Search results for 'de 1 2'
-
Cornelissen Variegated Metal Leaf 236
Starting at: £17.00
Cornelissen Variegated Metal Leaf 236 Learn More -
Roberson Acrylic Gloss Medium
Starting at: £11.20
(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More -
Roberson Acrylic Gesso Primer White
Starting at: £21.40
Fast drying, flexible and non yellowing white ground for oil, acrylic and tempera. Gives a matt, absorbent surface which may be sanded smooth once dry. Learn More -
Roberson Ormoline Medium
Starting at: £8.70
Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125ml of paint. Learn More -
Roberson Safflower Oil
Starting at: £7.70
Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.
Learn More -
Roberson Cobalt Siccative
Starting at: £7.70
A cobalt drier in white spirit, to be added sparingly to oil colours to accelerate drying. Learn More -
Fullers Earth
Starting at: £6.30
Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.
Learn More -
Roberson Damar Varnish Low Gloss
Starting at: £8.90
Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More -
Microcrystalline Wax
Starting at: £8.50
Microcrystalline Wax is related to paraffin wax, and is used as a plasticiser in some recipes. It is characterised by the fineness of its crystals in contrast to the larger crystal of paraffin wax. It is generally more viscous, denser, tackier and more elastic than paraffin waxes, and has a higher melting point. Learn More -
Roberson Linseed Stand Oil
Starting at: £10.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
Learn More -
Roberson Glaze Medium
Starting at: £9.60
Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork.
Contains: Turpentine, Damar Resin, Stand Oil, Cobalt Dryers.
Learn More -
Roberson Oil Primers
Starting at: £23.30
Roberson's Traditional Oil Primer is made in small batches using the highest quality materials. Can be used on canvas or wood. Two to three coats will produce a slippery surface to enable oil colour to be moved around. Canvas should be sized before oil primer is applied using Roberson's Prepared Rabin Skin Glue. Touch dry in approx. 6h. hard dry in 24h. Paint may set in tin, shake tin and stir well before use, dilute with white spirit if desired. Prior to painting , primed canvases should be kept in daylight conditions to prevent over yellowing. Clean brushes in White Spirit. Learn More -
Roberson Pure Gum Turpentine
Starting at: £14.00
Slightly less refined than rectified spirit of turpentine. Often preferred as constituent of painting mediums. Learn More -
Roberson PVA
Starting at: £12.60
PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More -
Roberson Satin Glaze Medium
Starting at: £9.80
Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork. Learn More -
Cranfield (Spectrum) Linseed Oil Paste
Starting at: £24.65
Call to Order
From the Cranfield website:
An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.
Learn More -
Schmincke Akademie Acrylic 2.5L Tit. White
£80.25Schmincke Akademie Acrylic 2.5L Titanium White Series 1. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Saunders Waterford Paper
Starting at: £40.06
Saunders Waterford paper is a mould-made,100% cotton paper for watercolour painting with two deckle edges. Acid-free, gelatine tub-sized and calcium carbonate buffered.
Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.
Learn More -
Golden Silverpoint Ground 237 ml
£25.95Golden Silverpoint Ground 237 ml. A white acrylic ground, recommended as a preparation for all metalpoint drawing techniques. Light, flexible and sandable, great for fine detailed lines. 100% acrylic polymer dispersion which is ready to use, UV resistant, water resistant and has minimum film formation. Directions: For use on porous surfaces, shake the bottle vigorously, then allow to rest for 5 minutes before applying. Allow each coat to dry thoroughly between applications. Learn More -
Stil de Grain
Starting at: £12.20
NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More -
-
-
Saunders Waterford Book
Starting at: £66.05
Call to Order
300GSM, 28cm x 25cm / 11" x 10", 28 Sheets, Mould Made, 100% Cotton, Gelatine Tub Sized, Acid Free, Deckle Edges, Casebound. Learn More -
Khadi White Rag Paper Packs 150gsm
Starting at: £2.85
Handmade Paper, 100% Long Fibred Cotton Rag, Acid free, Medium-Rough surface, Deckle Edged. All papers are internally sized with neutral pH size. Learn More -
-
Lefranc Flashe 80 ml
Starting at: £9.70
Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More -
Pearl Lustre Pigments 1 kg
Starting at: £94.00
Call to Order
Pearl Lustre Pigments 1 kg. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More -
One Shot Lettering Enamel Paint
Starting at: £20.55
Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More -
-
Shopping Options
- Category
-
- Pigments Gums & Resins (135)
- Oils & Acrylics (115)
- Canvas & Supports (18)
- Watercolour Gouache & Egg Tempera (55)
- Pastels (22)
- Drawing & Calligraphy (83)
- Gilding & Restoration Materials (100)
- Printmaking (69)
- Brushes (53)
- Paper (60)
- Studio & Books (42)
- Specialist Decorating (5)
- Price
-
- £0.00 - £999.99 (702)
- £1,000.00 - £1,999.99 (1)
- £2,000.00 - £2,999.99 (2)
- £3,000.00 and above (2)
- Manufacturer
-
- Arches Aquarelle (5)
- ArtGraf (4)
- Automatic Pens (3)
- Bockingford (5)
- Brause (3)
- Canson (5)
- Charbonnel (9)
- Cornelissen (271)
- Cranfield (4)
- Creta (3)
- Da Vinci (16)
- Daler-Rowney (13)
- Daniel Smith (3)
- Daylight (1)
- e+m (11)
- Faber-Castell (7)
- Fabriano (15)
- Gamblin (12)
- Gillot (1)
- Golden (8)
- Hahnemuhle (5)
- Khadi (6)
- Kölner (3)
- Korns (1)
- Lascaux (13)
- Lefranc et Bourgeois (2)
- Leonardt (2)
- Liquitex (9)
- London Pigment (3)
- Maimeri (3)
- Michael Harding (7)
- Milliput (1)
- Mitchell (4)
- Omega (10)
- Pelikan (1)
- Pentel (1)
- Pfeil (4)
- Pro Arte (2)
- Raphael (1)
- Rembrandt (1)
- Renaissance Workshop Materials (1)
- Roberson (73)
- Rohrer and Klingner (14)
- Saunders Waterford (3)
- Schmincke (66)
- Somerset (2)
- Spectrum (3)
- Stabilo (3)
- Staedtler (4)
- Unison (2)
- Winsor&Newton (22)
- Factis (1)
- Swann Morton (2)
- Talens (3)
- Sennelier (16)
You have no items in your shopping basket.
- Search Brands
-