Search results for 'acrylic'
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Winsor & Newton Picture Varnish Aerosol
Starting at: £18.25
Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More -
Roberson Liquid Metal 5Ltr
Starting at: £255.80
Call to Order
5 Litre containers are not available in the shop, but only as a special order through the website or over the telephone. Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
Schmincke Medium W
Starting at: £9.60
Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.
Dosage: 50%
Thinner: Water
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Liquitex Soft Body 237 ml
Starting at: £25.50
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More -
Winsor & Newton All Purpose Varnish Aerosol
Starting at: £18.25
Provides clear, non-removable protection of craftwork. Suitable for a variety of surfaces (wood, metal, paper, modelling materials). Contains: Acrylic resin. High Gloss or Matt. Unable to send overseas. Learn More -
Schmincke PRIMAcryl 60ml
Starting at: £7.60
[ONLY AVAILABLE ONLINE] Schmincke PRIMAcryl is a high viscosity premium acrylic range of 84 premium shades. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke PRIMAcryl 250ml
Starting at: £25.30
ONLY AVAILABLE ONLINE[]. Schmincke PRIMAcryl is a high viscosity premium acrylic range. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Interlon Series 63 Round
Starting at: £5.60
Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More -
Pro Arte Series 203 Rigger Acrylix
Starting at: £4.25
Combines the strenghts of the series 202 with long hair to provide long accurate lines in all media. Learn More -
Roberson Interlon Series 62 Flat
Starting at: £5.60
Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More -
Pro Arte Series 204 One Stroke Acrylix
Starting at: £4.95
This brush achieves a particularly good sharp edge in all media. Learn More -
Roberson Interlon Series 64 Filbert
Starting at: £5.60
Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More -
da Vinci Series 1875 Nova Filbert
Starting at: £3.55
Long handled synthetic brush for acrylic or oil painting. Soft bristles. Learn More -
Fabriano Tela Oil Block
Starting at: £11.00
300GSM, 10 Sheets, Acid Free, Glued Edges, Canvas Texture. Learn More -
da Vinci Series 1670 Nova Round
Starting at: £2.90
Long handled synthetic brush or acrylic or oil painting. Soft bristles. Learn More -
Clairefontaine Oil Paper
Starting at: £3.75
360GSM, 50cm x 65cm / 19.5" x 25.5", 10 Sheets, Acid free, Subtle Linen Texture. Learn More -
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Pro Arte Series 202 Round Acrylix
Starting at: £3.45
This brush has an excellen point and spring well suited to detail work in acrylic, watercolour and oils Learn More -
Fabriano Pittura Paper
Starting at: £2.65
400GSM, Woodfree, Acid Free, Natural Grain Surface, High White, Tub and Surface Sized. Learn More -
Canson Figueras Pad
Starting at: £16.25
290GSM, 10 Sheets, Acid Free, Glued on short edge, Linen Texture. Learn More -
da Vinci Series 1870 Nova Flat
Starting at: £2.95
Long handled synthetic brush for acrylic or oil painting. Soft bristles. Learn More -
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Arches for Oil Pads
Starting at: £25.25
Mould-made, 100% cotton, natural white (Neutral pH acid free). 12 sheets per pad, NOT surfaced. Specially designed for oil painting. Ready to use. Learn More -
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Fabriano Pittura Block
Starting at: £21.00
400GSM, 10 Sheets, Woodfree, Acid free, Glued Edges, Natural Grain Surface. Learn More -
Roberson PVA
Starting at: £12.60
PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More -
Primed Linen
Starting at: £78.50
Primed Linen. 210 cm (84 inches) wide. Prices per meter. Learn More -
Cranfield (Spectrum) Clear Acrylic Canvas Sealer
Starting at: £11.60
Use when a transparent primer is needed. Can also be used under acrylic or oil primer. Learn More -
Michael Harding Non Absorbent Acrylic Primer - Colours
Starting at: £21.20
Michael Harding Non-Absorbent Acrylic Primer (NAAP) is a versatile product suitable for application on various surfaces, including linen, wood, MDF, and more. It is designed to create a robust, flexible, permanent, and intensely pigmented ground, making it an excellent choice for both acrylic and oil paints. Important Application Guidelines: Support Selection: NAAP should not be applied over surfaces treated with rabbit skin/hide glue or on unsound, flimsy supports such as cardboard. Opt for stable substrates to ensure the primer’s effectiveness. Not a Gesso: Please note that NAAP is a primer, not a gesso. As such, there is no need for additional gessoes, sizes, or other ancillary products when using NAAP. DIRECTIONS: Coat Application: Apply a minimum of two coats of NAAP to your chosen support, ensuring liberal coverage for optimal results. Dilution for Flow: If you desire increased flow, dilute NAAP with a mixture of 1 part water to 4 parts NAAP. This adjustment allows for customization based on your artistic preferences. Second Coat Application: Apply the second coat once the first coat is touch dry, typically after approximately 1 hour. This step contributes to the creation of a well-prepared painting surface. Additional Considerations: Suitable Supports: Do not use Michael Harding Non-Absorbent Acrylic Primer on flimsy or unsound supports. It is crucial to choose a stable and well-prepared surface for priming to ensure the longevity and integrity of your artwork. Canvas Weave Consideration: Avoid using this primer on canvases with a wide weave. The non-absorbent nature of the primer may not be suitable for canvases with a loose or open structure, compromising its effectiveness. Transparency Check: Before application, inspect your canvas material by holding it up to the light. If you can see light passing through the wefts (threads) of the canvas, it is not recommended to use Michael Harding Non-Absorbent Acrylic Primer. Opt for a more appropriate primer based on the transparency of your canvas. Learn More