Search results for: 'process'

Caligo Safe Wash Relief Inks

Starting at: £10.55

Oil-based inks that wash away safely with liquid soap and water. Suitable for all types of relief or block printing, such as woodcut and wood engraving, letterpress and linocut. This range contains less than 1% of driers. For faster drying rates, add a small amount of cobalt or manganese driers. Formulated with excellent light fast pigments for non-toxic printmaking or solvent-free cleaning.

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Caligo Safe Wash Etching Inks

Starting at: £11.05

Oil-based and washable - Artist quality etching inks for non-toxic printmaking. Solvent-free cleaning and lightfast, this unique range of etching inks can be washed away with liquid soap and water. Suitable for all types of intaglio printing e.g. etching, aquatint and line engraving. This range does not contain any driers. For faster drying rates, add a small amount of cobalt or manganese driers.

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Small, 15ml Pigment sizes

Starting at: £4.00

15 ml pots of pure pigment Learn More

German Gold Powder 1 gram

Starting at: £47.00

Handcrafted, extra fine, genuine precious metal powders in a range of shades, all 1 gram in weight. These powders are produced using thin gold, silver and other precious metal leaf. A complex, manual process is undertaken to achieve the extremely fine-grained particle size of this extra fine powder.

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Gesso Panels

Starting at: £28.00

Our Gesso Icon Panels are handmade throughout the entire process, using hand tools rather than industrialised machinery.

Each board is made of lime, which has been allowed to age naturally for long term stability. Firstly, the panel is gently abraded to allow the penetration of rabbit skin glue into the fibres. Following the laying down of a specific canvas, the delicate process of building up precise layers of gesso is undertaken by hand. A final coat of water-based paint treated with wood preservative is applied and the finished panel lightly sanded, ready for painting.

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One Shot Lettering Enamel Paint

Starting at: £20.55

Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More

Burnt Umber Pigment

Starting at: £4.00

PBr7

Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.

Toxicity: B

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Burnt Sienna Pigment

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Starting at: £4.00

PBr7

Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders.

Toxicity B

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Instacoll Gilding System

Starting at: £6.85

Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More

Schmincke Liquid Frisket

Starting at: £5.40

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More

Schmincke Liquid Charcoal 15 ml

Starting at: £18.30

Liquid charcoal in the 15 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum Arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More

Roberson Cold Pressed Linseed Oil

Starting at: £7.50

Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates. Cold Pressed Linseed Oil is ideal for the grinding of pigment to make oil paints. The process of producing Cold Pressed Linseed Oil results in a lower yield, but the resultant oil is of a superior quality to oil that has been extracted by other methods, creating a paint film that is more resistant to embrittlement on aging. Its yellow colour is caused by the high concentration of linolenic acid, the presence of which provides durability to the paint film. The amount of oil that each pigment requires can vary enormously. Alizarin Crimson, for example, requires a high percentage of oil compared to most other colours. We would always recommend mulling the pigment and oil together thoroughly to create a "short" or buttery paste, with evenly dispersed, well-coated pigment particles. This process contributes to the strength and flexibility of the paint film, and prevents the inclusion of excess oil. Origin: USA Learn More

Schmincke Acrylic Binder 200 ml

£15.95

For satin-matt acrylic colours. Ready to use. Learn More

Schmincke Horadam Gouache

Starting at: £8.75

Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet.

Schmincke recommends the following:

"The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

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Schmincke Masking Fluid

Starting at: £8.65

Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More

Lascaux Hard Resist 500ml

£45.60

This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More

Schmincke Akademie Acrylic 250ml

Starting at: £10.75

Schmincke Akademie Acrylic 250ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Daniel Smith Watercolour Essentials Set

£36.30

The new set has six x 5ml transparent watercolours. The pigments were carefully selected to give you a wide range of colours and values. When mixed together the colours you can create are endless! The Essentials set contains Hansa Yellow Light, New Gamboge, Quinacridone Rose, Pyrrol Scarlet, Phthalo Blue GS, French Ultramarine in 5ml tubes. so you have both cool and warm Yellows, Reds and Blues. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Lascaux Plate-Backing Resist 500ml

£45.60

This tough scratch-resistant coloured resist is painted onto the back and edges of the plate to prevent any biting during the etching process. Learn More

Gamblin Oil Colours 37ml

Starting at: £11.20

*Only available online*. Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Golden Heavy Body Acrylic 59ml

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Starting at: £11.70

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. MULTI-BUY DISCOUNT Buy any five tubes of 59ml Golden Acrylic Heavy and get 10% discount. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Lascaux Studio Acrylic Colours 250ml

Starting at: £25.70

Great quality acrylic paints ideal to use in silkscreen printing. Mix the colours undiluted to obtain the desired hue and then add the Lascaux Screenprinting Paste. It is advisable to experiment initially, to determine satisfactory working mixes. To find a satisfactory working ratio, it is useful to first print colours using a 50/50 mixture of undiluted colour to paste and to then shift the ratio depending on the results. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Schmincke PRIMAcryl 60ml

Starting at: £7.60

[ONLY AVAILABLE ONLINE] Schmincke PRIMAcryl is a high viscosity premium acrylic range of 84 premium shades. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Daniel Smith Watercolour Ground Buff Titanium 4oz

£10.30

Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Reagent Jar

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Starting at: £6.50

Our clear reagent bottles are manufactured in the EU and are made of high quality soda lime glass. They have a solid base and good wall thickness.

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Daniel Smith 238 Try it dot Card

£25.80

Daniel Smith "Try It" Dot Cards are a great way to sample this wonderful new range. Each colour dot has been placed on to a "Try It" Card which is actually watercolour paper. You can then wet each colour dot and use the card as a sort of palette. You'll be amazed just how far one dot of colour goes. You can even revisit a colour at a later date by re-wetting it. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Golden Fluid Acrylic 119ml

Starting at: £20.10

Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Factis Erasers

Starting at: £0.80

Factis erasers are safe, harmless and non-toxic. They do not contain phthalates (which are used as plasticizers in certain industrial processes), heavy metals or aromatic additives. Learn More

Squat & Powder Jars

Starting at: £0.75

Squat and Powder Jars in glass and plastic. *Please note, our glass jars are fragile, although they are packed very carefully we cannot guarantee they will arrive safely. Cases of jars are stored offsite, please allow extra time for your order to be processed and dispatched. Learn More

Rohrer and Klingner Writing Ink Glass Pen

£34.10

Rohrer and Klingner Writing Ink Glass pen. The Glass Pen nib features fine capillaries that ensure a smooth flow of the ink. The pattern on each pen may vary as it is produced and processed exclusively by hand. Learn More

Search results for 'process'