Click to Hide Notification

Search results for 'the and'

Items 61 to 90 of 224 total

per page
Page:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5

Grid  List 

Set Ascending Direction
  1. Easy Grip Crible Point Sharp No 93

    Easy Grip Crible Point Sharp No 93

    £15.76

    Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More
  2. Cornelissen Silver Foil Leaf-Single

    Cornelissen Silver Foil Leaf-Single

    £13.00

    Cornelissen Silver Foil Leaf-Single Learn More
  3. Plaster of Paris

    Plaster of Paris

    Starting at: £5.50

    For moulding when mixed with the same volume of water. Sets quickly and will not shrink. Learn More
  4. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  5. Quill Pens

    Quill Pens

    Starting at: £13.00

    Traditional quill pen made from goose and turkey feathers. Cut by hand and cured in hot sand. Learn More
  6. Gum Benzoin

    Gum Benzoin

    Starting at: £14.70

    Gum Benzoin is used as a fixative, slowing the dispersion of essential oils and other materials into the air. Is occasionally called for in some old varnish recipes where it was employed primarily for its odour. Learn More
  7. Carnauba Wax Grey

    Carnauba Wax Grey

    Starting at: £8.40

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  8. Kelmscott

    Kelmscott

    Starting at: £19.55

    Specially prepared to give a very smooth surface for painting or calligraphy.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More
  9. Powdered Rosin

    Powdered Rosin

    Starting at: £13.90

    Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More
  10. Gesso di Bologna

    Gesso di Bologna

    Starting at: £12.00

    Gesso di Bologna is a bright white Calcium Sulphate, or gypsum, from Italy, which can be used as a substitute for whiting in the preparation of gesso. It is ground to a particularly fine powder, which makes it a suitable ground for gilding, as the small size of the particles allows for greater compression when burnishing. Learn More
  11. Calf Vellum

    Calf Vellum

    Starting at: £16.75

    Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More

  12. Genuine Silver Rolls

    Genuine Silver Rolls

    Starting at: £417.80

    Genuine Silver Rolls Learn More
  13. Gum Tragacanth

    Gum Tragacanth

    Starting at: £20.00

    Call to Order

    Gum Tragacanth is a natural tree gum with pigment-binding properties. It can be used to make a very matte watercolour, but is most commonly used in the production of soft pastels.

    Please see the Formulas & Recipes section on our homepage for a recipe to make your own pastels using Gum Tragacanth (currently under construction). 

    Learn More
  14. Fullers Earth

    Fullers Earth

    Starting at: £6.30

    Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.

    Learn More
  15. Microcrystalline Wax

    Microcrystalline Wax

    Starting at: £8.50

    Microcrystalline Wax is related to paraffin wax, and is used as a plasticiser in some recipes. It is characterised by the fineness of its crystals in contrast to the larger crystal of paraffin wax. It is generally more viscous, denser, tackier and more elastic than paraffin waxes, and has a higher melting point. Learn More
  16. Easy Grip Crible Point Squat No 94

    Easy Grip Crible Point Squat No 94

    £15.76

    Easy Grip Crible Point Squat #94 Heavy duty tool with tapered shaft ending in a point Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More
  17. Genuine Malachite Pigment

    Genuine Malachite Pigment

    Starting at: £14.90

    Malachite is a naturally occurring copper carbonate, closely related to Azurite. It has a weak tinting strength, is quite opaque, and works best in aqueous media. Larger sizes available on request. Learn More
  18. Gypsum

    Gypsum

    Starting at: £5.70

    Gypsum is powdered Calcium Sulphate, a traditional ingredient in gesso grounds used in southern Europe. One of the advantages of preparing your painting surface with gypsum is that it allows for a particularly even absorption of the paint film. It can also be added to acrylic primers to increase absorbency or add tooth to a surface. Learn More
  19. Lemon Shellac

    Lemon Shellac

    Starting at: £8.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  20. Winsor & Newton Drying Linseed Oil

    Winsor & Newton Drying Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss. Improves flow. Increases gloss transparency. Add to other oils to speed drying.

    Learn More
  21. Gum Copal Manila

    Gum Copal Manila

    Starting at: £6.00

    Gum Copal Manila is derived from the resin of a coniferous tree native to the Philippines. It is not to be confused with other copals, which are the product of fossilised plant materials. It can be dissolved in alcohol to make a spirit varnish, to be used as a substitute for shellac, or as a fixative for pastel and charcoal drawings. Please note, that when used as a fixative it may darken the colour of the image. Learn More
  22. Isinglass

    Isinglass

    Starting at: £20.00

    Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More
  23. Carnauba Wax Yellow

    Carnauba Wax Yellow

    Starting at: £6.50

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  24. Unprimed Cotton

    Unprimed Cotton

    Starting at: £7.40

    Our unprimed cotton ducks are economical painting supports, offering an even grain and regular surface. Woven in India, these cottons are provided as loom-state textiles, meaning that they will shrink once wetted. We offer three thicknesses:

    9oz : A strong textile with a half panama construction, meaning that there are two warp yarns over each weft. 300gsm.

    120z: A classic canvas for painting, recommended for larger works, with a smooth, dense construction made from braided yarns. 400gsm.

    15oz: A strong, dense textile, woven with braided yarns, recommended for thickly painted works. 500gsm. 

    Learn More
  25. Alumina Hydrate Light

    Alumina Hydrate Light

    Starting at: £8.30

    Alumina Hydrate is an inert pigment with highly absorbent properties, which can be ground into oil paint as an almost colourless extender. It is often used as an additive in commercial oil paints, particularly in conjunction with transparent or lake pigments, as it provides stability and a homogenous consistency without effecting colour or gloss, although it may effect the pigment strength. When combined with linseed oil, it produces an almost transparent painting medium for extending oil colours. Sometimes referred to as Lake Base. Learn More
  26. Button Shellac

    Button Shellac

    Starting at: £8.40

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  27. Ivory Black Genuine Pigment

    Ivory Black Genuine Pigment

    Starting at: £38.00

    PBk9

    Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.

    Larger quantities are available by request. While stocks last.

    Learn More
  28. Gum Arabic

    Gum Arabic

    Starting at: £4.25

    Gum Arabic is a resoluble binding agent, commonly used in the preparation of watercolours, but also useful as an adhesive, a size, and in the production of soft pastels. It is a natural product, harvested from the Acacia tree between October and May. The highest grade of Gum Arabic comes from the Kordofan region of Sudan. It is exceptionally pale and pure and therefore particularly suited to watercolour painting, while Nigerian Gum Arabic (while stocks last) is better suited to stone lithography and other printmaking techniques. Please see the Formulas & Recipes section on our homepage for a recipe to make your own watercolour paints using Gum Arabic (currently under construction). Learn More
  29. Carrageen Moss

    Carrageen Moss

    Starting at: £51.00

    Carrageen Moss is a seaweed that is gathered from the Irish coast, whose natural thickening properties are often exploited by the food industry. It is also used as a size in traditional paper marbling, as it allows colours to float and be manipulated on the surface of the water. Learn More
  30. Slunk

    Slunk

    Starting at: £16.75

    Skin of young calves. Very fine and translucent. Requires little or no preparation before writing.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More

Items 61 to 90 of 224 total

per page
Page:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5

Grid  List 

Set Ascending Direction