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Search results for 'Inks'
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Rohrer & Klingner Gloss Intensifier 50ml
£8.90Rohrer & Klingner Liquid Watercolour Gloss Intensifier 50ml Learn More -
Roberson Metallic Ink 30ml
Starting at: £11.30
Pale gold, rich pale gold and copper. Non waterproof. Learn More -
Schmincke Aero Tex Medium 28ml
£8.60Produces a textile air-brush colour when mixed with 1 part AERO TEX and 1 part AERO COLOR® Professional. Wash, dry and iron the material beforehand. After finishing the design let it dry out. Iron the reverse side. (Cotton about 2 minutes; silk/wool about 4-6 minutes; synthetics about 8 minutes.) Do not dryclean. Contains a polyurethane dispersion. Learn More -
Sennelier Ink Medium 30 ml
£9.50Shellac based ink medium. Can also be mixed with pigment to create inks. Learn More -
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Chinese Liquid Ink
Starting at: £10.00
Thick, black ink for use wih dip pen, reed pen or bush. Learn More -
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Rohrer & Klingner Gold Drawing Ink
Starting at: £8.10
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold and three lightfast traditional tones in shellac binder. Learn More -
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Chinese Stick Ink
Starting at: £4.80
Call to Order
Grind with water to make ink using ink stone. Learn More -
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London Pigment, Verdigris Ink, 20 ml
£12.50Ink made from pure copper metal leaf that has reacted with distilled vinegar. Learn More -
'Vintage' Book of Watercolour Paper, Black
£45.00These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More -
'Vintage' Book of Watercolour Paper, Cream
£45.00These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More -
Roberson Maroger Medium
Starting at: £18.60
Roberson Maroger Medium can be mixed in equal parts with oil colours to give a lasting brilliance and workable consistency to paints. It prevents sinking when using a wet-in-wet techniques.
Contains: Damar Resin, Gum Arabic, Linseed Oil
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Roberson Copperplate Reducing Oil
Starting at: £21.90
Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More -
London Pigment, Herefordshire Ochre Pigment
£20.00This colour comes in a 20 ml glass vial with hand finished wax seal and label. Learn More -
London Pigment, Epping Forest Yellow Ochre Pigment
£18.00This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible.
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Gamblin Solvent-Free Gel
Starting at: £6.50
Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:
"Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."
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Mezzotint Rockers
Starting at: £114.00
Rockers are (7 inches long) including the stained birch handle and made with the highest quality high carbon tool steel, EC Lyons rockers are known world wide as the finest mezzotint rockers available. The gauge (screen) sizes are available in Course (45), Medium (65 and 85), and Fine (100) lines per inch. By working the rocker (with a rocking motion) over a copper/zinc plate in a criss-cross fashion one creates burrs that will trap the ink to produce rich velvety black tones unequalled in any other intaglio process. Learn More -
Roberson Liquid Metal 500ml
Starting at: £34.20
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. This range of paints is suitable for exterior use but must be applied on a dry day as acrylics take longer to dry out completely than oil-based paints. Once dry the paints cure and are hardwearing. Learn More -
Somerset Enhanced Inkjet Paper
Starting at: £52.80
225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More -
Lemon Shellac
Starting at: £8.20
Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
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