Search results for: '10'

Pro Arte Series 103 Rigger

Starting at: £3.70

Long haired synthetic brush with good colour holding capacity and spring. Very fine point. Learn More

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Carnauba Wax Yellow

Starting at: £6.50

Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More

Cornelissen T52100B Professional Press

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£2,150.00

Cornelissen Etching Press T52100B 52 x 100 cm, Bed size: 52 x 100 cm, Upper Roller Diameter: 110 mm, Lower Roller Diameter: 110mm, Weight: 83 kg. Etching press base: 56 x 44 cm. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

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Schmincke AQUA Effect Spray

Starting at: £15.65

For bizarre surface effects. Apply while watercolour is still wet. No effect on strong absorbent surfaces. Learn More

Omega Series 1067 Lily Varnish

Starting at: £21.10

Thick hog hair brush or varnishing or painting on a large scale. 100% pure hog bristles. Learn More

Lemon Shellac

Starting at: £8.20

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Roberson 1810 Medium

Starting at: £34.20

This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

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Pro Arte Series 101

Starting at: £3.15

Economical, hard-wearing brushes suitable for watercolours and acrylics. They retain their points well. Learn More

Fabriano Pittura Paper

Starting at: £2.65

400GSM, Woodfree, Acid Free, Natural Grain Surface, High White, Tub and Surface Sized. Learn More

Winsor & Newton Designers Gouache Sets

Starting at: £38.50

Winsor & Newton Designers Gouache Sets Learn More

Imitation Gold Rolls

Starting at: £10.00

Imitation Gold Rolls Learn More

Aluminium Rolls

Starting at: £10.00

Aluminium Rolls Learn More

Schmincke Pastels Set, 15 Assorted Half Sticks, 1 Extra Large Stick

Starting at: £37.85

Set of 15 Assorted Half Sticks, 1 Extra Large Stick in a Cardboard Box Learn More

Schmincke College Acrylic Set, 10 x 75 ml Tubes in a Cardboard Box

£32.00

Schmincke College Set, 10 x 75 ml Tubes in Cardboard Box Learn More

Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes

Starting at: £132.00

Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes, including: Warm White, Yellow Lake, Burnt Sienna, Yellow Ochre Deep, Moss Green, Forest Green, Hookers Green, Ultramarine Blue, Sky Blue (Phthalo), and Lamp Black. Learn More

Arches Aquarelle Block 640 gsm

Starting at: £56.56

Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 10 sheets per block. Only available in Fin (NOT) surface. Learn More

Ivory Black Genuine Pigment

Starting at: £38.00

PBk9

Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.

Larger quantities are available by request. While stocks last.

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Botanical Ultra Smooth Glued Pad

Starting at: £8.05

Mould-made, 50% cotton, surface sized and acid-free. 10 sheets per pad. Hot-pressed (HP) surface. 300 gsm. A4 and A3 pads are glued on the short edge, and A5 pads are glued on the long edge. Learn More

Fabriano Artistico Paper Traditional

Starting at: £46.10

Gelatine free. A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges.

Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.

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Fabriano Pittura Block

Starting at: £21.00

400GSM, 10 Sheets, Woodfree, Acid free, Glued Edges, Natural Grain Surface. Learn More

Fabriano Venezia Sketchbooks

Starting at: £12.60

200GSM, 48 Sheets, 100% Woodfree, Surface Sized, Acid Free, Fabriano Accademia 200GSM Paper. Learn More

Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes

Starting at: £138.00

Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes, including: Phthalocyanine Blue Lake, Sap Green, Hookers Green, Aqua Green, Bright Green Lake, Green Gold, Yellow Benzimidazolone, Quinacridone Gold, Burnt Sienna and Quinacridone Rose. Learn More

ArtGraf Soft Watercolour Graphite Stick

Starting at: £2.40

ArtGraf Stick is a water-soluble, square-edged graphite bar 9cm in length. Learn More

Schmincke Pastels Set, 10 Assorted Extra Soft Sticks, 1 x Extra Large Stick, in Cardboard Box

£37.85

Schmincke Pastels Set, 10 Assorted Extra Soft Sticks, 1 x Extra Large Stick, in Cardboard Box Learn More

Mulberry Paper

Starting at: £22.95

Mulberry Paper Learn More

Egyptian Blue Pigment

Starting at: £5.90

Egyptian Blue is stable in all media, highly transparent, with a weak tinting strength. A synthetically produced calcium copper silicate, it is considered to be the earliest artificial pigment, dating from antiquity and widely used in ancient Egypt. Larger sizes available on request Learn More

Fabriano Medioevalis Cards and Envelopes

Starting at: £7.45

Hand torn, deckle-edged cards with matching envelopes for invitations and greetings. 260 gsm watercolour type paper. Portrait folded. PLEASE NOTE: Cards and matching envelopes are grouped A, B, C. Card measurements are of the card when folded. Learn More

Arches Aquarelle Paper

Starting at: £51.95

Arches Aquarelle paper is a mould-made, 100% cotton watercolour paper. It is available in hot pressed, cold pressed and rough surfaces. Gelatine tub sized internally and externally with four deckle edges, acid free and pH neutral.

Mail-order customers are able to buy this paper in packs of 5 or 10 sheets depending on the gsm. Single sheets are also available in our shop.

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Cornelissen Glass Mullers

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Starting at: £24.50

Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More

Search results for '10'