Search results for: 'yellow'

Carnauba Wax Grey

Starting at: £8.40

Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More

Schmincke Norma Professional 35ml

Starting at: £8.15

Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More

Faber-Castell Brush Pen Basic Set

£21.95

Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Cadmium yellow, Chrome Yellow Deep, Phthalo Blue, Carmine, Violet, Olive Green. Learn More

Universal Lacquer in 60ml, 120ml and 1L.

Cornelissen Universal Lacquer

Starting at: £15.10

Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More

Pastel Fixative Aeropump 350 ml

£17.80

Spray pump, without gas Learn More

Schmincke Universal Varnish, Satin-Matt, 400 ml

£20.30

Synthetic resin varnish with UV- protection Learn More

Cranfield (Spectrum) Linseed Oil Paste

Starting at: £24.65

Call to Order

From the Cranfield website:

An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

Learn More

Winsor & Newton Cold Pressed Linseed Oil

Starting at: £9.85

From the Winsor & Newton website: A slightly yellow oil, which is extracted without the use of heat dries slightly quicker than refined linseed oil. Improves flow. Increases gloss & transparency. Reduces consistency and brushstrokes. Ideal for grinding pigments. Learn More

Michael Harding Artists Oils Introductory Set of 6 40ml

Starting at: £55.50

INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More

Winsor & Newton Artists' Gloss Varnish

Starting at: £9.70

Ketone resin/white spirit. Water white liquid dries to non-yellowing glossy film. Learn More

Winsor & Newton Drying Poppy Oil

Starting at: £9.85

From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

Learn More

Schmincke Medium W

Starting at: £10.80

Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

Dosage: 50%

Thinner: Water

Learn More

Vermilion Imitation Pigment

Starting at: £8.20

Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More

Sennelier 6 Artist Quality Oil Sticks Set

£49.95

Set of six artist quality 38ml oil paint bars by Sennelier, includes: Titanium White, Ivory Black, Primary Yellow, Primary Red, Primary Blue, Viridian. Learn More

Schmincke Pastel Fixative, Liquid 200 ml

£20.30

For use with an atomizer Learn More

Roberson A81 Varnish

Starting at: £8.50

Roberson A81 Picture Varnish A reversible picture varnish suitable for both specialist conservation work and general picture varnish needs. Non-yellowing, dries to a gloss finish. Cleaning: Wash brushes in turpentine Learn More

Winsor & Newton Liquin Fine Detail

Starting at: £9.85

From the Winsor & Newton website: The most fluid of the Liquin family of products, this quick drying, gloss medium is ideal for fine details, glazing and blending, or to produce a smooth surface picture. Speeds drying (touch dry in 1-6 days depending on colour and film thickness).Resists yellowing. Not suitable as a varnish or final coat.

Learn More

Schmincke Mussini Set 10 x 35 ml tubes, Wooden Box

£148.20

Schmincke Mussini Set 10 x 35 ml tubes, Wooden Box Titanium White Lemon Yellow Indian Yellow Madder Lake Dark Vermilion Red Ultramarine Blue Light Prussian Blue Attic Light Ochre Natural Burnt Umber Ivory Black Learn More

Daniel Smith Watercolour Essentials Set

£36.30

The new set has six x 5ml transparent watercolours. The pigments were carefully selected to give you a wide range of colours and values. When mixed together the colours you can create are endless! The Essentials set contains Hansa Yellow Light, New Gamboge, Quinacridone Rose, Pyrrol Scarlet, Phthalo Blue GS, French Ultramarine in 5ml tubes. so you have both cool and warm Yellows, Reds and Blues. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Schmincke Universal Varnish, Gloss, 150 ml

£10.80

Synthetic resin varnish with UV- protection Learn More

Schmincke Masking Fluid

Starting at: £8.60

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More

Schmincke Horadam Aquarell Set, 12 x 5 ml Tubes, 12 Empty Half Pans, Enamelled Metal Box

Regular Price: £111.00

Special Price £80.00

Schmincke Horadam Aquarell Set in an enamelled watercolour box . 12 x 5 ml tubes: Pure Yellow, Chromium Yellow Hue Deep, Saturn Red, Perylene Red, Ruby Red, Purple Magenta, Ultamarine Finest, Phthalo Sapphire Blue, Helio Cerulean, Phthalo Green, Helio Green, May Green.

Call us on 020 7636 10.45 to arrange free postage and packing with this particular offer. Learn More

Unison Pastels Mini Set, Red/ Orange Half Stick 8

£16.45

A varied collection of flame oranges, golden yellows, and vibrant reds. A useful add on for a more floral landscape or sunsets.

Learn More

Schmincke Universal Varnish, Satin-Matt, 200 ml

£21.50

Synthetic resin varnish Learn More

Michael Harding Oil Paint Medium PM1

Starting at: £9.95

PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

Recommendation: Add 10-20% to your oil colour as you require.

Learn More

Natural Beeswax

Starting at: £11.20

Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

Learn More

Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box

Regular Price: £137.00

Special Price £99.00

Schmincke Mussini Set 10 x 35 ml tubes, including Medium W Gel, Wooden Box Includes Medium W Gel. This medium enables the mixing oil colours with water, instead of organic solvents. Odourless.

Call us on 020 7636 1045 to arrange free postage and packing with this particular offer. Learn More

Roberson Extra Fine Retouching Varnish

Starting at: £8.60

Synthetic, Polaroid B67 retouching varnish made as an alternative to natural resin, Damar retouching varnish. superior non-yellowing characteristics. Less readily absorbed into painted surface and less susceptible sinking. Dries quickly to a breathable, uniform, gloss finish. Learn More

Schmincke Universal Varnish, Neutral, 300 ml

£17.80

Synthetic resin varnish with UV- protection Learn More

Roberson Poppy Oil

Starting at: £10.60

Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.

Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

Learn More

Search results for 'yellow'