Your search 'acid case' and (select*from(select(sleep(20)))a)--' did not match any products.
Showing results using some of your search terms 'acid case' and (select*from(select(sleep(20)))a)--'
Search results for 'acid and'
-
Daler Red and Yellow Spiral Bound
Starting at: £5.20
25 sheets of 150 gsm acid free cartridge paper. Learn More -
Canson Mi Teintes Pastel Paper A4
Starting at: £12.00
Each pack contains 25 sheets (21cm x 29.7cm / A4) of 50% cotton, 160GSM pastel paper. Features: Acid free, tub sized, antique wove, roller marked, textured surface. Learn More -
Two Rivers Handmade Papers
Starting at: £70.80
Hand made in Somerset. Cotton and flax blend, acid free. Not surface. 410 gsm. Sold in packs of 5 sheets. Learn More -
Sennelier Oil Pastels Standard
Starting at: £2.85
Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 10% discount for 10+ pastels. 20% discount for 20+ pastels. Learn More -
Hahnemuhle D&S Sketchbook
Starting at: £3.30
A robust sketchbook with thread stitching to allow for smooth page turning. The natural white paper has superb abrasion properties, enabling you to effortlessly create broad strokes with pencil. The 140 gsm paper is suitable for dry painting techniques as well as light washes of watercolour Learn More -
Cornelissen Black Sketchbooks
Starting at: £5.40
Our Cornelissen-branded sketchbooks are a popular, durable, and versatile choice. The acid-free, 140gsm paper is perfect for drawing and all dry-media techniques. The standard sizes (A6, A5, A4 and A3, portrait and landscape) contain 46 pages, while the chunky square formats contains 95 pages. Learn More -
Soft Sewn Sketchbook
Starting at: £5.00
Soft Sewn Sketchbook. 64 Pages, 120GSM Acid-Free Paper. Learn More -
Hahnemuhle Nostalgie Sketchbook
Starting at: £9.30
Thread-stitched for a solid binding, this sketchbook features 190gsm, natural white paper. The smooth surface allows for clearly defined hatchings and pen work, as well as beautiful gradients of colour. Suitable for the use of all dry painting techniques in addition to wet colours. This versatile paper is encased in a linen surfaced grey hardback cover, with a red ribbon page mark. Acid free. Learn More -
Fabriano Pittura Paper
Starting at: £2.65
400GSM, Woodfree, Acid Free, Natural Grain Surface, High White, Tub and Surface Sized. Learn More -
Clairefontaine Oil Paper
Starting at: £3.75
360GSM, 50cm x 65cm / 19.5" x 25.5", 10 Sheets, Acid free, Subtle Linen Texture. Learn More -
Canson Figueras Pad
Starting at: £16.25
290GSM, 10 Sheets, Acid Free, Glued on short edge, Linen Texture. Learn More -
Roberson Cold Pressed Linseed Oil
Starting at: £7.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More -
Ammonium Carbonate
Starting at: £9.70
Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More -
Fabriano Tela Oil Block
Starting at: £11.00
300GSM, 10 Sheets, Acid Free, Glued Edges, Canvas Texture. Learn More -
Roberson Refined Linseed Oil
Starting at: £13.30
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Alkali Refined Linseed Oil has been treated to reduce its acidity, and is a useful ingredient in mediums and varnishes.
Learn More -
Roberson Poppy Oil
Starting at: £10.20
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
Learn More -
Canson Mi Teintes Pastel Paper 55 x 75 cm
Starting at: £47.90
160GSM, 75cm x 55cm, 50% Cotton, Acid Free, Tub Sized, Antique Wove, Roller Marked, Textured Surface. Learn More -
Fabriano Pittura Block
Starting at: £21.00
400GSM, 10 Sheets, Woodfree, Acid free, Glued Edges, Natural Grain Surface. Learn More -
Arches for Oil Pads
Starting at: £25.25
Mould-made, 100% cotton, natural white (Neutral pH acid free). 12 sheets per pad, NOT surfaced. Specially designed for oil painting. Ready to use. Learn More -
Khadi Grey Paper Packs
Starting at: £2.85
Handmade from 100% long fibred cotton rag. Acid free. Deckle edge. Tub sized (surface sized) with gelatine. Learn More -
Khadi White Rag Paper Packs 150gsm
Starting at: £2.85
Handmade Paper, 100% Long Fibred Cotton Rag, Acid free, Medium-Rough surface, Deckle Edged. All papers are internally sized with neutral pH size. Learn More -
-
Cadmium Yellow Lemon Pigment
Starting at: £4.50
Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C
Learn More -
Snowdon Cartridge Paper
Starting at: £1.50
Snowdon Cartridge paper with a white shade and matt surface. Designed for drawing and many printing processes including etching and waterbased silkscreen in 300gsm. Woodfree and acid free Learn More -
Botanical Ultra Smooth Glued Pad
Starting at: £8.05
Mould-made, 50% cotton, surface sized and acid-free. 10 sheets per pad. Hot-pressed (HP) surface. 300 gsm. A4 and A3 pads are glued on the short edge, and A5 pads are glued on the long edge. Learn More
-
Cornelissen Historical Inks, Doomsday
£10.50Oak Gall Ink was originally used in monasteries and by the Crown in medieval Britain. Doomsday Ink initially lays down as a medium blue-grey, darkening to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed due to the presence of wine within the mixture.
Not suitable for fountain pens.
Learn More -
Cadmium Yellow Light Pigment
Starting at: £6.20
Cadmium Yellow Light Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More -
Cornelissen Historical Inks, Iron Oak Gall
Starting at: £9.00
Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is inspired by a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and allowed to mature for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.
Learn More -
Bockingford Fat Pad
Starting at: £25.90
300GSM, 14.8cm x 42cm, 25 Sheets, Mould Made, Woodfree, Internally Sized, Acid free, Wire Bound. Learn More -
Manganese Violet Pigment
Starting at: £8.50
PV16
Manganese Violet is a synthetic organic pigment, discovered in Germany in 1868 and formed by combining manganese chloride, phosphoric acid and ammonium carbonate. It is very lightfast, but sensitive to alkalis and oils. It is semi-opaque and fast-drying, with a low tinting strength and low absorption of oil.
Toxicity: C
Learn More
Shopping Options
- Category
-
- Pigments Gums & Resins (12)
- Oils & Acrylics (3)
- Pastels (2)
- Drawing & Calligraphy (6)
- Gilding & Restoration Materials (4)
- Printmaking (5)
- Paper (42)
- Studio & Books (4)
- Price
-
- £0.00 - £9.99 (36)
- £10.00 - £19.99 (16)
- £20.00 - £29.99 (8)
- £30.00 - £39.99 (2)
- £40.00 - £49.99 (2)
- £50.00 - £59.99 (2)
- £60.00 - £69.99 (1)
- £70.00 - £79.99 (1)
- £80.00 - £89.99 (1)
- £90.00 and above (1)
- Manufacturer
-
- Arches Aquarelle (2)
- Bockingford (4)
- Canson (3)
- Cornelissen (18)
- Daler-Rowney (4)
- Fabriano (13)
- Hahnemuhle (3)
- Khadi (2)
- Korns (1)
- Lascaux (1)
- Roberson (4)
- Rohrer and Klingner (2)
- Saunders Waterford (2)
- Somerset (1)
- Sennelier (5)
You have no items in your shopping basket.
- Search Brands
-