Search results for: 'Cells'

Cornelissen 80 Moon Gold Leaf 22 ct

Starting at: £59.50

Moon Gold Leaf 22 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Cornelissen Imitation Gold No 2.5 Bulk Packs

Starting at: £16.00

Cornelissen Imitation Gold No 2.5 Bulk Packs Learn More

Genuine Silver Rolls

Starting at: £417.80

Genuine Silver Rolls Learn More

Cadmium Yellow Middle Pigment

1 Review(s) | Add Your Review

Starting at: £6.30

Cadmium Yellow Middle Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More

Phthalo Turquoise Pigment

Starting at: £17.00

Phthalo Turquoise Pigment (PB15.3, PG7, PW21). Mixture of Phthalo Green, Phthalo Blue and Blanc Fixe. Transparent. Excellent Lightfastness. Requires wetting agent. Toxicity B Learn More

Ultramarine PB29 Pigment

Starting at: £9.10

PB29

Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B/C

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Cornelissen 80 Green Gold Leaf 18 ct

Starting at: £48.90

Green Gold Leaf 18 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Colour Shapers

Starting at: £7.00

Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More

Japanese Gold 24ct

Starting at: £71.00

Highest quality 24ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Quinacridone Red Pigment

Starting at: £5.50

Quinacridone Red Pigment (PV19). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Cornelissen Variegated Metal Leaf 280

Starting at: £26.00

Cornelissen Variegated Metal Leaf 280 Learn More

Cornelissen 80 Pure Gold Leaf 24 ct

Starting at: £68.20

Pure Gold Leaf 24 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Cornelissen 80 Warm Gold Leaf 23 3/4 ct

Starting at: £56.50

Warm Gold Leaf 23.5 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Cadmium Yellow Lemon Pigment

2 Review(s) | Add Your Review

Starting at: £4.50

Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C

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Cobalt Violet Light Pigment

Starting at: £10.00

Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

Limeproof

Toxicity: C

Please note, unfortunately we are not able to send this product outside the UK.

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Viridian Green Pigment

Starting at: £6.30

Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.

Toxicity B

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Cornelissen 80 Light Green Gold Leaf 16 ct

Starting at: £43.70

Light Green Gold Leaf 16 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Cornelissen Imitation Gold No 2.5

Starting at: £7.40

Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More

Naples Yellow Light Pigment

1 Review(s) | Add Your Review

Starting at: £7.40

Naples Yellow Light Pigment (PY41). Synthetic Inorganic pigment (Lead Antimoniate). Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. Suitable for all media except watercolours. Toxicity D.

Please note, unfortunately we are not able to send this product outside the UK.

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Cornelissen Variegated Metal Leaf 264

Starting at: £23.00

Cornelissen Variegated Metal Leaf 264 Learn More

Gold Leaf Starter Packs

Starting at: £13.70

Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More

Cornelissen Aluminium Leaf

Starting at: £7.40

Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More

Japanese Gold 14,3ct

Starting at: £48.00

Highest quality 14,3ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More

Ultramarine Blue Limewash Pigment

Starting at: £6.30

PB29

Ultramarine Blue Limewash is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. Most Ultramarine colours react to alkali and are therefore unsuitable for use in lime-fresco; Limeproof Ultramarine Blue remedies this problem. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Cornelissen 80 Platinum Leaf

Starting at: £67.80

Platinum Leaf, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More

Cornelissen Silver Leaf Thick

Starting at: £14.50

Cornelissen Silver Leaf Thick, 95 x 95 mm (34g/1000 lvs). Book of 25 leaves Learn More

Cornelissen Variegated Metal Leaf 216

Starting at: £17.00

Cornelissen Variegated Metal Leaf 216 Learn More

Lemon Yellow Pigment

2 Review(s) | Add Your Review

Starting at: £7.00

Lemon Yellow Pigment (PY31). Synthetic Inorganic pigment (Barium Chromate). Opaque but transparent in a glaze. Low tinting strength. Excellent Lightfastness. Low oil absorption with medium drying rate. Recommended for oils but can turn slightly greenish when mixed with binder. Used since beginning of the 19th Century. Toxicity D

Please note, unfortunately we are not able to send this product outside the UK.

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Raw Sienna Pigment

Starting at: £4.00

PBr7

Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity: B

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Cornelissen Variegated Metal Leaf 236

Starting at: £17.00

Cornelissen Variegated Metal Leaf 236 Learn More

Search results for 'Cells'