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Daniel Smith Artists Watercolour 15ml Tube
Starting at: £13.40
DANIEL SMITH currently offers 245 different watercolours, with more in the works every year. The sheer range of possibility they offer is endless and unparalleled in the industry. Their amazing selection spans the spectrum from the historical, to natural earth and PrimaTek colours, to Quinacridones, the brightest and boldest colours modern technology has to offer. We stock a core range of 77 colours in the large 15ml tubes. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Golden Heavy Body Acrylic 236ml
Starting at: £29.40
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Akademie Acrylic 120ml
Starting at: £7.60
Schmincke Akademie Acrylic 120ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Golden Fluid Acrylic 236ml
Starting at: £32.10
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
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Schmincke Akademie Acrylic 250ml
Starting at: £10.75
Schmincke Akademie Acrylic 250ml. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Powdered Rosin
Starting at: £13.90
Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More -
Golden Ochre Pigment
Starting at: £4.50
PY43 Golden Ochre is a natural earth pigment, somewhat darker than Yellow Ochre. It is a semi-transparent, lightfast pigment, that is stable in all media. It has a medium to slow drying rate in oil, creating a tough, flexible paint film. Toxicity: B Limeproof Learn More -
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Mitchell Nib Round Hand Left Oblique Nibs
Starting at: £1.30
Mitchell Nib Round Hand Left Oblique Nibs Learn More -
Clear Dewaxed Shellac
Starting at: £9.20
Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More -
William Mitchell Round Hand Square Cut Nibs
Starting at: £1.35
William Mitchell Round Hand Square Cut Nibs Learn More -
William Mitchell Script Nibs
Starting at: £2.25
Smooth nib for mono-line lettering. Top-mounted reservoir. Learn More -
Omega Series 79 Al Fresco
Starting at: £15.30
Long grey bristle and string ferrule. Holds colour well for fresco painting. 100% pure hog hair. Learn More -
Brause Bandzug Nibs
Starting at: £2.85
Square nib for round hand writing. Ink reservoir on top. Learn More -
Brause Ornament Nibs
Starting at: £2.75
Nib with blade and ink reservoir, used for titles and ornamentation. Learn More -
Pumice Powder
Starting at: £5.70
Volcanic rock in powdered form. Used to provide tooth to grounds. Learn More -
da Vinci Series 122 Nova Flat
Starting at: £3.85
Fine golden synthetic fibre. More springy than da Vinci Cosmotop Spin (but with lower water absorption) making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More -
Norma Wooden Set 11 x 35ml tubes, 2 brushes and accessories
£107.60Schmincke Norma Wooden Set 11 x 35 ml tubes, 2 brushes and accessories Learn More -
da Vinci Series 1200 Sable Rigger
Starting at: £9.40
Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More -
Translucent Yellow Oxide Pigment
Starting at: £7.00
Translucent Yellow Oxide (PY42). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More -
Norma Wooden Set 15 x 35ml tubes, 1 x 120ml white and accessories
£213.55Schmincke Norma Wooden Set 15 x 35 ml tubes, 1 x 120 ml white and accessories Learn More -
Cornelissen Series 1 Kolinsky Sable Watercolour Brush
Starting at: £11.10
Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More -
Graphite Powder (Sri Lanka)
Starting at: £5.50
PBk10
Graphite powder is an allotropic form of pure carbon, ground to 200 mesh. It is transparent and lightfast, with a slight sheen. It can be applied directly onto a paper support.
Larger quantities are available by request. This variety of graphite is a naturally occurring material sourced from Sri Lanka.
Toxicity: A/B
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Cornelissen Series 41 Hog Bristle Bright
Starting at: £5.00
Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More -
Michael Harding Artists' Oil Colour 225 ml
Starting at: £29.40
Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. We have high stock levels on all Series numbers including 5,6 & 7. Learn More -
Michael Harding Artists' Oil Colour 40 ml
Starting at: £9.20
Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More -
Casein Lactic
Starting at: £15.95
Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.
Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.
Learn More -
Pro Arte Series 202 Round Acrylix
Starting at: £3.45
This brush has an excellen point and spring well suited to detail work in acrylic, watercolour and oils Learn More -
Roberson Series 41B Hog Bristle Bright
Starting at: £5.10
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More