Search results for: 'DE'

Winsor & Newton Liquin Original

Starting at: £9.20

From the Winsor & Newton website: This reliable favourite is a general purpose semi gloss medium which speeds drying, improves flow and reduces brush stroke retention. Halves the drying time of conventional oil colour (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat. Learn More

da Vinci Series 5570 Nova Round

Starting at: £3.65

Fine golden synthetic fibre. More springy than da Vinci Cosmotop Spin (but with lower water absorption) making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More

Cornelissen 80 Lemon Gold Leaf 20 ct

Starting at: £52.70

Lemon Gold Leaf 20 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Roberson Ormoline Medium

Starting at: £8.70

Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125ml of paint. Learn More

Japanese Complete Woodblock Set

£55.00

Complete Mokuhanga set for beginners. This set includes; 1x Sosaku inking brush 15mm, 1x Tokibo carrying brush for glue, 5pcs pencil style carving tools in a plastic case including; 7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U), 1x plastic inking dish, 1x plastic baren 120mm, 1x shina plywood 160mm x 110mm, 1 x pack of 4 colours of waterbased printing in premixed with glue paste. Learn More

Gamblin Solvent-Free Gel

Starting at: £6.80

Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:

"Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."

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Lead Red Pigment (Minium)

Starting at: £4.50

PR105

Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

Toxicity: D

Please note, unfortunately we are not able to send this product outside the UK.

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Japanese Coloured Sumi Ink

Starting at: £10.00

Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More

Cornelissen Gold Edible Crumbs 23 carat

£49.00

The sprinkles are made by crumbling gold leaves. Can be sprinkled on an type of food. 23 carat gold. 125 mg Learn More

Michael Harding Non Absorbent Acrylic Primer - Clear Transparent

Starting at: £21.20

Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More

Cornelissen One Stroke Sable

Starting at: £8.75

Pure red sable brushes with a high colour holding capacity enabling free flow of colour. The fine edge of this brush provides defined clean cut lines. Learn More

Lemon Shellac

Starting at: £8.20

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

Winsor & Newton Retouching Varnish Aerosol

Starting at: £18.25

Temporary protection for oil paintings less than 6 months old. Contains: Ketone resin. Unable to send overseas. Learn More

Roberson Glaze Medium

Starting at: £9.60

Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork.

Contains: Turpentine, Damar Resin, Stand Oil, Cobalt Dryers.

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Burnt Green Earth Pigment

Starting at: £8.00

PG23 Burnt Green Earth is a semi-transparent pigment that is stable in all media, although it may be difficult to incorporate into an acrylic binder. A calcined form of Green Earth, it has a low tinting strength, long drying time, and is very lightfast. Toxicity: B Limeproof Learn More

Daniel Smith 238 Try it dot Card

£25.80

Daniel Smith "Try It" Dot Cards are a great way to sample this wonderful new range. Each colour dot has been placed on to a "Try It" Card which is actually watercolour paper. You can then wet each colour dot and use the card as a sort of palette. You'll be amazed just how far one dot of colour goes. You can even revisit a colour at a later date by re-wetting it. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Faber-Castell Pitt Artist Pen Fineliner

Starting at: £3.65

Extremely fade resistant with pigmented drawing ink. Waterpoof and PH neutral. Superfine, fine, medium and brush tips. Sanguin, sepia or black. Learn More

Carnauba Wax Grey

Starting at: £8.40

Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More

Aluminium Coating Trough 18" with ends

£31.00

Coating Trough, used to coat screens with Photographic Emulsion. Shaped to allow the weight of the coating trough to be supported by the thumb, the palm and all four fingers for a steady and even coat. Features a dual sided coating edge for either a sharp edge thin coat for higher mesh counts, or a rounded dull edge for coating lower mesh count screens. Learn More

Calf Vellum

Starting at: £16.75

Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.

Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

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Leather Kew Pads

Starting at: £100.00

This sketchbook-cover includes a Faber Castell clutch pencil and an A5 sketchbook, which is easily refillable in both the landscape and portrait format. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please see below to order this in red, green or tan brown, or ring our office to enquire about additional colours that we may have available. Learn More

Carmine Red Genuine Pigment

Starting at: £10.00

NR4

Carmine has been used as a dye and pigment since antiquity. Originally derived from the kermes insect, it was replaced by cochineal following the discovery of the Americas. It has a good tinting strength and is very transparent, although it is fugitive to light.

Larger quantities are available by request.

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Schmincke Calligraphy Gouache

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Starting at: £10.95

Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. Learn More

Schmincke Horadam 24 Half Pans

Starting at: £110.20

Schmincke Horadam 24 Half Pans. Learn More

Komasuki 3mm (U Shape)

£31.00

The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when the ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Roberson Retouching Varnish

Starting at: £8.20

Damar resin/white spirit. Rectifies dull areas caused by sinking of paint. Also helps adhesion of succeeding layer. Finish between matt and satin. Unable to send overseas. Learn More

Omega Series 70 Hog Fitch Round

Starting at: £14.90

Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. 100% pure hog hair. Learn More

Conte Carre Crayons

Starting at: £1.95

Harder than soft pastels, this range of 83 colours includes traditional shades of black, white, bistre, sepia and grey. 15% discount for purchasing 10+ crayons. Learn More

Cornelissen Aluminium Leaf

Starting at: £7.40

Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More

Silverpoint Stylus Maestro. Renaissance Workshop Materials

£290.00

Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Search results for 'DE'