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  1. Cadmium Brown Pigment

    Cadmium Brown Pigment

    Starting at: £10.00

    PR108

    Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  2. Lascaux Tusche Diluting Liquid 500ml

    Lascaux Tusche Diluting Liquid 500ml

    £36.50

    A ready-to-use liquid for diluting Lascaux Tusches to alter their handling characteristics or to create delicate washes on positives. Learn More
  3. Mars Black Pigment

    Mars Black Pigment

    Starting at: £5.70

    PBk11

    Mars Black is an artificial mineral pigment composed of hydrated ferric oxides. Like other Mars colours, it provides a very opaque, permanent colour, which is stable in all media. It has an average drying time in oil, forming a hard, fairly flexible film, making it more suitable for impasto application than carbon-based black pigments, which tend to be brittle. It also wets more easily than other black pigments, and possesses a warm, brownish undertone.

    Toxicity: B

    Limeproof

    Larger quantities are available by request. 

    Learn More
  4. Japanese Calligraphy Paper

    Japanese Calligraphy Paper

    Starting at: £3.05

    Call to Order

    Shoji: machine-made paper, 100% woodfree pulp, pH 6.2. Bright white, slightly smooth on one side. 48 gsm, size: 62 x 92 cm (24 x 36 inches). Pack of 25 sheets. Yuki: machine-made paper, 59% Rayon, 37 % woodfree 4% synthetic fibre, pH 6.2. size 64 x 94 cm (25 x 37 inches) Pack of 25 sheets. White, long Rayon fibres randomly on surface. slightly smooth on one side. Learn More
  5. Japanese Classic Tool Set in Wooden Case

    Japanese Classic Tool Set in Wooden Case

    £34.00

    Tool set with denim case. Set contains 7pcs, including; 7mm Aisuki (flat), 8mm Hangi-toh (knife), 4mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 4mm Sankatu-toh (V), 10mm Komasuki (U). These pencil-style tools have imitation wooden handles that are longer than those of traditional tools, making them a perfect introduction to Mokuhanga printing. Learn More
  6. Roberson Copperplate Reducing Oil

    Roberson Copperplate Reducing Oil

    Starting at: £21.90

    Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More
  7. Kaweco Ink Cartridges, Pack of 6

    Kaweco Ink Cartridges, Pack of 6

    Starting at: £2.00

    Kaweco ink cartridges are Standard International size. There are 6 cartridges per pack. Learn More
  8. Painter's Handbook

    Painter's Handbook

    £25.00

    Call to Order

    By Mark David Gottsegen. A guide to artists’ materials as well as a thorough resource presenting techniques for using them and recipes for making them. (355 pages) Learn More
  9. Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

    Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

    Starting at: £55.00

    Call to Order

    The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More
  10. Lapis Lazuli Pigment

    Lapis Lazuli Pigment

    Call to Order

    PB29

    Lapis Lazuli is a natural mineral pigment, mined in Afghanistan and South America. For many centuries it was the most reliable blue pigment available, and became particularly significant during the Medieval and Renaissance periods, when its inclusion in a work of art denoted the wealth and status of the patron, or the holiness of a painting's subject. In commercial paint production it has largely been replaced by the more affordable Ultramarine Blue, although it still has a place on modern palettes due to its unique soft violet tone. It is a transparent pigment, with a low tinting strength.

    [We will have stock of Lapis Lazuli in September. If you would like to be called when it is available, please use our contact form to let us know.]

    Learn More
  11. Shepherds Paste Brush

    Shepherds Paste Brush

    Starting at: £5.00

    Call to Order

    Soft round domed hog hair. Bound with string instead of metal ferrule (will not rust). Suitable for application of pastes for bookbinding and laying down of gesso. Learn More
  12. Gum Mastic

    Gum Mastic

    Starting at: £20.30

    Call to Order

    Gum Mastic is a tree resin, which dissolves into a clear varnish with alcohol or turpentine, but not with mineral spirits. Mastic varnishes are more prone to blooming and darkening with age than damar-based varnishes, and painting mediums that contain gum mastic can deteriorate in unpredictable ways. For this reason, it is primarily used in restoration, rather than in the production of artwork. Learn More
  13. Bamboo Pen with Brush

    Bamboo Pen with Brush

    £5.40

    Call to Order

    Dip pen at one end, reversible brush at the oter end. Learn More
  14. Gamblin Tack Reducer 150ml

    Gamblin Tack Reducer 150ml

    £11.50

    Call to Order

    Tack Reducer is a gel made from a very light drying oil, making it completely compatible with the inks. Small amounts added to ink will efficiently reduce tack. Tack Reducer is transparent to allow the intensity of an inks color to be maintained. Learn More
  15. Gamblin Burnt Plate Oils

    Gamblin Burnt Plate Oils

    Starting at: £10.50

    Call to Order

    Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More
  16. Jemma Lewis Printed Marble Paper

    Printed Marble Papers

    Starting at: £3.00

    Call to Order

    Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More

  17. Mussini Luxury Wooden Chest

    Mussini Luxury Wooden Chest

    £1,442.95

    Call to Order

    The Schmincke Mussini Luxury Wooden Chest contains 36 x 35 ml tubes, as well as many accessories, including palette knife, painting knife, palette cups, palette, mediums, charcoal and brushes. Learn More
  18. Artists' Giant Willow Charcoal pictured with ruler for scale

    Artists' Giant Willow Charcoal Stick

    £14.60

    Call to Order

    Each stick measures approximately 53cm in length and 35-40 mm in diameter. Learn More
  19. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

    Toxicity: D

    Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

    Learn More
  20. Lascaux Tusche Wash Spray 500ml

    Lascaux Tusche Wash Spray 500ml

    £42.90

    Call to Order

    This tusche can be sprayed from a simple airbrush and is required if Lascaux Lift Solution is to be used. Other airbrush techniques can be employed and tonal effects similar to aquatints in etching can be created. It can also be used for painting washes and handles like Chinese ink. When diluted it creates a further range of washes. Learn More
  21. Green Felt Burnisher Pockets

    Green Felt Burnisher Pockets

    Starting at: £4.00

    Call to Order

    Green Felt Burnisher Pockets (Please note, our short felt pockets only fit burnishers that are labelled as short handled. All other burnishers will fit in the long felt pockets) Learn More
  22. Lascaux Screenprinting Paste 500ml

    Lascaux Screenprinting Paste 500ml

    £29.00

    Call to Order

    Lascaux Screenprinting Paste was designed to be used in conjunction with Lascaux Colours as part of a non-toxic, waterbased programme for screenprinting that would not only meet the demands of health and safety regulations but also offers a high standard of reproduction and an ease of use. Furthermore, all the qualities of the existing Lascaux colour ranges can be exploited: a wide range of colours, intensity of hues, colour permanence etc. The additional range of mediums and varnishes, further lends surprising versatility to the system. Learn More
  23. Cobalt Blue Pigment

    Cobalt Blue Pigment

    Starting at: £6.50

    Call to Order

    PB28

    Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.

    Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.

    Limeproof

    Toxicity: C

    Learn More
  24. Lascaux Aquatint Spray Resist 500ml

    Lascaux Aquatint Spray Resist 500ml

    £45.60

    Call to Order

    This coloured resist is sprayed onto the plate to create a range of controllable tonal effects. It may be used in conjunction with Lascaux Lift solution, other lift methods, stencils and Lascaux Wash resist. Learn More
  25. Cornelissen Pochade Boxes

    Cornelissen Pochade Boxes

    Starting at: £180.00

    Call to Order

    Handmade from American cherry wood. Leather handle embossed with L. Cornelissen & Son. Est. 1855 Learn More

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