Search results for 'DE'
-
Roberson Damar Varnish Low Gloss
Starting at: £8.90
Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More -
Roberson Series 43B Hog Bristle Round
Starting at: £5.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Roberson White Spirit
Starting at: £7.50
Plastic container. Solvent distilled from crude petroleum oils. Used to thin colour and to clean brushes. Slower drying time than turpentine. Learn More -
Variegated Leaf Original Sample Chart
£15.00Original hand made sample chart using genuine samples of each Variegated shade. Learn More -
Gamblin Portland Black Litho Ink 1lb
£25.00Artist-grade lithography ink, formulated with high-quality oil and a high pigment load. Learn More -
Viridian Green Pigment
Starting at: £6.30
Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.
Toxicity B
Learn More -
Exhibition Stretcher Bars
Starting at: £4.56
Top quality 36mm deep stretcher bars made from European pine. Extra strong laminated wood construction to minimise warping. Mortised for cross bars from 100cm. Mitre cut expansion corners. Lip finished to 2mm radius to minimise cracking on inkjet prints. All stretcher bars are cut 3mm short of nominal size. Supplied with wedges. Prices are for individual bars. Please note, this range is stored off-site. Please allow extra time for your order to be processed and dispatched. [Only available online] Learn More
-
Naples Yellow Dark Pigment
Starting at: £7.40
Naples Yellow Dark Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours. Toxicity D.
Please note, unfortunately we are not able to send this product outside the UK.
Learn More -
Unison 8 Starter Assorted Pastels
£45.60The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.
Learn More -
London Pigment, Leominster Ochre Pigment
£18.00Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour with a mixture of fine and coarse grains for a lively texture. Try this pigment if you like to experiment with materials that introduce an element of chance in your work. Presented in a 20 ml bottle with a wax seal and label. Learn More
-
Laponite ®
Starting at: £34.40
For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More -
Schmincke Aero Tex Medium 28ml
£8.60Produces a textile air-brush colour when mixed with 1 part AERO TEX and 1 part AERO COLOR® Professional. Wash, dry and iron the material beforehand. After finishing the design let it dry out. Iron the reverse side. (Cotton about 2 minutes; silk/wool about 4-6 minutes; synthetics about 8 minutes.) Do not dryclean. Contains a polyurethane dispersion. Learn More -
Ultramarine Violet Pigment
Starting at: £6.20
PV15
Ultramarine Violet is a synthetic organic pigment that is produced by heating Ultramarine Blue with Ammonium Chloride, causing the removal of some of the sodium and sulphur and thus a change in colour. It is lightfast and semi-transparent, with a weak tinting strength. In oils, it dries quite slowly, forming a hard, flexible film.
Toxicity: B
Learn More -
Cornelissen Historical Inks, Jane Austen Ink 30ml
£10.50This ink is made to the recipe that Jane Austen used to draft her novels. Austen's maid took this formula from Martha Lloyd's book, ‘The House Keeper’. She used good-quality English oak galls, but poorer quality beer than Isaac Newton, and added a little sugar. Her recipe is less stable and turns ‘antique brown’ over a long period of time, while Sir Isaac Newton's remains black. Initially a medium blue-grey, it darkens to a rich matte back, slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.
-
Daler Rowney Ivory Artist's Sketchbooks
Starting at: £13.25
The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More -
Illumination Gold and Colour Book
£15.00Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More -
Cornelissen Lithography Sponge, Compressed
£6.50Cornelissen Lithography Sponge, Compressed. Designed to keep the litho stone wet during printing. It can be used for preparing printmaking or watercolour paper. Learn More -
Single Row Roulette
£46.00Single Row Roulette 85 Lines. Ideal for fine details and retouches. Learn More -
London Pigment, Verdigris Ink, 20 ml
£12.50Ink made from pure copper metal leaf that has reacted with distilled vinegar. Learn More -
Japanese Gold 23ct
Starting at: £55.00
Highest quality 23ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ~0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Cornelissen Silver Leaf Thick
Starting at: £14.50
Cornelissen Silver Leaf Thick, 95 x 95 mm (34g/1000 lvs). Book of 25 leaves Learn More -
Faber-Castell Polychromos Pencil Sets
Starting at: £33.95
Faber-Castell Polychromos Pencil Sets, Please note, the Mahogany Box set is is available only to order. Please allow extra time for delivery. Learn More -
Cornelissen 80 Yellow Gold Leaf 22 ct
Starting at: £51.20
Yellow Gold Leaf 22 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Rottenstone Grey
Starting at: £7.00
Fine abrasive powder used historically for polishing daguerreotype plates. Can be used to age wooden frames and object's d'art. Learn More -
London Pigment, London Red Brick
£18.00Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. Learn More
-
Empty Watercolour box for 12 half pans
£10.00This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 12.6 x 7 x 1.8cm Learn More -
Daniel Smith Watercolour Ground Titanium White 4oz
£10.30Titanium White, as well as turning any surface into Watercolor Paper, allows you to rescue areas within a painting done on Watercolor paper! It’s so easy to apply Ground over an area within a painting that needs rescuing—or for working on different compositional areas. You can also lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Cornelissen 80 Red Gold Leaf 23 ct
Starting at: £59.30
Red Gold Leaf 23 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More -
Liquitex Acrylic Textured and Effects Mediums
Starting at: £20.40
Liquitex Acrylic Textured and Effects Mediums Learn More -
Steel Etching Needle
£11.70Dry Point Steel Etching No 1. Classic needle with wooden handle. Learn More