Click to Hide Notification

Search results for 'rco and 1'

Items 151 to 156 of 156 total

per page
Page:
  1. 2
  2. 3
  3. 4
  4. 5
  5. 6

Grid  List 

Set Descending Direction
  1. Schmincke Horadam Naturals Set Earths

    Schmincke Horadam Naturals Set Earths

    £49.00

    Call to Order

    Schmincke Horadam Naturals Set Earth Pigments 5 x 15 ml Celadonite Yellow Ochre Lalvarit Violet Caucasus Earth Green Slate Learn More
  2. Mussini Luxury Wooden Chest

    Mussini Luxury Wooden Chest

    £1,442.95

    Call to Order

    The Schmincke Mussini Luxury Wooden Chest contains 36 x 35 ml tubes, as well as many accessories, including palette knife, painting knife, palette cups, palette, mediums, charcoal and brushes. Learn More
  3. Artists' Giant Willow Charcoal pictured with ruler for scale

    Artists' Giant Willow Charcoal Stick

    £14.60

    Call to Order

    Each stick measures approximately 53cm in length and 35-40 mm in diameter. Learn More
  4. Schmincke Liquid Charcoal 35 ml

    Schmincke Liquid Charcoal 35 ml

    Starting at: £18.30

    Call to Order

    Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More
  5. Cobalt Blue Pigment

    Cobalt Blue Pigment

    Starting at: £6.30

    Call to Order

    PB28

    Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners named it to in the late-Middle Ages, as the presence of cobalt ore in the mines made the extraction of silver more difficult. They were possibly also aware of the toxic properties of the mineral that was frustrating their efforts.

    Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.

    Limeproof

    Toxicity: C

    Learn More
  6. Genuine Lapis Lazuli Watercolour 1/4 pan

    Genuine Lapis Lazuli Watercolour 1/4 pan

    £19.01

    Call to Order

    Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
    Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
    In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Items 151 to 156 of 156 total

per page
Page:
  1. 2
  2. 3
  3. 4
  4. 5
  5. 6

Grid  List 

Set Descending Direction