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Sennelier 24 Landscape Oil Pastels
Starting at: £56.95
Sennelier 24 Landscape Oil Pastels Learn More -
Sennelier Set 48 Portrait Collection pastels
Starting at: £167.50
Sennelier Set 48 Portrait Collection pastels Learn More -
Cranfield (Spectrum) Acrylic Gesso Primer
Starting at: £32.20
Call to Order
Apply directly to canvas or board to give a slightly textured white surface. Learn More -
Talens Drawing Ink 490ml
£40.95Professional drawing ink. For use with brush or technical drawing pen. Waterproof. Use on paper, Bristol board or film. 490 ml Learn More -
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Sennelier Set 24 Iridescent pastels
Starting at: £84.50
Sennelier Set 24 Iridescent pastels Learn More -
Treasure Gold
Starting at: £12.30
Treasure Gold is a metallic wax which is unparalleled in restoring gold lead and the finishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the fingers or a cloth and buff lightly. The metal lustre won't fade or tarnish. It is ready to be polished in ten minutes. Treasure Gold is highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. Learn More
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Michael Harding Non Absorbent Acrylic Primer - Colours
Starting at: £21.20
Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More -
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Pasteboard Cover Sketchbook
Starting at: £7.85
Grey, Blue or Red Linen Spine with Pasteboard Cover, 100-120GSM Natural White Acid Free Paper with Rough Surface. Learn More -
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Schmincke Pastels Cardboard Set of 15
Starting at: £47.40
Schmincke Pastels Cardboard Set of 15 Assorted Half Sticks Learn More -
Sennelier Oil Sticks
Starting at: £7.65
Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with to oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the color. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colorless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More -
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Daniel Smith Watercolour Ground Mars Black 4oz
£10.30Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Sennelier Cardboard Set of 20 Half Sticks
Starting at: £41.95
Sennelier Cardboard Set of 20 Half Sticks Learn More -
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Schmincke Sansfix Board
Starting at: £9.00
Fine sand paper type pastel board, available in two colours. Learn More -
Higgins Black Magic Ink
£8.60Waterproof, semi-flat black produces most opacity available. For use on drafting film, paper, illustration board. Learn More -
Sennelier 12 Iridescent Oil Pastels
Starting at: £28.50
Sennelier 12 Iridescent Oil Pastels Learn More -
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Sennelier Set 48 Landscape Collection
Starting at: £167.50
Sennelier Set 48 Landscape Collection Learn More -
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Liquid Leaf Metallic Paint
Starting at: £12.50
A remarkable gilding paint that contains its own red primer and film of lustrous gold, premixed into a single liquid. It flows easily onto the surface with no brush marks, forming a beautiful, lustrous finish. It is so controllable that it can be used with a striping brush or ruling pen for fine lines and scrolls. Liquid Leaf can be used on wood, metal, glass, ceramics, papier-mache and cardboard. It can also be used as an ink. One colour of Liquid Leaf can be used over another once dry. For air brushing all colours can be thinned with the Brush Bath. This easy-to-control one-step paint gives a brilliant sheen without brassiness, a permanent finish more closely resembling traditional leafing. A 30ml bottle will cover approximately 2sq/m.
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- Oils and Acrylics (2)
- Canvas and Supports (4)
- Watercolour Gouache & Egg Tempera (3)
- Pastels (23)
- Drawing & Calligraphy (6)
- Gilding & Restoration Materials (2)
- Printmaking (1)
- Paper (3)
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- £0.00 - £99.99 (35)
- £100.00 - £199.99 (5)
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- Michael Harding (3)
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