Search results for 'i'
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Cornelissen Imitation Gold No 2 Warm
Starting at: £7.40
Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More -
Cornelissen Variegated Metal Leaf 280
Starting at: £26.00
Cornelissen Variegated Metal Leaf 280 Learn More -
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Unison 72 Standard Assorted Pastels
Starting at: £303.50
Unison 72 Standard Assorted Pastels Learn More -
Chinese Brush, Arctic Hare and Goat Hair
£12.50Small, mixed hair brush. Ideal for watercolour painting and loose calligraphy. Learn More -
Cornelissen Historical Inks, Walnut
Starting at: £9.00
Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.
Not Suitable for fountain pens. Learn More -
Edible Gold Leaf Loose
£56.00 As low as: £50.40Cornelissen Edible Gold Leaf 85 23 carat Book of 25 Loose Learn More -
Cornelissen Historical Colours Ink Set
£18.50Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More -
Maimeri Retouching Varnish for Restoration 75 ml
£8.80Very fast drying, light varnish for retouching and restoration. Moderately shiny, does not yellow (Ketonic resin 22% and White Spirit). Learn More -
Cornelissen Variegated Metal Leaf 264
Starting at: £23.00
Cornelissen Variegated Metal Leaf 264 Learn More -
Oriental Blue Pigment
Starting at: £5.40
Oriental Blue Pigment (PB29). Inorganic pigment consisting kaolin, soda ash, sulfides and coal. Semi-transparent. High tinting strength. Excellent Lightfastness. Medium to slow drying rate. Suitable in all media except Lime-fresco. Used since early 19th Century. Toxicity B Learn More -
Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes
Starting at: £54.00
Michael Harding Watercolours, Introductory Set, 4 x 15ml tubes, Including: Vivid Blue, Scarlet Lake, Aqua Green and Yellow Benzimidazolone. Learn More -
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Chinese Liquid Ink
Starting at: £10.00
Thick, black ink for use wih dip pen, reed pen or bush. Learn More -
Original Left-Handed
£2.70Single block shaped light metal sharpener for left handed users. With 1 spare blade. Learn More -
Cornelissen Iron Oak Gall Ink Set
£30.00Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More -
Cornelissen Lemon Oil
Starting at: £12.30
Lemon oil is an essential oil, primarily used for its scent. Learn More -
Maimeri Final Varnish for Restoration 75 ml
£8.80Reversible - for conservation use only. Learn More -
Cornelissen Variegated Metal Leaf 236
Starting at: £17.00
Cornelissen Variegated Metal Leaf 236 Learn More -
Cornelissen Walnut Oil
Starting at: £8.20
The introduction of Walnut Oil as a pigment binder is contemporaneous with the emergence of Linseed Oil. Their drying properties have been appreciated since the Middle Ages, and throughout history there is evidence of both oils being used alongside each other within the same painting. In fact, until the sixteenth century, it is believed that Walnut Oil was the preferred binding medium among Italian artists. It is made from mature walnut kernals, offering a pale colour and brilliant gloss. For this reason, it is sometimes chosen as a binder for light colours, as it provides a stronger paint film than Poppy Oil, and faster drying times. However, a paint film made from Walnut Oil will tend to be brittle, so it is more suited to a rigid support rather than canvas.
Learn More -
Cornelissen Historical Inks, Turquoise
£6.50This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.
Not suitable for fountain pens. Learn More -
Triangular Solid Scraper
Starting at: £14.00
Solid scraper used to make corrections to intaglio plates. Learn More -
Surrey Ivory Cartridge Paper
Starting at: £67.15
Surrey Ivory Cartridge paper with a cream shade and matt surface. Woodfree and acid free. Pack quantity 100 sheets. Learn More -
Chinese Brush, Water Badger Hair
£43.35Large, long tipped brush. Ideal for precision work. Learn More -
Cornelissen Historical Inks, Virginia Woolf Purple
£6.50This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.
Learn More -
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Cranfield (Spectrum) Clear Acrylic Canvas Sealer
Starting at: £11.60
Use when a transparent primer is needed. Can also be used under acrylic or oil primer. Learn More -
Cornelissen Variegated Metal Leaf 227
Starting at: £23.00
Cornelissen Variegated Metal Leaf Learn More -
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