetic mix. Learn More
  28. Exhibition Cross Bars

    Exhibition Cross Bars

    Starting at: £3.12

    Exhibition cross bars for Exhibition stretchers only. Notched for overlap from 120cm. Prices are for individual bars. Please note, this range is stored off-site. Please allow extra time for your order to be processed and dispatched. [Only available online] Learn More

  29. 'Vintage' Book of Watercolour Paper, Cream

    'Vintage' Book of Watercolour Paper, Cream

    £45.00

    These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More
  30. Liquid Leaf Brush Bath Thinner and Cleaner

    Liquid Leaf Brush Bath Thinner and Cleaner

    Starting at: £9.90

    Brush Bath is a paint thinner and solvent especially formulated for the thinning or cleaning of Liquid Leaf. For spray application, use 15-20% Brush Bath with Liquid Leaf. For cleaning, apply to a soft cloth and wipe affected area. For thinning, mix a small amount of Brush Bath with Liquid Leaf, stirring or shaking container until desired consitency. To clean brushes, pour Brush Bath into a small container and let brushes soak.

    Learn More

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