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  1. Stephens Indian Ink

    Stephens Indian Ink

    £3.95

    Black Indian ink, Waterproof. 28ml Learn More
  2. Charbonnel Reds

    Charbonnel Reds

    Starting at: £14.25

    Charbonnel Reds Learn More
  3. Rohrer & Klingner Antique Ink Cleaner

    Rohrer & Klingner Antique Ink Cleaner

    £17.00

    Rohrer & Klingner Antique Ink Cleaner for writing instruments 250ml Learn More
  4. Roberson Prouts Brown Ink

    Roberson Prouts Brown Ink

    Starting at: £5.80

    Non waterproof, The ink can be used in all types of pens. Learn More
  5. Schmincke Aero Tex Medium 28ml

    Schmincke Aero Tex Medium 28ml

    £8.60

    Produces a textile air-brush colour when mixed with 1 part AERO TEX and 1 part AERO COLOR® Professional. Wash, dry and iron the material beforehand. After finishing the design let it dry out. Iron the reverse side. (Cotton about 2 minutes; silk/wool about 4-6 minutes; synthetics about 8 minutes.) Do not dryclean. Contains a polyurethane dispersion. Learn More
  6. Charbonnel Whites

    Charbonnel Whites

    Starting at: £9.92

    Charbonnel Whites Learn More
  7. Rohrer & Klingner Drawing & Calligraphy Black Ink 1L

    Rohrer & Klingner Drawing & Calligraphy Black Ink 1L

    £65.50

    Lightfast pigmented acrylic ink. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More
  8. Transparent Medium

    Transparent Medium

    £14.40

    Charbonnel Aqua Wash Etching Ink Transparent Medium 60 ml Learn More
  9. Rohrer & Klingner Drying Retarder 50ml

    Rohrer & Klingner Drying Retarder 50ml

    £9.10

    Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More
  10. Charbonnel Yellows

    Charbonnel Yellows

    Starting at: £15.47

    Charbonnel Yellows Learn More
  11. Rohrer & Klingner Gold Drawing Ink

    Rohrer & Klingner Gold Drawing Ink

    Starting at: £8.30

    Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold and three lightfast traditional tones in shellac binder. Learn More
  12. Higgins Sepia Calligraphy Ink

    Higgins Sepia Calligraphy Ink

    £8.60

    Non waterpoof rich, antique looking free flowing ink for use in fountain and calligraphic pens. Learn More
  13. Chinese Stick Ink

    Chinese Stick Ink

    Starting at: £4.80

    Call to Order

    Grind with water to make ink using ink stone. Learn More
  14. Chinese Liquid Ink

    Chinese Liquid Ink

    Starting at: £10.00

    Thick, black ink for use wih dip pen, reed pen or bush. Learn More
  15. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  16. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £7.65

    Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with to oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the color. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colorless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More
  17. Border stroke, No.7 Automatic pen, made in England.

    Automatic Border Stroke Pens

    Starting at: £14.90

    Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More
  18. Charbonnel Black Soft Crayon Ink

    Charbonnel Black Soft Crayon Ink

    Starting at: £39.10

    Least intense black printing ink for lithography. Learn More
  19. Lascaux Coloured coating for Hard Resist

    Lascaux Coloured coating for Hard Resist

    Starting at: £38.70

    These black or white coatings may be painted onto a dry layer of Hard resist so that the drawing made with etching tools is highly visible. The coloured coatings are not acid-resistant and are designed to be washed away with water before the plate is stopped-out or etched. Learn More
  20. Brause Ornament Nibs

    Brause Ornament Nibs

    Starting at: £2.75

    Nib with blade and ink reservoir, used for titles and ornamentation. Learn More
  21. W&N Professional Watercolour 14ml Tube

    W&N Professional Watercolour 14ml Tube

    Starting at: £16.00

    Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

  22. Unprimed Cotton

    Unprimed Cotton

    Starting at: £7.40

    Our unprimed cotton ducks are economical painting supports, offering an even grain and regular surface. Woven in India, these cottons are provided as loom-state textiles, meaning that they will shrink once wetted. We offer three thicknesses:

    9oz : A strong textile with a half panama construction, meaning that there are two warp yarns over each weft. 300gsm.

    120z: A classic canvas for painting, recommended for larger works, with a smooth, dense construction made from braided yarns. 400gsm.

    15oz: A strong, dense textile, woven with braided yarns, recommended for thickly painted works. 500gsm. 

    Learn More
  23. Portuguese Green Earth Pigment

    Portuguese Green Earth Pigment

    £20.00

    This pigment comes in a 20 ml glass vial with hand finished wax seal and label. Learn More
  24. Epping Forest Yellow Ochre Pigment

    Epping Forest Yellow Ochre Pigment

    £18.00

    This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible. 

    Learn More
  25. Rottenstone Pink

    Rottenstone Pink

    Starting at: £7.00

    Fine abrasive powder used historically for polishing daguerreotype plates. Can be used to age wooden frames and object's d'art. Learn More
  26. Rohrer & Klingner Autographic Ink

    Rohrer & Klingner Autographic Ink

    Starting at: £25.10

    Autographic ink is a particularly greasy ink used for drawing in silkscreen or lithography, or as a transfer ink. It can be applied to transference paper, ideally one that is strongly sized with a fine grain, or it can be directly applied to the stone. Learn More
  27. Stil de Grain

    Stil de Grain

    Starting at: £12.20

    NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More
  28. Asphaltum Powder

    Asphaltum Powder

    Starting at: £14.30

    Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More
  29. Schmincke Artists Watercolour Half Pan

    Schmincke Artists Watercolour Half Pan

    Starting at: £6.05

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in whole pans and tubes of 5 and 15ml. Learn More
  30. Schmincke Akademie Acrylic 250ml

    Schmincke Akademie Acrylic 250ml

    Starting at: £10.75

    Schmincke Akademie Acrylic 250ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

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